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Javier E

Inequality and the Modern Culture of Celebrity - NYTimes.com - 0 views

  • The Depression that ended Fitzgerald’s Jazz Age yielded to a new order that might be called the Roosevelt Republic. In the quarter-century after World War II, the country established collective structures, not individual monuments, that channeled the aspirations of ordinary people: state universities, progressive taxation, interstate highways, collective bargaining, health insurance for the elderly, credible news organizations.
  • One virtue of those hated things called bureaucracies is that they oblige everyone to follow a common set of rules, regardless of station or background; they are inherently equalizing.
  • Our age is lousy with celebrities. They can be found in every sector of society, including ones that seem less than glamorous
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  • This new kind of celebrity is the ultimate costume ball, far more exclusive and decadent than even the most potent magnates of Hollywood’s studio era could have dreamed up.
  • after decades of widening income gaps, unequal distributions of opportunity and reward, and corroding public institutions, we have gone back to Gatsby’s time — or something far more perverse. The celebrity monuments of our age have grown so huge that they dwarf the aspirations of ordinary people, who are asked to yield their dreams to the gods: to flash their favorite singer’s corporate logo at concerts, to pour open their lives (and data) on Facebook, to adopt Apple as a lifestyle. We know our stars aren’t inviting us to think we can be just like them. Their success is based on leaving the rest of us behind.
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