Group items tagged

Caring For Our Country The TAFE Caring For Country Program started in 1990 at the request of North Queensland Aboriginal communities who wanted culturally appropriate ranger training. The Diploma level course runs for four years and is equivalent to tertiary education. Aboriginal rangers have unique skills as they are trained to use both traditional knowledge and contemporary management practices to preserve cultural and natural values. Practical skills taught include such things as map reading, site surveys, animal and plant field skills, visitor facility management, first aid and office management. An ecological component includes vegetation management and feral animal control as well as traditional knowledge. Archaeological and anthropological knowledge and techniques are gained in class as well as on sites in the field.

Aboriginal rangers now work for Aboriginal communities and in some government agencies such as the Queensland Parks and Wildlife Service, looking after rainforest and sea country. Aboriginal rangers are involved in all types of nature conservation and cultural heritage work. They liaise between Elders, Aboriginal community members and government agencies. They build and manage walking tracks for tourists. Rangers carry out surveys on cultural sites and help to manage and protect these sites. They are involved in pest and weed control, and help Government agencies to use controlled fires to maintain the diversity of plants and animals in the World Heritage Area.

Rangers also have an important role to play in public education. They visit schools, talk to tourists and the wider community about their work and culture. Cross cultural education and experiences for the wider community and visitors help to promote interracial understanding - an important step towards reconciliation. Aboriginal community rangers are often employed on a part-time basis to work in their communities on land management and cultural heritage protection through funding from the Commonwealth agency, the Aboriginal and Torres Strait Islander Commission (ATSIC) and the Community Development Employment Projects (CDEP). CDEP is similar to the mainstream "work for the dole" (unemployment benefits) program in that these schemes also benefit local communities. A difference is, in some cases, that many Aboriginal people may not have other opportunities to find work or be involved in caring for their country. Many young community rangers find it frustrating to be employed only on CDEP after having done four years of training. Employment of more Aboriginal rangers has the potential to greatly increase the integration of traditional management knowledge and techniques to improve overall management of the World Heritage Area, it is a question of resources. With their Elders, Aboriginal rangers are negotiating with government land management agencies for more permanent, full-time positions managing their country in the Wet Tropics World Heritage Area.  

t agencies.

The tradition of wall painting in Greece goes back at least to the Minoan and Mycenaean Bronze Age, with the lavish fresco decoration of sites like Knossos, Tiryns and Mycenae. It is not clear, whether there is any continuity between these antecedents and later Greek wall paintings. Wall paintings are frequently described in Pausanias, and many appear to have been produced in the Classical and Hellenistic periods. Due to the lack of architecture surviving intact, not many are preserved. The most notable examples are a monumental Archaic 7th century BC scene of hoplite combat from inside a temple at Kalapodi (near Thebes), and the elaborate frescoes from the 4th century "Grave of Phillipp" and the "Tomb of Persephone" at Vergina in Macedonia[1], sometimes suggested to be closely linked to the high-quality panel paintings mentioned above. Greek wall painting tradition is also reflected in contemporary grave decorations in the Greek colonies in Italy, e.g. the famous Tomb of the Diver at Paestum. Some scholars suggest that the celebrated Roman frescoes at sites like Pompeii are the direct descendants of Greek tradition, and that some of them copy famous panel paintings.

