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If you ever had a project that required sound effects, you could either wait for it to start raining or your baby to start crying and then whip out your tape recorder. Or you can visit Songle. Songle is a massive database of sound effects, that you can use to help give your song writing projects that little bit of extra.

Measurement is the key to success. In the industry this measurement is called (intimidating music please) - THE SOUNDSCAN. Fortunately i've never had to judge my artistic worth based off the soundscan, but for those of us lucky and unlucky enough to under go this tracking system it can be a psychological torment, sucking the creativity and positivity right out of a project. Happily we have a new form of measurement that shifts from pessimism to optimism. READ MORE to find out what they are.

Eric Beall hit it out of the park this time with his incredible article walking you through just exactly how you would make a connection on the other side of the big record label doors. His advise offers walk arounds to from being unsolicited to solicited, direction for who to actually approach with your recorded material, finding the people who's tastes are suited to your music and always looking for the alternative way into a project. The article does such a good job of explaining how to get your music heard that i'm sure you will start applying this knowledge right away!

Long gone are the days of million dollar advances. Today only a fraction of a fraction of that number is needed to finance and promote a new project. Just take a look at the NYC rock band Kill The Alarm, who recently rose $15,000 in 6 weeks by tapping into their social network and email lists. If fan funding is something that peaks your interest then you might want to take a deeper look at Kickstarter.com.

The techdirt blog goes for the jugular of John Conyers, not the same dude from the terminator movies, but one of the RIAAs biggest backers of forcing radio stations to pay to help promote music. It all started with John delivered a speech at an event put on by the recording industry lobbyists, Conyers made the analogy that the lack of a performance right mandatory fee for radio stations was comparable to slavery and indentured servitude. Techdirt sheds some light on the old practices of shady labels paying off radio stations to spin records fully knowing the momentum that radio promotion can lend to a project. But that was years ago when (the only way to steal music was to run out of best buy with a stack of cds in hand and hope you didn't get spotted by the surveillance)you actually went to jail for stealing music. Techdirt goes on to say that the argument of the lobbyist groups are completely made up and ridiculous, just an excuse for the labels that are unwilling to actually do something to properly capitalize on free promo. As artists who's arguments are more valid the RIAAs or the Radio stations?

Radio tagging is supposed to be Radio's next big thing. The only problem is that currently, most consumers aren't widely tagging and downloading songs. I don't even think most consumers are aware that radio has enabled this feature. Most people are too busy surfing the stations trying to find a song that they haven't heard a begillion times. Radio seems to be naive of this fact, and have been moving full steam ahead with their song-tagging project. It works by using HD Radio and the Radio Broadcast Data System signals to tag songs with identifier metadata, called a Unique File Identifier (UFID) code. iPods or Mp3 players docked to the specially equipped radio can store the song metadata and indicate tagged songs available to download from the iTunes or Microsoft library, once the player is synched with a PC.

4 popular sites where you can get sounds and loops, to enhance image and make your productions much more professional and entertaining. Flas