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erickjhonkdkk122

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Lawrence Hrubes

Walter Mischel, The Marshallow Test, and Self-Control - The New Yorker - 1 views

  • Mischel’s story isn’t surprising—nicotine is addictive, and quitting is difficult—except for one thing: Mischel is the creator of the marshmallow test, one of the most famous experiments in the history of psychology, which is often cited as evidence of the importance of self-control. In the original test, which was administered at the Bing Nursery School, at Stanford, in the nineteen-sixties, Mischel’s team would present a child with a treat (marshmallows were just one option) and tell her that she could either eat the one treat immediately or wait alone in the room for several minutes until the researcher returned, at which point she could have two treats. The promised treats were always visible and the child knew that all she had to do to stop the agonizing wait was ring a bell to call the experimenter back—although in that case, she wouldn’t get the second treat. The longer a child delayed gratification, Mischel found—that is, the longer she was able to wait—the better she would fare later in life at numerous measures of what we now call executive function. She would perform better academically, earn more money, and be healthier and happier. She would also be more likely to avoid a number of negative outcomes, including jail time, obesity, and drug use.
  • It was not until one day in the late nineteen-sixties, when he saw a man with metastasized lung cancer in the halls of Stanford’s medical school—chest exposed, head shaved, little green “x” marks all over his body, marking the points where radiation would go—that Mischel realized he was fooling himself. Finally, something clicked. From then on, each time he wanted a cigarette (approximately every three minutes, by his count) he would create a picture in his mind of the man in the hallway. As he described it to me, “I changed the objective value of the cigarette. It went from something I craved to something disgusting.” He hasn’t had a smoke since.
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    "Mischel, who is now eighty-four years old, has just published his first popular book, "The Marshmallow Test: Mastering Self-Control." It is part memoir, part scientific analysis, and part self-help guide. In the book, he describes the original impetus for the marshmallow study. At the time, his daughters, Judith, Rebecca, and Linda, were three, four, and five years old, respectively. "I began to see this fascinating phenomenon where they morphed from being highly impulsive, immediate creatures who couldn't delay anything," he told me. "There were these amazingly rapid changes-everything around them was the same, but something inside them had changed. I realized I didn't have a clue what was going on in their heads." He wondered what was it that had enabled them to go from deciding that they wanted to wait to actually being able to do so. He found the answer among their classmates at the Bing preschool."
markfrankel18

Book Review: The Half-Life of Facts - WSJ.com - 0 views

  • Knowledge, then, is less a canon than a consensus in a state of constant disruption. Part of the disruption has to do with error and its correction, but another part with simple newness—outright discoveries or new modes of classification and analysis, often enabled by technology.
  • ore commonly, however, changes in scientific facts reflect the way that science is done. Mr. Arbesman describes the "Decline Effect"—the tendency of an original scientific publication to present results that seem far more compelling than those of later studies. Such a tendency has been documented in the medical literature over the past decade by John Ioannidis, a researcher at Stanford, in areas as diverse as HIV therapy, angioplasty and stroke treatment. The cause of the decline may well be a potent combination of random chance (generating an excessively impressive result) and publication bias (leading positive results to get preferentially published). If shaky claims enter the realm of science too quickly, firmer ones often meet resistance. As Mr. Arbesman notes, scientists struggle to let go of long-held beliefs, something that Daniel Kahneman has described as "theory-induced blindness." Had the Austrian medical community in the 1840s accepted the controversial conclusions of Dr. Ignaz Semmelweis that physicians were responsible for the spread of childbed fever—and heeded his hand-washing recommendations—a devastating outbreak of the disease might have been averted.
markfrankel18