There were several interconnected traditions of painting in ancient Greece. Due to their technical differences, they underwent somewhat differentiated developments. Not all painting techniques are equally well represented in the archaeological record. [edit] Panel painting [show] List of known Ancient Greek painters One of the Pitsa panels, the only surviving panel paintings from Archaic Greece.   Agatharchus Antiphilus Apelles Apollodorus (painter) Aristides of Thebes Cimon of Cleonae Echion (painter) Euphranor Eupompus Melanthius Nicomachus of Thebes Panaenus Parrhasius Pausias Polyeidos (poet) Polygnotus Protogenes Theon of Samos Timarete Timomachus Zeuxis and Parrhasius The most respected form of art, according to authors like Pliny or Pausanias , were individual, mobile paintings on wooden boards, technically described as panel paintings . The techniques used were encaustic (wax) painting and tempera . Such paintings normally depicted figural scenes, including portraits and still-lifes ; we have descriptions of many compositions. They were collected and often displayed in public spaces. Pausanias describes such exhibitions at Athens and Delphi . We know the names of many famous painters, mainly of the Classical and Hellenistic periods, from literature (see expandable list to the right). Unfortunately, due to the perishable nature of the materials used and the major upheavals at the end of antiquity, not one of the famous works of Greek panel painting has survived, nor even any of the copies that doubtlessly existed, and which give us most of our knowledge of Greek sculpture. The most important surviving Greek examples are the fairly low-quality Pitsa panels from circa 530 BC, and a large group of much later Graeco-Roman archaeological survivals from the dry conditions of Egypt, the Fayum mummy portraits , together with the similar Severan Tondo . Byzantine icons are also derived from the encaustic panel painting tradition. [edit] Wall painting Symposium scene in the Tomb of the Diver at Paestum, circa 480 BC. The tradition of wall painting in Greece goes back at least to the Minoan and Mycenaean Bronze Age , with the lavish fresco decoration of sites like Knossos , Tiryns and Mycenae . It is not clear, whether there is any continuity between these antecedents and later Greek wall paintings. Wall paintings are frequently described in Pausanias, and many appear to have been produced in the Classical and Hellenistic periods. Due to the lack of architecture surviving intact, not many are preserved. The most notable examples are a monumental Archaic 7th century BC scene of hoplite combat from inside a temple at Kalapodi (near Thebes ), and the elaborate frescoes from the 4th century "Grave of Phillipp" and the "Tomb of Persephone" at Verg in a in Macedonia http://en.wikipedia.org

European dragons exist in folklore and mythology among the overlapping cultures of Europe. Despite having wings, the dragon is generally depicted as having an underground lair or cave, making it an ancient creature of the earth element.

European Main articles: European dragon and Saint George and the Dragon European dragons exist in folklore and mythology among the overlapping cultures of Europe. Despite having wings, the dragon is generally depicted as having an underground lair or cave, making it an ancient creature of the earth element. Chinese Main article: Chinese dragon Chinese dragons (simplified Chinese: 龙; traditional Chinese: 龍; pinyin: lóng), and Oriental dragons generally, can take on human form and are usually seen as benevolent, whereas European dragons are usually malevolent though there are exceptions (one exception being Y Ddraig Goch, the Red Dragon of Wales). Malevolent dragons also occur in the mythology of Persia (see Azhi Dahaka) and Russia, among other places. Dragons are particularly popular in China and the five-clawed dragon was a symbol of the Chinese emperors, with the phoenix or fenghuang the symbol of the Chinese empress. Dragon costumes manipulated by several people are a common sight at Chinese festivals. Japanese Main article: Japanese dragon Japanese dragon myths amalgamate native legends with imported stories about dragons from China, Korea and India. Like these other Asian dragons, most Japanese ones are water deities associated with rainfall and bodies of water, and are typically depicted as large, wingless, serpentine creatures with clawed feet. Gould writes (1896:248)[6], the Japanese dragon is "invariably figured as possessing three claws".

European Main articles: European dragon and Saint George and the Dragon European dragons exist in folklore and mythology among the overlapping cultures of Europe. Despite having wings, the dragon is generally depicted as having an underground lair or cave, making it an ancient creature of the earth element. Chinese Main article: Chinese dragon Chinese dragons (simplified Chinese: 龙; traditional Chinese: 龍; pinyin: lóng), and Oriental dragons generally, can take on human form and are usually seen as benevolent, whereas European dragons are usually malevolent though there are exceptions (one exception being Y Ddraig Goch, the Red Dragon of Wales). Malevolent dragons also occur in the mythology of Persia (see Azhi Dahaka) and Russia, among other places. Dragons are particularly popular in China and the five-clawed dragon was a symbol of the Chinese emperors, with the phoenix or fenghuang the symbol of the Chinese empress. Dragon costumes manipulated by several people are a common sight at Chinese festivals. Japanese Main article: Japanese dragon Japanese dragon myths amalgamate native legends with imported stories about dragons from China, Korea and India. Like these other Asian dragons, most Japanese ones are water deities associated with rainfall and bodies of water, and are typically depicted as large, wingless, serpentine creatures with clawed feet. Gould writes (1896:248)[6], the Japanese dragon is "invariably figured as possessing three claws".

