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sylvester roepstorff

Critical Art Ensemble - 0 views

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    Critical Art Ensemble is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance.
sylvester roepstorff

about : internationalistisk ideale - 0 views

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    INTERNATIONALISTISK IDEALE (I.I.) is a journal on contemporary art and culture created and edited by artists and theorists alike. The aim with I.I. is to engage with ongoing debates within the field of fine art and aesthetic sciences by bringing together representatives of different viewpoints and positions in conversation.
sylvester roepstorff

Ecology of the Mind | Adbusters Culturejammer Headquarters - 0 views

  • Quiet feels foreign now, but quiet could be just what we need. Silence may be to a healthy mind what clean air and water are to a healthy body.
  • The commercial media are to the mental environment what factories are to the physical environment. A factory dumps pollution into the water or air because that’s the most efficient way to produce plastic or wood pulp or steel. A TV station or website pollutes the cultural environment because that’s the most efficient way to produce audiences. It pays to pollute. The psychic fallout is just the cost of putting on the show.
  • The information we consume is increasingly flat and homogenized. Designed to reach millions, it often lacks nuance, complexity and context. Reading the same factoids on Wikipedia and watching the same viral video on YouTube, we experience a flattening of culture. Cultural homogenization has graver consequences than the same hairstyles, catchphrases, action-hero antics and video clips propagated ad nauseam around the world. In all systems, homogenization is poison. Lack of diversity leads to inefficiency and failure. Infodiversity is as critical to our long-term survival as biodiversity. Both are bedrocks of human existence.
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  • We may be suffering from the infodisease that Nicholas Carr first diagnosed in himself. “Over the past few years,” he writes, “I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory… what the Net seems to be doing is chipping away my capacity for concentration and contemplation. My mind now expects to take in information the way the Net distributes it: in a swiftly moving stream of particles. Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.”
  • The result is a society that treats our cultural heritage as a resource for exploitation. Instead of producing new works of genuine art that replenish our mental environment, we celebrate the amateur whose mash-ups may be hilarious but contribute nothing of value to the cultural conversation. This situation becomes especially distressing when we consider that just as there is a finite amount of nutrients in our soil, there is a finite amount of creativity that the past can yield. Great art is rare, and only so many mash-ups can be released before the original power of a truly artistic creation is lost. And without the production of an authentic culture, our mental environment is in danger of becoming a clear-cut wasteland, overfarmed and depleted. In Lanier’s words, “we face a situation in which culture is effectively eating its own seed stock.”
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    En temmelig pessimistisk og tankevækkende artikel om distraktion, informationssyge og kulturkannibalisme - om forureningen af sindet og tabet af viden og evnen til fordybelse. 
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    Jeg synes bestemt godt om nogen af citaterne måske især den om medierne som forurenende fabrikker. Dog synes jeg også, at den er meget negativ, og derfor lider af mangel på konstruktivitet. Det er meget nemt at være negativ, og man kommer også meget nemt til at overdrive. Igen er spørgsmål om en artikel som ovenstående kan hjælpe os med at handle positivt, eller om den bare får os til at hensynke i mere apati. Jeg synes, at den måske kan give en noget eftertænksomhed og få én til at stoppe op, men handlingsændrende er det nok ikke.
sylvester roepstorff

Noget bør siges højt - KUNSTEN.NU - 1 views

  • i vores voksende videnssamfund med flere og flere kilder bliver et større og større behov for at forstå informationen gennem en eller anden form æstetisk behandling.
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    Om hvordan man fordøjer og bearbejder information. En ny kunstgenre. Inspiratin til nye måder at producere viden på (selv om Oluf Olsson ikke siger han gør det). 
sylvester roepstorff

Det farlige værditomrum | information.dk - 0 views

  • Når ideerne svækkes, fyldes tomrummet ud med pengebegær som det bærende element i menneskers tilværelse. Finanskrisen er et produkt af dette.
  • Nu er der opstået et tomrum, og det er på vej til at blive udfyldt af en ny modpol; men det bliver til et had til Islam. Nu trues demokratiet på dets fundamentale værdier: På frisind og på retssyn. Dansk Folkeparti er i alliance med Tidehverv blevet den tydeligste idébevægelse, som overstråler de falmede ideer i de gamle partier.
  • I det tomrum, vi oplever, søges der forgæves efter værdier, og derfor er værdidebatten en buldren af tomme tønder. Ytringsfriheden bringes ind som en pseudo-religion på samme tid, som man vil statsdirigere folks beklædning.
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  • Højskolen skal genskabes. En folkelig højskole, en ny højskole. Inspirationen kan hentes i Berlin i det første Liberal Arts College i Europa. Det er et ganske lille privat universitet grundlagt for ti år siden af en række europæiske intellektuelle, som har et ideal om det, vi kan kalde almen dannelse.
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    Asger Baunsbak-Jensens kronik om ideernes død i nullerne.
rune66

Computerworld - Sådan fastholder du dine bedste medarbejdere - 0 views

  • Kan du sige 'neotribalisme'?Emilia Van Hauen mener, at krisen har skubbet til en tendens, der betyder, at folk fremover vil være mere interesserede i fællesskabet frem for den individuelle selvrealisering.
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    Skulle det nu være noget nyt ;o)
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