3quarksdaily: Is Wine Tasting Nonsense? - 1 views

  • If there is such a thing as real expertise in identifying the properties of a wine, then it must be possible to get it wrong.  If tastes, in general, were entirely subjective there would be no right answer to the question of whether, for instance, chocolate ice cream tastes of chocolate.  No one really thinks that. The fact that expert wine tasters get it wrong so often is evidence that wine tasting is harder than identifying the presence of chocolate in ice cream—not that it is utterly capricious. So tastes are not so entirely subjective that our experiences of them have no relationship to an object.
  • Furthermore, tasters can strive to eliminate environmental factors that have been shown to influence judgments about wine such as conversations, the style of music being played, and changes in the weather, etc. These are all factors that wine tasters can control by adjusting the environment in which they taste. Wine tasters, if they are to maintain credibility, must taste under the appropriate conditions. But that is no different from any other normative judgment we make. Our ability to make ethical judgments, for instance, is similarly influenced by environmental factors. We know (or should know) better than to make ethical judgments when we are excessively angry, fearful, under the influence of powerful desires, etc. Yet, it does not follow from the fact that ethical judgments can be influenced by irrelevant factors that all ethical judgments are subjective.
  • So the taste of wine (or anything else) is partly dependent on objective features of the world and partly dependent on how our view of those features has been shaped by past experience. The crucial question then is how much of a distorting lens is that past experience.
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  • What is puzzling about this whole debate about the objectivity of wine critics, however, is why people want objective descriptions of wine. We don't expect scientific objectivity from art critics, literary critics, or film reviewers. The disagreements among experts in these fields are as deep as the disagreements about wine. There is no reason to think a film critic would have the same judgment about a film if viewed in a different context, in comparison with a different set of films, or after conversing about the film with other experts. Our judgments are fluid and they should be if we are to make sense of our experience. When listening to music aren't we differently affected by a song depending upon whether we are at home, in a bar, going to the beach, listening with friends or alone? Why would wine be different? The judgment of any critic is simply a snapshot at a particular time and place of an object whose meaning can vary with context. Wine criticism cannot escape this limitation.
  • What we want from critics whether of music, art, or wine is a judgment made in light of their vast experience that can show us something about the object that we might have missed without their commentary. That can be accomplished independently of whether the critic is perfectly consistent or objective. We want the critic to have a certain kind of bias, born of her unique experience, because it is that bias that enables her to taste, see, or hear what she does.
Lawrence Hrubes

BBC News - Caesium: A brief history of timekeeping - 1 views

  • The answer is that whenever you have a network operating over distance, accurate timekeeping is essential for synchronisation. And the faster the speed of travel, the more accurate the timekeeping must be. Hence in the modern world, where information travels at almost the speed of light down wires or through the air, accuracy is more important than ever. What caesium has done is to raise the standards for the measurement of time exponentially.
  • As the electron moves out into the wider orbit it absorbs energy, and as it jumps back in it releases it in the form of light, fluorescing very slightly. That means you can tell when you've hit the sweet spot of 9,192,631,770 Hz. It's because this transition frequency is so much higher than the resonant frequency of quartz that a caesium clock is so much more accurate. The caesium fountain at NPL, Szymaniec tells me proudly, is accurate to one second in every 158 million years. That means it would only be a second out if it had started keeping time back in the peak of the Jurassic Period when diplodocus were lumbering around and pterodactyls wheeling in the sky.
  • Now, if such insane levels of accuracy seem pointless, then think again. Without the caesium clock, for example, satellite navigation would be impossible. GPS satellites carry synchronised caesium clocks that enable them collectively to triangulate your position and work out where on earth you are. And the practical applications do not end there. Just ask Leon Lobo - he's in charge of time "dissemination" at NPL. His job is to tell the time to the UK. For a fee. NPL has just begun offering businesses standardised timekeeping accurate to the nearest microsecond - a millionth of a second. Mr Lobo is targeting a wide range of clients that all have one thing in common - they need to synchronise a network that operates at speeds far faster than any trains.
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  • Mr Lobo's biggest target is the financial markets, which these days are dominated by computers programmed to place thousands of trades per second, transmitted down wires at almost the speed of light. In this world, the equivalent of a train crash would be ill-timed bets that rack up millions of dollars in losses, and might even briefly sink the market in the process. Unsurprisingly, financial regulators increasingly require a super-accurate timestamp on every transaction.
  • The switch to atomic time was for good reason. The rotation of the earth, it turned out, was not such a reliable measure of time. No day or year is exactly the same length.
  • Due to the earth's elliptical orbit, the sun can be as much as 16 minutes out of line with mean solar time. Add the distortion of time zones, which average time across huge regions, and the difference is far greater. China, which is almost 5,000km wide, has a single time zone spanning 1h40 of solar time. The decision of some countries to adjust the clocks twice a year as a "daylight saving" measure exaggerates the issue yet further.
adamdrazsky

Does It Help to Know History? - The New Yorker - 5 views

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    About a year ago, I wrote about some attempts to explain why anyone would, or ought to, study English in college. The point, I thought, was not that studying English gives anyone some practical advantage on non-English majors, but that it enables us to enter, as equals, into a long existing, ongoing conversation.
markfrankel18