European Main articles: European dragon and Saint George and the Dragon European dragons exist in folklore and mythology among the overlapping cultures of Europe. Despite having wings, the dragon is generally depicted as having an underground lair or cave, making it an ancient creature of the earth element.

European Main articles: European dragon and Saint George and the Dragon European dragons exist in folklore and mythology among the overlapping cultures of Europe. Despite having wings, the dragon is generally depicted as having an underground lair or cave, making it an ancient creature of the earth element.

European dragons exist in folklore and mythology among the overlapping cultures of Europe. Despite having wings, the dragon is generally depicted as having an underground lair or cave, making it an ancient creature of the earth element

Dragons are usually shown in modern times with a body like a huge lizard, or a snake with two pairs of lizard-type legs, and able to emit fire from their mouths. The European dragon has bat-type wings growing from its back. A dragon-like creature with no front legs is known as a wyvern. Following discovery of how pterosaurs walked on the ground, some dragons have been portrayed without front legs and using the wings as front legs pterosaur-fashion when on the ground, as in the movie Reign of Fire

Although dragons occur in many legends around the world, different cultures have varying stories about monsters that have been grouped together under the dragon label. Some dragons are said to breathe fire or to be poisonous. They are commonly portrayed as serpentine or reptilian, hatching from eggs and possessing typically scaly or feathered bodies. They are sometimes portrayed as having especially large eyes or watching treasure very diligently, a feature that is the origin of the word dragon (Greek drakeîn meaning "to see clearly").[3] Some myths portray them with a row of dorsal spines. European dragons are more often winged, while Oriental versions of the dragon resemble large snakes. Dragons can have a variable number of legs: none, two, four, or more when it comes to early European literature. Also, some dragons in Greek literature were known to have millions of legs at a time.[citation needed] Modern depictions of dragons tend to be larger than their original representations, which were often smaller than humans, but grew in the myths and tales of man over the years.[citation needed] Dragons are often held to have major spiritual significance in various religions and cultures around the world. In many Asian cultures dragons were, and in some cultures still are, revered as representative of the primal forces of nature, religion and the universe. They are associated with wisdom—often said to be wiser than humans—and longevity. They are commonly said to possess some form of magic or other supernatural power, and are often associated with wells, rain, and rivers. In some cultures, they are also said to be capable of human speech. The term dragoon, for infantry that moved around on horseback yet still fought as foot soldiers, is derived from their early firearm, the "dragon", a wide-bore musket that spat flame when it fired, and was thus named for the mythical creature.

Dragons are legendary creatures, typically with serpentine or otherwise reptilian traits, that feature in the myths of worldwide cultures.

Jagua is a tropical fruit that is used for traditional body art. The unripe jagua fruit juice is painted on the skin making elaborate and striking jagua body art. It's a really great type of body paint because it can last for a few weeks, just like henna body art. So technically jagua is actually a stain and not a paint.

Traditionally, the plural of dwarf was "dwarfs", especially when referring to actual humans with dwarfism, but ever since J. R. R. Tolkien used Dwarves in his fantasy novel The Hobbit, the subsequent The Lord of the Rings (often published in three volumes), and the posthumously published The Silmarillion, the plural forms "dwarfs" has been replaced by "Dwarves". Tolkien, who was fond of low philological jests, also suggested two other plural forms, Dwarrows and Dwerrows; but he never used them in his writings, apart from the name 'Dwarrowdelf', the Western name for Khazad-dûm or Moria, which was, inside his fiction, a calque of the Westron name Phurunargian. His Dwarves' name for themselves was Khazâd, singular probably Khuzd. 'Dwarrows' is the Middle English plural of 'Dwerg' or 'Dwerf' ('Dwarf'), and derives from the Old English 'Dweorgas', plural of 'Dweorh' or 'Dweorg'.

Dwarves in Tolkien are long-lived, living nearly four times the age of man (about 250 years), but are not prolific breeders, having children rarely and spaced far apart, and having few women among them. Dwarvish children are cherished by their parents, and are defended at all costs from their traditional enemies, such as Orcs. A longstanding enmity between normal Dwarves and Elves is also a staple of the racial conception.

