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THE DEATH OF NEO CONSERVATISM, THOUGHTS ON RUSH LIMBAUGH, AND THE REAL REASON FOR ALL OF THE RECENT BLUSTER-THE UPCOMING FIGHT OVER PRESIDENT OBAMA'S BUDGET On Saturday, February 28, 2009, Mr. Rush Limbaugh gave a speech to the Conservative Political Action Conference (CPAC). He has been called the voice of the Republican Party and the heart of the conservative movement, and in my mind he is the apparent savior of the Neoconservative movement that dominated politics in the last 8 years, holding Ronald Regan as a sacred cow. The focus of Mr. Limbaugh's speech was for Conservatives to take back the Republican Party and the Nation. Punctuating by jumping up and down, chest thumping, fist pumping, and heart slamming, his talk was about staying the conservative course in the Republican Party and being proud of Obstructionism and non-bipartisan politics. The tone of the speech has been called "mocking, bulling, full of contempt, harsh, unapologetic", and in some instances eerily "sinister." As is his tendency, there was very little substance, and there was a lot more playing to the crowd, attempting to energize the group. Unfortunately, he had very little substantially to say and his angry, insulting, rude and unapologetic message, considering the mess the Bush Administration and the Neocons left the American People with, was in appropriate. "We conservatives have not done a good enough job of just laying out basically who we are because we make the mistake of assuming that people know. What they know is largely incorrect, based on the way we're portrayed in pop culture, in the drive-by media, by the Democrat party," the neoconservative talk show host told a mostly-young crowd of energized supporters. His basic premise in his speech based on some basic tenants of conservative philosophy, sprinkled with a combative, begrudging tone about the recent political losses the movement had suffered as a result of the Presidential election, "We want eve

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Jimmy Kimmel Live - Miami Convention Center Porn Prom  Jimmy Kimmel Live's YouTube channel features clips and recaps of every episode from the late night TV show on ABC.

Movie influences our live. How? Find it out.

New York's intense street dancing underground comes alive in eye-popping Digital 3D in the third installment of the "Step Up" franchise as the raw, passion-fueled culture goes global. A tight-knit group of street dancers, including Luke (Rick Malambri) and Natalie (Sharni Vinson), team up with NYU freshman Moose (Adam Sevani), and find themselves pitted against the world's best breakdancers in a high-stakes showdown that will change their lives forever.

in "Cats & Dogs: The Revenge of Kitty Galore, in the age-old battle between cats and dogs, one crazed feline has taken things a paw too far. Kitty Galore, formerly an agent for cat spy organization MEOWS, has gone rogue and hatched a diabolical plan to not only bring her canine enemies to heel, but take down her former kitty comrades and make the world her scratching post. Faced with this unprecedented threat, cats and dogs will be forced to join forces for the first time in history in an unlikely alliance to save themselves - and their humans - in "Cats & Dogs: The Revenge of Kitty Galore," a comedy that blends live action with state-of-the-art puppetry and computer animation. It's time for the fur to fly.

"Mesrine: Killer Instinct" - the first of two parts - charts the outlaw odyssey of Jacques Mesrine (Vincent Cassel), the legendary French gangster of the 1960s and 1970s who came to be known as French Public Enemy No. 1 and The Man of a Thousand Faces. Infamous for his bravado and outrageously daring prison escapes, Mesrine carried out numerous robberies, kidnappings and murders in a criminal career that spanned continents until he was shot dead in 1979 by France's notorious anti-gang unit. Thirty years after his death, his infamy lives on.

A live-action feature adaptation of Posy Simmonds' acclaimed graphic novel "Tamara Drewe."

The film's features Milla Jovovich ("The Fifth Element") as Lucetta, Stone's sexy, casually amoral wife, and Golden Globe® winner Frances Conroy ("Six Feet Under") as Madylyn, Jack's devout, long-suffering spouse. Set against the quiet desperation of an economically ravaged community and the stifling brutality of a maximum security prison, this tale of passion, betrayal and corruption examines the fractured lives of two volatile men breaking from their troubled pasts to face uncertain futures.

NEW INTERVIEW FROM THE ENTERTAINMENT CRITIC: LILY KOPPEL, AUTHOR OF THE RED LEATHER DIARY Please check out the new interview by James Myers, The Entertainment Critic, of Author Lily Koppel, About Her Completely Unique, Top Selling Book, The Red Leather Diary. From The Publisher: "Rescued from a Dumpster on the Upper West Side of Manhattan, a discarded diary brings to life the glamorous, forgotten world of an extraordinary young woman. For more than half a century, the red leather diary lay silent, languishing inside a steamer trunk, its worn cover crumbling into little flakes. When a cleaning sweep of a New York City apartment building brings this lost treasure to light, both the diary and its owner are given a second life. Recovered by Lily Koppel, a young writer working at the New York Times, the journal paints a vivid picture of 1930s New York-horseback riding in Central Park, summer excursions to the Catskills, and an obsession with a famous avant-garde actress. From 1929 to 1934, not a single day's entry is skipped. Opening the tarnished brass lock, Koppel embarks on a journey into the past, traveling to a New York in which women of privilege meet for tea at Schrafft's, dance at the Hotel Pennsylvania, and toast the night at El Morocco. As she turns the diary's brittle pages, Koppel is captivated by the headstrong young woman whose intimate thoughts and emotions fill the pale blue lines. Who was this lovely ingénue who adored the works of Baudelaire and Jane Austen, who was sexually curious beyond her years, who traveled to Rome, Paris, and London? Compelled by the hopes and heartaches captured in the pages, Koppel sets out to find the diary's owner, her only clue the inscription on the frontispiece-"This book belongs to . . . Florence Wolfson." A chance phone call from a private investigator leads Koppel to Florence, a ninety-year-old woman living with her husband of sixty-seven years. Reunited with her diary, Florence ventures

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