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The Informant (Soundtrack) by Marvin Hamlisch - 0 views

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    Checked out the informant over the weekend. Overall a pretty good movie, although it did drag on. Here's a review of the soundtrack, look carefully at what the reviewer touches upon, it may give you some insight to creating even better music for placement.
songplacements

Thanks for your Submission. We regret to inform… | Music Publishing & Songwri... - 0 views

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    Eric Beall hit it out of the park this time with his incredible article walking you through just exactly how you would make a connection on the other side of the big record label doors. His advise offers walk arounds to from being unsolicited to solicited, direction for who to actually approach with your recorded material, finding the people who's tastes are suited to your music and always looking for the alternative way into a project. The article does such a good job of explaining how to get your music heard that i'm sure you will start applying this knowledge right away!
songplacements

Copyright Time Bomb Set to Disrupt Music, Publishing Industries | Epicenter | Wired.com - 0 views

  • A time bomb embedded in legislation from that era, the U.S. Copyright Act of 1976
  • The Copyright Act includes two sets of rules for how this works. If an artist or author sold a copyright before 1978 (Section 304), they or their heirs can take it back 56 years later. If the artist or author sold the copyright during or after 1978 (Section 203), they can terminate that grant after 35 years.
  • The first is to continue to claim that albums are compilations
  • ...2 more annotations...
  • re-record sound recordings in order to create new sound recording copyrights, which would reset the countdown clock at 35 years for copyright grant termination
  • Labels already file new copyrights for remasters
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    Tick Tock, The Copyright Act of 1976 is About to Expire. It's always entertaining to me to watch the money traps that the labels set for artists, back before information was freely available, EXPLODE! Welp, that's exactly what's about to go down. The Copyright Act states that an artist or author who sold a copyright before 1978 can take it back 56 years later and If it was sold during or after 1978 they can take it back 35 years later. Assuming a correct and prompt filing of paper work, the record labels could lose sound recording copyrights they bought in 1978 starting in 2013. How does this affect you? If the labels don't wanna lose the contents of their entire library you can make a for sure bet that the new copyright law will be negotiated in your favor. Higher royalties anyone?
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