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markfrankel18

The Insane Morgan Freeman iPad Painting: An Investigation in Four Acts - 0 views

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    A problem of art in the digital age.
Lawrence Hrubes

Esa-Pekka Salonen's Ad for Apple : The New Yorker - 1 views

  • For anyone who has endured clichéd, condescending, uncomprehending, or otherwise aggravating depictions of classical music in American TV ads—the snobs at the symphony, the sopranos screaming under Valkyrie helmets, the badly edited bowdlerizations of the “Ode to Joy”—a new ad for the Apple iPad featuring the conductor and composer Esa-Pekka Salonen may come as a pleasant shock. It is, first of all, a cool, elegant piece of work—not surprising, given Apple’s distinguished history of television propaganda. Salonen is shown receiving inspiration for a passage in his Violin Concerto and trying it out in his iPad; then, after a montage of scenes in London and Finland, we see the violinist Leila Josefowicz and the Philharmonia Orchestra, of London, digging in to the score. More notably, it is musical: the concerto dictates the rhythm of the editing, and the correlation between notation and sound is made excitingly clear.
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    For discussion: Despite this ad's aesthetics, narrative, etc., why (arguably) is it not a piece of art? 
markfrankel18

The Touch-Screen Generation - Hanna Rosin - The Atlantic - 0 views

    • markfrankel18
       
      This is important!
  • What, really, would Maria Montessori have made of this scene? The 30 or so children here were not down at the shore poking their fingers in the sand or running them along mossy stones or digging for hermit crabs. Instead they were all inside, alone or in groups of two or three, their faces a few inches from a screen, their hands doing things Montessori surely did not imagine. A couple of 3-year-old girls were leaning against a pair of French doors, reading an interactive story called Ten Giggly Gorillas and fighting over which ape to tickle next. A boy in a nearby corner had turned his fingertip into a red marker to draw an ugly picture of his older brother. On an old oak table at the front of the room, a giant stuffed Angry Bird beckoned the children to come and test out tablets loaded with dozens of new apps. Some of the chairs had pillows strapped to them, since an 18-month-old might not otherwise be able to reach the table, though she’d know how to swipe once she did.
Lawrence Hrubes

BBC - Future - How to learn like a memory champion - 1 views

  • As Cooke first set out developing his idea, he turned to his former classmate at Oxford University, Princeton neuroscientist Greg Detre, to help update his tried-and-tested techniques with the latest understanding of memory. Together, they came up with some basic principles that would guide Memrise’s progress over the following years. The first is the idea of “elaborative” learning – in which you try to give extra meaning to a fact to try to get it to stick in the mind. These “mems”, as the team call them, are particularly effective if they tickle the funny bone as well as the synapses – and so for each fact that you want to learn, you are encouraged to find an amusing image or phrase that helps plant the memory in your mind.
  • Unsurprisingly, it was the friendly competition element that captured the attention of Traynor's primary school pupils learning Spanish. “As soon as they come into the classroom, they want to see where they are on the leader board,” he says. And there are other advantages. Each lesson, Traynor tends to split the class into two – while half are doing the “spade work” on vocabulary learning on the school's iPads, he can teach the others – before the two halves switch over. By working with these smaller groups, he can then give more individual attention to each child's understanding of the grammar.Even more powerfully, Traynor recently began encouraging his class to record and upload their pronunciation of the words onto the app – which they can then share with their classmates using the course. The sound of their classmates seems to have spurred on their enthusiasm, says Traynor. “They're constantly trying to work out whose voice they're hearing,” he says. “So they're giving more attention to the different sounds. I think it's improved their speaking and listening dramatically.”Although most courses on Memrise deal with foreign languages, teachers in other subjects are also starting to bring the technology to their classroom. Simon Birch from The Broxbourne School in Hertfordshire, for instance, uses it to teach the advanced terminology needed for food technology exams, while his school’s English department are using it to drill spelling. "The benefits for literacy can't be overstated," Birch says.
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