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ToneMatch® presets Print Window Close Window thead { font-weight: bold; } td#number { width: 35px; } table { margin-bottom: 12px; width: 450px; } Utility 1 Flat 2 50Hz Highpass 3 80Hz Highpass 4 5kHz Lowpass 5 50Hz-5kHz Bandpass 6 50Hz-5kHz Bandpass Vocal Mics 1 Handheld Mics 2 Headworn Mics 3 Hi Gain:Bright 4 Hi Gain:Normal 5 Audix OM-2 6 Audix OM-3 7 Audix OM-5 8 Audix OM-6 9 Audix VX-10 10 Beyer M88 11 ElectroVoice N/D357 12 ElectroVoice N/D767 13 ElectroVoice N/D967 14 Neumann KMS105 15 Shure SM57 16 Shure SM58 17 Shure Beta 57A 18 Shure Beta 58A 19 Shure Beta 87A 20 Sennheiser E855 21 Sennheiser MD431-II 22 Flat Electric Guitars 1 Miked Amp w/SM57 2 Line6 Pod 3 General Processor 4 General Direct 5 Flat 6 Miked Amp w/Sennheiser e609 7 Fender Stratocaster 8 Fender Telecaster 9 Gibson ES-335/ES-445 10 Gibson Les Paul 11 Gretsch C. Gent 12 Ibanez Artist 13 PRS Custom 22 14 Rickenbacker 360/12 Acoustic Guitars 1 Steel String w/piezo 2 Steel String w/dyn 3 Steel String w/condensor 4 Nylon String w/piezo 5 Nylon String w/condensor 6 Taylor T5 7 Taylor w/Fishman 8 Guild D25 9 Martin Backpack 10 Martin DC16 11 Martin D28 12 Flat Keyboards 1 General Keys 2 Fender Rhodes 73 3 Hohner Clavinet D6 4 Wurlitzer 200 Basses 1 Active Bass 1 2 Active Bass 2 3 Active Bass 3 4 Fender Active Jazz 5 Fender 66 P-Bass 6 Fender 69 J-Bass 7 MusicMan Stingray 8 Lakland 55-01/44-01 9 Rickenbacker 4001 10 Rickenbacker 4003 11 Upright w/Fishman 12 David Gage Realist 13 David GageCzechEase 14 NS Design Bass 15 Bass zEQ Percussion 1 Kick, General 2 Kick, Audix D6 3 Kick, AKG D112 4 Kick w/Sennheiser 601 5 Kick w/Shure Beta 52a 6 General Overhead 7 Overhead, SM57 Diff 8 Overhead, Cond. Diff 9 Hand Percussion, SM57 Winds and Horns 1 Trumpet w/ SM57 2 Trumpet w/ Pro35ax 3 Trombone w/ SM57 4 Trombone w/ RE20 5 Tenor Sax w/ SM58 6 Alto Sax w/ SM58 7 Soprano Sax w/ SM58 Special 1 Accordion w/ Limex MP 2 Electric Mandolin 3 Electric Violin DJ/Playback 1 Flat zEQ Controls 2 Low Volume Music 3 High Volume Music

Electribe Music Production Station

ELECTRIBE•MX

Up-to-the minute patterns created by some of today's dance and electronic music masters give a fresh twist to the ELECTRIBE•MXSD MMT (Multiple Modeling Technology) sound engine offers sixteen types of tone generation Twin vacuum tube VALVE FORCE circuitry delivers analog warmth or menacing bite Three stereo effects can be chained together for radical sound warping Crisp filters and speedy-smooth timbral modulation Built-in step sequencer for intuitive song production Motion Sequence function captures and replays sound-tweaking knob movements Powerful arpeggiator uses our ribbon controller and slider for generating inspired phrases Auto BPM Detection sets the tempo based on any external audio source using the audio in jacks.

How to breathe when playing Harmonica

bring the harmonica to your mouth so that its holes push just past your lips and the outside of your mouth and are right in front of your teeth—don’t simply reach forward with your lips and put them around the holes. In proper position, your lips should rest on the cover plates and press up gently against the fingers of your left hand. In general, the deeper you can hold the harmonica in your mouth while still breathing comfortably, the better your tone will be. Make sure to maintain proper hand positioning, and keep your cup open about halfway.

Drop your lower jaw: Without changing the position of your mouth, lower your jaw slightly to expand the resonating space within your mouth. This will improve the tone of the notes you produce. Take a few breaths: With the harmonica properly positioned in your mouth, exhale and inhale as you normally would into the holes near the middle of the comb. Continue breathing until your blows and draws begin to feel natural.