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Lawrence Hrubes

BBC World Service - The Science Hour, The Medical Scandal Engulfing Top Swedish University - 0 views

  • Predicting the Next Financial CrisisWhy do financial crises occur – and when will the next one come? In the past, economic theory has failed to answer these questions. In this week’s Science Journal Perspectives, economists, physicists, epidemiologists, climate scientists and ecologists call to establish a new early warning system to avoid future global financial crises. They argue that the methods used by scientists to predict weather, traffic or disease epidemics should be used to simulate the financial systems, which could help to avoid the failures we have seen in the past. Professor Doyne tells Jack how the analysis of complex networks could and should be applied to the economy.
Lawrence Hrubes

Russian Artists Face a Choice: Censor Themselves, or Else - NYTimes.com - 3 views

  • After a law went into effect last summer banning obscenities in public performances, the playwright and director Ivan Vyrypaev excised the curse words from one of his plays, “The Drunks,” for its Russian debut at the prestigious Moscow Art Theater. Some actors played the new version straight, he said, while others winked to make clear what was cut.
  • During Soviet times, “At least we knew the rules,” said Irina Prokhorova, a publisher and vocal critic of the government. “This is a little bit different, because there are no rules, no official censorship.” Ms. Prokhorova likened the climate to the 1930s, when the Nazis labeled art degenerate. “This is aesthetic fundamentalism,” she said. The law on religious believers is particularly slippery. “Who are those believers? What do they believe in? No one talks about this,” she added.
  • Unlike the average English-language expletive thrown into everyday conversation, in Russian, cursing resonates as extremely crude; it has its own grammar and is never used in polite conversation. It is not uncommon for some older theatergoers to gasp when curses are uttered onstage.
Lawrence Hrubes

As the World Melts, an Artist Finds Beauty in Ancient Ice | The New Yorker - 1 views

  • When the artist Peggy Weil first learned about the National Ice Core Laboratory, a few years ago, she was captivated. She contacted Geoffrey Hargreaves, the lab’s curator, and soon found herself inside a giant freezer, bundled in an Arctic-ready parka. (The temperature was minus thirty-eight degrees Fahrenheit.) With the help of lab assistants, she loaded up a cart with cannisters made of thick cardboard, each containing a small segment of a two-mile-long core from the Greenland ice sheet. Weil trundled her specimens to a cylindrical scanner and photographed them in high resolution. Eventually, she strung together eighty-eight scans, top to bottom. Then she animated them and added an accompanying score, creating a four-and-a-half-hour video, designed to be projected onto a wall.
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