Sound Research

iphone/ipad app that translates what the camera sees into sound using luma and chroma values.

a variety of articles by and about editor and sound designer Walter Murch.

" Sound Doctrine: An Interview with Walter Murch"

guitars, motors "Video documentation of the sound installation "minigit" by Trobollowitsch Andreas @ Werkstatt XV (Vienna) December 2011 Spatial Sound Installation for four acoustic guitars on the wall. Four converted ventilators which use cello-bow hair instead of propellers set the strings into oscillation. Soundscapes arise through the soft, smooth picking of the guitar strings by the circling cellobow hair, the permanently modifying overtone layers are reminiscent of an electronically generated sound aesthetic. www.klangmanifeste.at "

The Sonic Art Research Unit provides a forum for dialogue between the fields of Composition and Sound Art; including acousmatic, collaborative, electroacoustic, experimental, interdisciplinary and site-specific practices alongside engagement with field recording, and soundscape studies. The Sonic Art Research Unit builds on established creative dialogue between the fields of Fine Art and Music at Oxford Brookes University.

"Landfill Harmonic is an upcoming feature-length documentary about a remarkable musical orchestra in Paraguay, where young musicians play instruments made from trash."

"All of Toronto's music and opera presenters include an educational component in what they do. But the Toronto Symphony Orchestra's A Toronto Symphony project may be the first time that the city's children get a hand in actually shaping a mainstage performance."

"On Tuesday evening Sergei Tcherepnin performed a new composition at Issue Project Room in Downtown Brooklyn, where he is currently an artist in residence. You probably expect me to tell you something about this performance, but I'm afraid it's not that simple. "

"It's an exciting time to be a composer or sound artist. Innovations in and new connections between methodology, technology and creative practice are creating a host of new possibilities for the sonic exploration of experience. NOVARS, the Research Centre for Electro Acoustic Composition and Sound Art at the University of Manchester work at the cutting edge of this new territory. So what are these developments? To keep it simple here we will talk about two, both of which relate to space."

"Setting out to explore the sonic environment of a city is a daunting task. Seeking to discover how and where meaning is attributed, in relationship to the acoustic environment, is a different beast all together. The aim is not to provide a definitive answer to these questions but to set out in a dialogue that employs landscape and acoustic ecologies with an anthropological perspective of culture, place and sound."

"NoTours proposes an augmented aurality experience. In other words, you can add a new layer of reality to your place. You can leave messages, tell stories, create geolocated concerts or just share your thoughts. The team of noTours.org is looking forward to know your ideas and your possible uses. In fact we are artists and developers. Take a look at some of the sound walks we have made in the world. "

" MP3: The Meaning of a Format is, in many ways, the resolution of Diederichsen's story of the musical commodity. Sterne sees the MP3 as a format with the radical potential to model new forms of exchange, beyond the commodity. "

"A tapping machine used in tests to evaluate the ability of floor coverings to reduce the transmission of impact sound from one floor to another in multi-family dwellings." Courtesy of the National Research Council Canada/Conseil national de recherches Canada."

"One of the great artists answering our Five Sound Questions was Enrico Ascoli. His latest work is Foodjob, a culinary and sonic performance, presented at this year's Interferenze festival in Bisaccia, Italy. "

"Cardiff and Miller are artists who have become known for their work with sound, and the woods of Kassel's normally sedate Karlsaue Park are home to their latest installation, "Forest (for a thousand years),""

"A sonic tour of New York, from the agonizing screech of the Union Square subway station to one of the quietest rooms in the city: Alice Tully Hall at Lincoln Center"

"Dedicated to Internet videos related to the field of acoustic ecology."

The idea for Sonic Bicycle Ride combines Beijing's bicycles - still very evident despite the traffic - with the sampling loudhailers used by street vendors to advertise their wares. These inexpensive devices record eight-second slogans, which playback repeatedly, and loudly, until the batteries go flat. For Sonic Bicycle Ride, eight loudhailers were attached to eight bicycles and used to play specially created sounds as they were cycled around Beijing's streets. Routes were planned through the Xicheng district - an older hutong area crossed by a few busy roads - so that the bikes would be heard in changing combinations, sometimes as one large group, sometimes on their own. The eight layers of sound were designed to be heard separately or to harmonise when brought together. Listeners could follow on their own bikes or stay in one place. Bystanders heard the piece emerging in and out of familiar neighbourhood sounds. "

"Anechoic is a 'collections story' that uses sound instead of visuals to interpret the essence of key garments from the Autumn/Winter 2006 collections by leading fashion brands. Part of a series of projects devoted to exploring 'The Sound of Clothes', these interactives and fashion films explore sound 'generated' by the garments themselves."

"This class examines the ways humans experience the realm of sound and how perceptions and technologies of sound emerge from cultural, economic, and historical worlds. In addition to learning about how environmental, linguistic, and musical sounds are construed cross-culturally, students learn about the rise of telephony, architectural acoustics, and sound recording, as well as about the globalized travel of these technologies. Questions of ownership, property, authorship, and copyright in the age of digital file sharing are also addressed. A major concern will be with how the sound/noise boundary has been imagined, created, and modeled across diverse sociocultural and scientific contexts. Auditory examples - sound art, environmental recordings, music - will be provided and invited throughout the term."