On the surface, the dispute is about grout and tiles, but it is also a collision of values and taste. Ms. Breen said she suspected that one of the founders of RFR was just not a fan of “Le Tricorne” — a person who heard him discussing the work said he dismissed it as “a schmatte,” Yiddish for rag — and was using the damaged-wall argument as a pretense to ditch it for good.
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