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john roach

MASS MoCA - Bruce Odland & Sam Auinger: Harmonic Bridge - 0 views

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    "In the MASS MoCA portion of this multi-part project, Harmonic Bridge, low sounds roll and drone under the Route 2 overpass half a block from MASS MoCA. Entering the space under the bridge, one becomes aware of a turning eddy of sound in the midst of intersecting streams of traffic. Cars pass by heading north or south on Marshall Street and east or west on the Route 2 bridge, but this linear motion is counterpoised by a rolling, humming C as calming as the rhythm of ocean waves. Although cars stream by, pedestrians lose the impetus to move forward, derailed by this cool pool of sound with its mysterious, chant-like hum. Harmonic Bridge presents an aural cross-section of North Adams, a slice of the city in the key of C, comprised of the fundamental note and its overtone series."
john roach

Earmarks II: Sound Art at MASS MoCA and Downtown North Adams by MASS MoCA - issuu - 0 views

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    "Exhibition guide for Earmarks II, on view at MASS MoCA and in downtown North Adams."
john roach

MASS MoCA | Museum of Contemporary Art presents: Christina Kubisch: Clocktower Project ... - 0 views

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    "The comparison of a city's clock to a person's heart, though it has been made countless times, remains evocative. When Christina Kubisch first visited MASS MoCA in 1996, she was moved by the fact that the century-old factory clock had not kept time, nor had its bells rung, since 1986, when the Sprague Electric Company vacated the 13-acre site. This 19th-century clock, located in an eighty-foot tower with a 750-pound and a 1,000-pound bell, had set the rhythm of the workday in North Adams since 1895, ringing every quarter hour. Now those bells and beautiful brass clockworks share the tower with components of The Clocktower Project: solar panels, electronic sound system, and a computer with Kubisch's unique program on its flash disc. "
john roach

Julianne Swartz In Harmonicity, The Tonal Walkway | MASS MoCA - 0 views

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    "Julianne Swartz's work is rooted in emotion, vulnerability, and the provocation to recognize and connect to one another as feeling human beings. Over the years Swartz has returned again and again to using the human voice, recording singers both professional and amateur to create moving works that embrace visitors with sound and emotion."
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