Pambazuka - The Pan-African cultural revolution - 0 views
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While both campaigns have clear symbolic meaning, they include larger issues like an infusion of Black theorists in the curriculum, hiring more Black professors, on-campus workers rights and more.
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Culture is a product of history. Historically, under capitalism, white workers were exploited to produce commodities, but Black workers WERE commodities. So, although the oppression of Blacks is primarily economic, slavery and colonialism produced an ideological superstructure to legitimate and reinforce white supremacy in general and anti-Black racism in particular. Since all human beings have a history and culture, one of the primary means used to exclude Blacks from the Human family is to write Black people out of history.
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While the colonizer uses history to deny our humanity, for us, Our Art and History is a weapon we use to cut the throat of our oppressor. The learning of history helps us to de-colonize our minds but to be clear, there is no pre-existing ‘African nation’ prior to slavery that we are attempting to reclaim. Our intent is to supplant white imposed definitions of reality with Black definitions of the world; therefore, we assert that Black or Pan African identity is principally a product of the Black Liberation Movement. Our common oppression is not what makes us African; it is our movement for freedom that give us consciousness of our identity. Therefore, we are not just acted upon but are agents of history.
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Our Cultural Revolution is inspired by the Black Arts Movement in the US, the Black Consciousness Movement in South Africa, and the Cultural Revolution in China. The fundamental objective of Political Revolution is to democratize the means of production i.e. the establishment of a Socialist system. Although we keep ‘Politics in Command,’ without the Cultural Revolution the Political Revolution is impossible.