A long standing source of interest (and humour) comes from the allusion of Tolkien to female Dwarves having beards, which was borrowed by other writers. Essentially, Tolkien developed a rational explanation for why female Dwarves are never encountered in the story, by elaborating that female Dwarves never travel abroad, and look so much like Dwarf men that visitors to Dwarf cities cannot immediately spot them. In addition to being rare creatures they are perhaps not often featured in many fantasy milieu for this reason. Tolkien writes his Dwarf-women are "in voice and appearance, and in garb if they must go on a journey, so like to dwarf-men that the eyes and ears of the other peoples cannot tell them apart." This, he writes, leads to the belief that Dwarves grow out of stone[15]. In The Chronicles of Narnia, in fact, C. S. Lewis, who was a friend of Tolkien, describes his Dwarfs as doing just this, and it is possible that Tolkien was ribbing Lewis in making this point. Interestingly, though, Lewis' all-male Dwarfs are capable of mixing with humans to make half-Dwarfs, such as Doctor Cornelius, the tutor of Prince Caspian (In the 2008 adaption of Prince Caspian, female Dwarfs are shown as archers along with the males, though these female Dwarfs are shown to be beardless). In later writings, Tolkien directly states that his female Dwarves have beards "from the beginning of their lives", as do the males[16].

The Huli

The Yanomami

More than half the species on Earth are found in tropical rainforests. Many species living in these forests have never before been seen or studied by scientists. Most of these unknown species are insects, like moths.

Tropical rainforests are wet nearly all the time. They get lots of rain all year long, but they also help make rain through evaporation. Tropical rainforests help regulate weather all over the world.

Tropical rainforests are found in a narrow region around the equator that is known as the tropics. The climate is rainy and the temperatures are warm and nearly the same every day. The sun and the rain combine to create an environment that is very humid. This climate is ideal for the growth of many kinds of green plants.

Many different frog species live in the canopy of the rainforest. Most spend their entire lives in the canopy. They lay their eggs in little pools of water held in leaves instead of in ponds or streams.

Tropical rainforest plants have many adaptations for living in the forest. Some collect all their water from the air. For this reason, many of them have very large leaves. Others have flexible stems that allow them to bend and follow the sunlight so they can carry out photosynthesis all day.

which is part of a conservation effort known as ecotourism. People also are trying to help wildlife survive by creating protected areas and rehabilitation centers.

Decomposers like leaf-cutter ants, termites, bacteria, and fungi live on the forest floor. These decomposers quickly turn fallen leaves and dead organisms into nutrients. This creates food for trees and other plants and animals.

oung male elephants leave to join a bachelor herd when they are about 11-years-old. Female elephants, however, stay with their mother’s herd for life. Elephants keep growing their whole lives. A male may grow to be twice as large as a female of the same age. In the wild, elephants live to be about 60-years-old.

People have always been amazed at the great size and strength of elephants. Long ago, elephants were sometimes used on the battlefield. Soldiers riding atop them would charge at the enemy. The sight of a giant elephant in armor could terrify the enemy soldiers into running away. In Asia, elephants are trained to work for people. They carry people and supplies through tropical forests and help with logging by moving giant logs from place to place. Asian elephants have even been used as taxis to carry people through slow traffic. In India, Thailand, and other Asian countries, elephants are honored as symbols of good fortune. People sometimes decorate elephants and include them as part of traditional religious ceremonies.

In the early 1900s, there were more than 5 million elephants in Africa and Asia. Today, there are fewer than 500,000, as a result of hunting (legal and illegal) and habitat destruction. People are the biggest threat to the survival of elephants both in Africa and Asia.

Tolkien's dwarves

J. R. R. Tolkien used Dwarves in his fantasy novel The Hobbit, the subsequent The Lord of the Rings

"dwarfs" has been replaced by "Dwarves"

Dwarves in Tolkien are long-lived, living nearly four times the age of man (about 250 years), but are not prolific breeders, having children rarely and spaced far apart, and having few women among them. Dwarvish children are cherished by their parents, and are defended at all costs from their traditional enemies, such as Orcs. A longstanding enmity between normal Dwarves and Elves is also a staple of the racial conception.

A long standing source of interest (and humour) comes from the allusion of Tolkien to female Dwarves having beards, which was borrowed by other writers

The typical fantasy Dwarf is, like the original Dwarves, short in stature, long-bearded and skilled at mining and metallurgy. They are often depicted as having a low affinity for most magical abilities and/or a resistance to magic.

Tolkien's dwarves