Sound Research

"Interview with Robert Dudzic August 9, 2018 by Jim Stout Leave a Comment I recently had the privilege to speak with Robert Dudzic and, during the course of our casual discussion, we touched on topics such as his thoughts on the creative process, how to gain access to sites and the power of inspiration."

" Science of storytelling 5 identified specific sounds that filmmakers use to scare us in horror-thriller films. In this article, I will be revealing the science of how different sounds in horror-thriller films optimise engagement. The research findings are based on a 5-year scientific study of suspense and engagement in horror-thriller films. I will first summarise the film experiment research methods and how our brain responds to a fear stimulus through a chain of neurological processes that can be recorded and analysed. Finally, the research outcomes (highlights) describe how viewers physiologically responded to specific sounds in horror-thriller films, in terms of anxiety durability (time) and intensity (level)."

"Acclaimed Japanese artist Ryoji Ikeda creates new dimensions where art and quantum physics itersect. "

"Casey O'Callaghan - Associate Professor. Department of Philosophy How we understand perception is being reshaped by attention to "other" sensory modalities and to the extensive coordination and cooperation among our senses."

"They chased bees, raided junkyards and banged household objects. Now, half a century on, the Radiophonic Workshop are festival material. Meet the sound effect visionaries whose jobs came with a health warning"

"Max Cooper is not your average electronic producer. With a PHD in Computational Biology, Max is what we like to call an Audio-Visual Scientist. Through his work he tries to bridge the gap, or reinforce the deep-seeded relationship between science, art and music. A look through his work and you realize how successful he has been. "

"As part of the 21st Biennale of Sydney Oliver Beer will exhibit two new works: Composition for Mouths (Songs My Mother Taught Me) I & II, 2018 at the Art Gallery of New South Wales. These two films are a direct response to Beer's unprecedented access as artist in residence at the Sydney Opera House. Exploring ideas of cultural memory and 'inherited music', Beer asked singers to recall the earliest songs they remembered from childhood, incorporating the melodies into new compositional forms. Joining their lips in a tight seal to create a single mouth cavity, the singers explore the resonant frequencies of each other's faces as well as the architecture. They blend their voices to create rhythmic microtonal harmonic interactions known as 'beats' whilst combining adapted forms of their remembered music."

Stephen Cornford (1979, London) is an installation artist and experimental musician who works by reconfiguring consumer electronics.

"As sound designers, we are usually focused on how sound can affect a player's immersion or enjoyment of a game - certainly important. However, for this blog post I wanted to try and focus on a slightly less common topic, how sound can affect a player's experience in relation to their 'performance'. How can we improve-or worsen-a player's ability to succeed with sound? "

"For this year's Venice Art Biennale, Norway is solely responsible for the Nordic Pavilion for the first time in its history. For this occasion, the Office for Contemporary Art Norway (OCA) has commissioned artist Camille Norment to develop the project. Camille Norment conceived a site-specific, sculptural and sonic installation entitled Rapture."

"An ear-oriented multi-sensory event, SoundPedro will be presenting artists whose work addresses sound and aural perception in combination with other senses."

" Measuring Device with Organs ranges from essay to soundscape, bildungsroman to musical composition. The work begins with a typical "expert listener"-a middle-aged, white audiophile with a passion for classic rock-undergoing a test meant to determine what sound should sound like. Measuring Device with Organs hinges on the recordings used in such tests, conducted by stereo manufacturers and agencies like the International Electrotechnical Commission, reliant on the ability of humans to act like listening machines. As the test proceeds, the expert struggles to train his ears on the frequency response of the audio files, to vanquish the memories evoked by Spanish guitar riffs and snippets of ABBA."

"I have some bad news if you've created a perfume that has a sweet, slightly musky, vanilla-like fragrance, with slight overtones of cherry, and the natural smell of a salted, wheat-based dough. That's exactly how Hasbro describes the scent of Play-Doh, a smell that many of us associate with out childhoods, and a smell that the toy maker has officially now trademarked. "

"The internet erupted in disagreement on Tuesday over an audio clip in which the name being said depends on the listener. Some hear "Laurel." Others hear "Yanny.""

" In this work Bruszewski added three additional arms with needles to a traditional gramophone in order to transmit separate sounds from four different moments of the recording. Akin to Horizon, it is an instrument that generates its own philosophy. It is meant, by necessity, for the human ear, but its real addressee seems to be the being that perceives reality in a different way, "

"The Vinyl Factory has published a video directed by Sam Campbell which explores the many facets of field recording, featuring field recordists Nabihah Iqbal, Equiknoxx, Lawrence English, Lonelady, David Chatton Barker, Félicia Atkinson, Jonáš Gruska and Cheryl Tipp (British Library)."

These 16,016 BBC Sound Effects are made available by the BBC in WAV format to download for use under the terms of the RemArc Licence. The Sound Effects are BBC copyright, but they may be used for personal, educational or research purposes, as detailed in the license."

""We are delighted to present a guest-edited issue of the Interference Journal. The editors Fernando Iazzetta, Lílian Campesato and Rui Chaves present Out of Phase, a selection of papers from the Sonologia 2016: Out of Phase conference. I would like to thank the team of editors at the Interference Journal, Tony Doyle, Rob McKay, Kate Carr, Brian Bridges and Stephen Roddy for finalising this latest issue.""