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One in every four Americans receives their news digitally from mobile devices, which are helping to expand the consumption of journalism across multiple sources, according to a new report released Monday. The 2012 State of the News Media Report, conducted by Pew Research Center's Project for Excellence in Journalism, provides an in-depth examination of how Americans read news as their consumption habits transition from the printed form to the digital.

"An all-digital public library is opening today, as officials in Bexar County, Texas, celebrate the opening of the BiblioTech library. The facility offers about 10,000 free e-books for the 1.7 million residents of the county, which includes San Antonio. On its website, the Bexar County BiblioTech library explains how its patrons can access free eBooks and audio books. To read an eBook on their own device, users must have the 3M Cloud Library app, which they can link to their library card. The app includes a countdown of days a reader has to finish a book - starting with 14 days, according to My San Antonio."

"She had, she concluded, 'changed in ways I would never have predicted. I now read on the surface and very quickly; in fact, I read too fast to comprehend deeper levels, which forced me constantly to go back and reread the same sentence over and over with increasing frustration.' She had lost the 'cognitive patience' that once sustained her in reading such books. She blamed the internet.""

"The beauty in opening with "tell me about yourself" is that it allows you to start a conversation without the fear that you're going to inadvertently make someone uncomfortable or self-conscious. Posing a broad question lets people lead you to who they are"

"…because of term extensions, we've had to wait almost a century before copyrighted works enter the public domain (in 2019, works from 1923 are finally freely available). Under current copyright terms - life plus 70 years for natural authors, and 95 years from publication for works of corporate authorship - you're unlikely to see any works created in your lifetime enter the public domain. This imposes great (and in many cases unnecessary) costs on creativity, on libraries and archives, on education and on scholarship. More broadly, it imposes costs on our collective culture. Even for the works that are still commercially available, the shrinking public domain increases costs to citizens and limits creative reuse. But at least those works are available. Unfortunately, much of our cultural heritage, perhaps the majority of the culture of the last 80 years, consists of the orphan works described above-works that have no identifiable or locatable copyright holder. Though no one is benefiting from the copyright, they are nevertheless presumptively off limits."