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Jaron Lanier is a computer science pioneer who has grown gradually disenchanted with the online world since his early days popularizing the idea of virtual reality. "Lanier is often described as 'visionary,' " Jennifer Kahn wrote in a 2011 New Yorker profile, "a word that manages to convey both a capacity for mercurial insight and a lack of practical job skills." Raised mostly in Texas and New Mexico by bohemian parents who'd escaped anti-Semitic violence in Europe, he's been a young disciple of Richard Feynman, an employee at Atari, a scholar at Columbia, a visiting artist at New York University, and a columnist for Discover magazine. He's also a longtime composer and musician, and a collector of antique and archaic instruments, many of them Asian. His book continues his war on digital utopianism and his assertion of humanist and individualistic values in a hive-mind world. But Lanier still sees potential in digital technology: He just wants it reoriented away from its main role so far, which involves "spying" on citizens, creating a winner-take-all society, eroding professions and, in exchange, throwing bonbons to the crowd.

Kovas Boguta, the head of analytics at Weebly and a guest author on ReadWriteWeb, has created another powerful data visualization, this time of the "the pro-democracy movement in Egypt and across the Middle East." The visualization drew from Twitter use by Egyptians and influential others around the #jan25 uprising. Those writing in Arabic only are represented in red, only in English are in blue and overlap by various shades of purple. Influence, in terms of follows, are represented by lines and those who influence each other are located in proximity.