the system puts 360-degree viewing controls in the hands of instructors and their students, who can review the recording of a dancer from many different angles as they critique interpretation as well as technique. They can study the anatomy of the dancer in three-dimensional space and analyze every movement more fully than would be possible even with a live dancer in a traditional studio with mirrored walls. “Dance is the type of thing that’s normally done only ‘in the moment,’” says Ostrander, “but we are able to freeze the dancer’s recorded motions and play them forward or backward, more slowly or faster, [and from various angles], to view all the intricacies of the dance.”