Creativity Creep - The New Yorker - 3 views

  • How did we come to care so much about creativity? The language surrounding it, of unleashing, unlocking, awakening, developing, flowing, and so on, makes it sound like an organic and primordial part of ourselves which we must set free—something with which it’s natural to be preoccupied. But it wasn’t always so; people didn’t always care so much about, or even think in terms of, creativity.
  • It was Romanticism, in the late eighteenth and early nineteenth centuries, which took the imagination and elevated it, giving us the “creative imagination.”
  • How did creativity transform from a way of being to a way of doing? The answer, essentially, is that it became a scientific subject, rather than a philosophical one.
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  • All of this measuring and sorting has changed the way we think about creativity. For the Romantics, creativity’s center of gravity was in the mind. But for us, it’s in whatever the mind decides to share—that is, in the product. It’s not enough for a person to be “imaginative” or “creative” in her own consciousness. We want to know that the product she produces is, in some sense, “actually” creative; that the creative process has come to a workable conclusion. To today’s creativity researchers, the “self-styled creative person,” with his inner, unverifiable, possibly unproductive creativity, is a kind of bogeyman; a great deal of time is spent trampling on the scarf of the lone, Romantic genius. Instead, attention is paid to the systems of influence, partnership, power, funding, and reception that surround creativity—the social structures, in other words, that enable managers to reap the fruits of creative labor. Often, this is imagined to be some sort of victory over Romanticism and its fusty, pretentious, élitist ideas about creativity.
  • But this kind of thinking misses the point of the Romantic creative imagination. The Romantics weren’t obsessed with who created what, because they thought you could be creative without “creating” anything other than the liveliness in your own head.
  • It sounds bizarre, in some ways, to talk about creativity apart from the creation of a product. But that remoteness and strangeness is actually a measure of how much our sense of creativity has taken on the cast of our market-driven age
  • Thus the rush, in my pile of creativity books, to reconceive every kind of life style as essentially creative—to argue that you can “unleash your creativity” as an investor, a writer, a chemist, a teacher, an athlete, or a coach.
  • Among the many things we lost when we abandoned the Romantic idea of creativity, the most valuable may have been the idea of creativity’s stillness. If you’re really creative, really imaginative, you don’t have to make things. You just have to live, observe, think, and feel.
markfrankel18

Biology's Holy Grail: The Species And Its Controversial Recent History | IFLScience - 1 views

  • And, the basic unit of taxonomy – ‘the species’ – remains an elusive and controversial concept despite its fundamental importance to science. Yet, few people outside of biology and philosophy realise that ‘the species’ has been at the centre of a major controversy in science for much of the last 50 years.
  • Taxonomy is a fundamental or ‘enabling’ science that underpins all of biology and its many related fields including medical research.
  • • How does the species category compare with other scientific groups or types of things like say the chemical elements? • Does it play the same kind of role in science – conveying the same sorts of information and allowing us to make predictions about nature? • What’s the best, most objective, way to recognise a species?
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  • So, it turns out we’ve all been cheated by the textbooks we read in high school or university. Short-changed by our science teachers and biology lecturers.
Lawrence Hrubes

The Pentagon's 'Terminator Conundrum': Robots That Could Kill on Their Own - The New Yo... - 1 views

  • Just as the Industrial Revolution spurred the creation of powerful and destructive machines like airplanes and tanks that diminished the role of individual soldiers, artificial intelligence technology is enabling the Pentagon to reorder the places of man and machine on the battlefield the same way it is transforming ordinary life with computers that can see, hear and speak and cars that can drive themselves.
  • The debate within the military is no longer about whether to build autonomous weapons but how much independence to give them. Gen. Paul J. Selva of the Air Force, the vice chairman of the Joint Chiefs of Staff, said recently that the United States was about a decade away from having the technology to build a fully independent robot that could decide on its own whom and when to kill, though it had no intention of building one.
  • Armed with a variation of human and facial recognition software used by American intelligence agencies, the drone adroitly tracked moving cars and picked out enemies hiding along walls. It even correctly figured out that no threat was posed by a photographer who was crouching, camera raised to eye level and pointed at the drone, a situation that has confused human soldiers with fatal results.
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  • Today’s software has its limits, though. Computers spot patterns far faster than any human can. But the ability to handle uncertainty and unpredictability remain uniquely human virtues, for now.
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