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Lawrence Hrubes

New Critique Sees Flaws in Landmark Analysis of Psychology Studies - The New York Times - 0 views

  • A landmark 2015 report that cast doubt on the results of dozens of published psychology studies has exposed deep divisions in the field, serving as a reality check for many working researchers but as an affront to others who continue to insist the original research was sound. On Thursday, a group of four researchers publicly challenged the report, arguing that it was statistically flawed and, as a result, wrong.The 2015 report, called the Reproducibility Project, found that less than 40 studies in a sample of 100 psychology papers in leading journals held up when retested by an independent team. The new critique by the four researchers countered that when that team’s statistical methodology was adjusted, the rate was closer to 100 percent.
markfrankel18

Why Has Columbia Rape Accuser Emma Sulkowicz Made a Sex Video? - The Daily Beast - 0 views

  • But when you turn a personal experience into a public spectacle and declare it art, you invite criticism. Part of performing is being judged and critiqued on the merits and quality of that performance.Performance art pieces like Sulkowicz’s video often intend to make a statement, but they transcend art when the artist demands that there’s a right and wrong way to interpret her piece.
markfrankel18

We are more rational than those who nudge us - Steven Poole - Aeon - 3 views

  • We are told that we are an irrational tangle of biases, to be nudged any which way. Does this claim stand to reason?
  • A culture that believes its citizens are not reliably competent thinkers will treat those citizens differently to one that respects their reflective autonomy. Which kind of culture do we want to be? And we do have a choice. Because it turns out that the modern vision of compromised rationality is more open to challenge than many of its followers accept.
  • Modern skepticism about rationality is largely motivated by years of experiments on cognitive bias.
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  • The thorny question is whether these widespread departures from the economic definition of ‘rationality’ should be taken to show that we are irrational, or whether they merely show that the economic definition of rationality is defective.
  • There has been some controversy over the correct statistical interpretations of some studies, and several experiments that ostensibly demonstrate ‘priming’ effects, in particular, have notoriously proven difficult to replicate. But more fundamentally, the extent to which such findings can show that we are acting irrationally often depends on what we agree should count as ‘rational’ in the first place.
  • During the development of game theory and decision theory in the mid-20th century, a ‘rational’ person in economic terms became defined as a lone individual whose decisions were calculated to maximise self-interest, and whose preferences were (logically or mathematically) consistent in combination and over time. It turns out that people are not in fact ‘rational’ in this homo economicus way,
  • if we want to understand others, we can always ask what is making their behaviour ‘rational’ from their point of view. If, on the other hand, we just assume they are irrational, no further conversation can take place.
  • And so there is less reason than many think to doubt humans’ ability to be reasonable. The dissenting critiques of the cognitive-bias literature argue that people are not, in fact, as individually irrational as the present cultural climate assumes. And proponents of debiasing argue that we can each become more rational with practice. But even if we each acted as irrationally as often as the most pessimistic picture implies, that would be no cause to flatten democratic deliberation into the weighted engineering of consumer choices, as nudge politics seeks to do. On the contrary, public reason is our best hope for survival.
markfrankel18

"God hates Renoir": He sucks at painting, and this is why you should care - Salon.com - 0 views

  • A 19th-century French impressionist artist who perished almost a century ago is the world’s leading aesthetic terrorist; you just don’t know it.Fortunately, the Renoir Sucks at Painting (RSAP) movement is here to change that.
  • t the core of RSAP’s serious political critiques are Eurocentric aesthetics and beauty standards and the domination of art museums by white men. “If the problems with Eurocentricity were personified in a man, Renoir would be the disgusting” embodiment, Geller insisted.Geller did not mince words: “Renoir is the most pulsating, puss-ridden boil which is the most blatant essence of the problem,” he added.“The fact that this utter charlatan can get by the watchmen defending the high altar of art is the proof positive that the system is broken, and that, for far too long, these decisions have been made by people who have access to fancy art educations and pursue them with an eye toward dictating taste,” Geller explained.
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