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Javier E

Marie Kondo and the Ruthless War on Stuff - The New York Times - 1 views

www.nytimes.com/...the-ruthless-war-on-stuff.html

clutter simplicity organization psychology

shared by Javier E on 07 Jul 16 - No Cached
  • the method outlined in Kondo’s book. It includes something called a “once-in-a-lifetime tidying marathon,” which means piling five categories of material possessions — clothing, books, papers, miscellaneous items and sentimental items, including photos, in that order — one at a time, surveying how much of each you have, seeing that it’s way too much and then holding each item to see if it sparks joy in your body. The ones that spark joy get to stay. The ones that don’t get a heartfelt and generous goodbye, via actual verbal communication, and are then sent on their way to their next life.
  • She is often mistaken for someone who thinks you shouldn’t own anything, but that’s wrong. Rather, she thinks you can own as much or as little as you like, as long as every possession brings you true joy.
  • By the time her book arrived, America had entered a time of peak stuff, when we had accumulated a mountain of disposable goods — from Costco toilet paper to Isaac Mizrahi swimwear by Target — but hadn’t (and still haven’t) learned how to dispose of them. We were caught between an older generation that bought a princess phone in 1970 for $25 that was still working and a generation that bought $600 iPhones, knowing they would have to replace them within two years. We had the princess phone and the iPhone, and we couldn’t dispose of either. We were burdened by our stuff; we were drowning in it.
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  • A woman named Diana, who wore star-and-flower earrings, said that before she tidied, her life was out of control. Her job had been recently eliminated when she found the book. “It’s a powerful message for women that you should be surrounded by things that make you happy,”
  • “I found the opposite of happiness is not sadness,” Diana told us. “It’s chaos.”
  • Another woman said she KonMaried a bad boyfriend. Having tidied everything in her home and finding she still distinctly lacked happiness, she held her boyfriend in her hands, realized he no longer sparked joy and got rid of him.
  • She realized that the work she was doing as a tidying consultant was far more psychological than it was practical. Tidying wasn’t just a function of your physical space; it was a function of your soul.
  • . She wants you to override the instinct to keep a certain thing because an HGTV show or a home-design magazine or a Pinterest page said it would brighten up your room or make your life better. She wants you to possess your possessions on your own terms, not theirs
  • she would say to him what she said to me, that yes, America is a little different from Japan, but ultimately it’s all the same. We’re all the same in that we’re enticed into the false illusion of happiness through material purchase.
  • each organizer I spoke with said that she had the same fundamental plan that Kondo did, that the client should purge (they cry “purge” for what Kondo gently calls “discarding”) what is no longer needed or wanted; somehow the extra step of thanking the object or folding it a little differently enrages them. This rage hides behind the notion that things are different here in America, that our lives are more complicated and our stuff is more burdensome and our decisions are harder to make.
  • Conference was different from the KonMari events that I attended. Whereas Kondo does not believe that you need to buy anything in order to organize and that storage systems provide only the illusion of tidiness, the women of Conference traded recon on timesaving apps, label makers, the best kind of Sharpie, the best tool they own (“supersticky notes,” “drawer dividers”)
  • They don’t like that you have to get rid of all of your papers, which is actually a misnomer: Kondo just says you should limit them because they’re incapable of sparking joy, and you should confine them to three folders: needs immediate attention, must be kept for now, must be kept forever.
  • She leaves room for something that people don’t often give her credit for: that the KonMari method might not be your speed. “I think it’s good to have different types of organizing methods,” she continued, “because my method might not spark joy with some people, but his method might.
  • Ultimately, the women of NAPO said that Kondo’s methods were too draconian and that the clients they knew couldn’t live in Kondo’s world. They had jobs and children, and they needed baby steps and hand-holding and maintenance plans. They needed someone to do for them what they couldn’t naturally do for themselves.
  • the most potent difference between Kondo and the NAPO women is that the NAPO women seek to make a client’s life good by organizing their stuff; Kondo, on the other hand, leads with her spiritual mission, to change their lives through magic.
  • She went to work in finance, but she found the work empty and meaningless. She would come home and find herself overwhelmed by her stuff. So she began searching for “minimalism” on the internet almost constantly, happening on Pinterest pages of beautiful, empty bathrooms and kitchens, and she began to imagine that it was her stuff that was weighing her down. She read philosophy blogs about materialism and the accumulation of objects. “They just all talked about feeling lighter,”
  • “I never knew how to get here from there,” she said. Ning looked around her apartment, which is spare. She loves it here now, but that seemed impossible just a couple of years ago.
  • She found Kondo’s book, and she felt better immediately, just having read it. She began tidying, and immediately she lost three pounds. She had been trying to lose weight forever, and then suddenly, without effort, three pounds, just gone.
  • when it comes to stuff, we are all the same. Once we’ve divided all the drawers and eliminated that which does not bring us joy and categorized ourselves within an inch of our lives, we’ll find that the person lying beneath all the stuff was still just plain old us. We are all a mess, even when we’re done tidying.
Emilio Ergueta

