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"Twitter, Facebook and Google Buzz are great places to discover and share new things - and therefore to build and extend your education. Discover new classes in the form of knowledge nuggets and related links to supporting FREE resources (web pages, videos, podcasts, etc) - in less than 140 characters. Explore the classes that you are interested in! Share your comments. Classes are delivered daily - 7 days a week. Saturday is quiz day"

But what you rapidly find is that you're taken by the scruff of the internet over to Twitter where you're, um, encouraged to authorise the game to access your Twitter feed. (It uses the OAuth system, which means that the people behind playmobsterworld don't get your username or password. The owners have chosen to hide their identities by using Domainsbyproxy, and haven't left an email address on their website, so we don't know who they are, and couldn't contact them.) Once you've done that, the "game" will then spew that invitation in the form of a direct message to everyone it can. (The people who receive it are the ones who follow you, and who you also follow. They're the only group you can direct message on Twitter.) And so those DMs turn up in peoples' feeds, and they click them.. and so on. You'd think that by now Mobster World would be played by everyone. Not so. Instead many people - the non-players - get annoyed by it.

Items Implemented\n * All links are keyboard accessible.\n * Simple, consistent layout and navigation.\n * Works with or without JavaScript.\n * Large default text size and high color contrast.\n * Looks great in high or low resolution.\n * Forms are marked up for optimal accessibility.\n * Code is semantic, light, and adheres to best practices in Web Standards.

It pulls your Twitter stream in near real-time, reformatting tweets into threaded conversations with unlimited nesting.

tweets sous forme de conversation en direct sur son site

As print takes its place alongside smoke signals, cuneiform, and hollering, there has emerged a new literary age, one in which writers no longer need to feel encumbered by the paper cuts, reading, and excessive use of words traditionally associated with the writing trade. Writing for Nonreaders in the Postprint Era focuses on the creation of short-form prose that is not intended to be reproduced on pulp fibers. Instant messaging. Twittering. Facebook updates. These 21st-century literary genres are defining a new "Lost Generation" of minimalists who would much rather watch Lost on their iPhones than toil over long-winded articles and short stories. Students will acquire the tools needed to make their tweets glimmer with a complete lack of forethought, their Facebook updates ring with self-importance, and their blog entries shimmer with literary pithiness.