Performance Is The Thing | Issue 57 | Philosophy Now - 1 views

philosophynow.org/...Performance_Is_The_Thing

performance philosophy science brain science language

shared by Emilio Ergueta on 27 Oct 14 - No Cached
  • The definition of philosophy is pretty much set – love of wisdom, the rational investigation of questions about existence and knowledge and ethics, the application of reason towards a more enlightened way of life. How can we understand performance in equally clear terms? Also, what are the responsibilities of the performer?
  • How can my performances enrich my life and the lives of my audiences? What is my own personal philosophy of performance?
  • Performance can fundamentally be said to be a transformation of ideas and dreams and all those other little understood human impulses into outward action. In this very basic sense performance happens with every word and gesture. It also presupposes a process of evaluation by a spectator.
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  • There’s one very basic thing I learnt that day: never take your writing on stage on a flimsy bit of paper. Always use something hardbacked. Even if your hands start shaking, it won’t be so noticeable.
  • I determined that I was going to break through whatever it was that made me so anxious to stand up in front of a room full of people, and simply be. But I also learnt some other more complex philosophical lessons too, which became clearer over time. In fact, whatever philosophy I have developed about performance has stemmed from that moment.
  • When I am performing, there’s a desire I can taste to bridge the gap in understanding between me and my audience. I want to find new ways, new language, verbal and non-verbal to express universal truths. I want to push the challenge of understanding deeper, for me and my audience.
  • Romantic aestheticians would have it that art, and by extension, performance, is a heightening of the common human activity of expressing emotions to the point where they are experienced and rendered lucid to the performer and audience in a way that is rarely seen in everyday life.
  • I say ‘I am a writer, poet, performer,’ but this self-definition is in itself a kind of performance.
  • One philosophical problem is that performance on the stage of life doesn’t have a beginning, middle and end in the way it does in the theatre. So after a stage performance, when we discard the magnifying glass for the clutter of the quotidian, it’s all too easy to forget to zero in – to forget that we are still and are always performing, and that life is constantly a performance: that we are, in fact, only performing from moment to moment.
  • understanding process can add to our understanding of how we can live our lives for the better and, dare I say, the greater good.
Javier E

Reality Is Broken. We Have AI Photos to Blame. - WSJ - 0 views

www.wsj.com/...ave-ai-photos-to-blame-de00b23

reality photos AI

shared by Javier E on 26 May 23 - No Cached
  • AI headshots aren’t yet perfect, but they’re so close I expect we’ll start seeing them on LinkedIn, Tinder and other social profiles. Heck, we may already see them. How would we know?
  • Welcome to our new reality, where nothing is real. We now have photos initially captured with cameras that AI changes into something that never was
  • Or, like the headshot above, there are convincingly photographic images AI generates out of thin air.
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  • Adobe ADBE 7.19%increase; green up pointing triangle, maker of the Photoshop, released a new tool in Firefly, its generative-AI image suite, that lets you change and add in parts of a photo with AI imagery. Earlier this month, Google showed off a new Magic Editor, initially for Pixel phones, that allows you to easily manipulate a scene. And people are all over TikTok posting the results of AI headshot services like Try It On.
  • After testing a mix of AI editing and generating tools, I just have one question for all of you armchair philosophers: What even is a photo anymore?
  • I have always wondered what I’d look like as a naval officer. Now I don’t have to. I snapped a selfie and uploaded it to Adobe Firefly’s generative-fill tool. One click of the Background button and my cluttered office was wiped out. I typed “American flag” and in it went. Then I selected the Add tool, erased my torso and typed in “naval uniform.” Boom! Adobe even found me worthy of numerous awards and decorations.
  • Astronaut, fighter pilot, pediatrician. I turned myself into all of them in under a minute each. The AI-generated images did have noticeable issues: The uniforms were strange and had odd lettering, the stethoscope seemed to be cut in half and the backgrounds were warped and blurry. Yet the final images are fun, and the quality will only get better. 
  • In FaceApp, for iOS and Android, I was able to change my frown to a smile—with the right amount of teeth! I was also able to add glasses and change my hair color. Some said it looked completely real, others who know me well figured something was up. “Your teeth look too perfect.”
  • The real reality-bending happens in Midjourney, which can turn text prompts into hyper-realistic images and blend existing images in new ways. The image quality of generated images exceeds OpenAI’s Dall-E and Adobe’s Firefly.
  • it’s more complicated to use, since it runs through the chat app Discord. Sign up for service, access the Midjourney bot through your Discord account (via web or app), then start typing in prompts. My video producer Kenny Wassus started working with a more advanced Midjourney plugin called Insight Face Swap-Bot, which allows you to sub in a face to a scene you’ve already made. He’s become a master—making me a Game of Thrones warrior and a Star Wars rebel, among other things.
  • We’re headed for a time when we won’t be able to tell how manipulated a photo is, what parts are real or fake.
  • when influential messages are conveyed through images—be they news or misinformation—people have reason to know a photo’s origin and what’s been done to it.
  • Firefly adds a “content credential,” digital information baked into the file, that says the image was manipulated with AI. Adobe is pushing to get news, tech and social-media platforms to use this open-source standard so we can all understand where the images we see came from.
  • So, yeah, our ability to spot true photos might depend on the cooperation of the entire internet. And by “true photo,” I mean one that captures a real moment—where you’re wearing your own boring clothes and your hair is just so-so, but you have the exact right number of teeth in your head.
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