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Patrick Higgins

iCue > Welcome - 0 views

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    I am interested in this for connections, but I have concerns about the privacy policy and the use of our students' information for marketing purposes.
Patrick Higgins

Cell Phones Make Headway in Education - 0 views

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    article from businessweek about cell phone usage for educational purposes.
Patrick Higgins

NCTE Beliefs about the Teaching of Writing - 0 views

  • Often, in school, students write only to prove that they did something they were asked to do, in order to get credit for it. Or, students are taught a single type of writing and are led to believe this type will suffice in all situations. Writers outside of school have many different purposes beyond demonstrating accountability, and they practice myriad types and genres. In order to make sure students are learning how writing differs when the purpose and the audience differ, it is important that teachers create opportunities for students to be in different kinds of writing situations, where the relationships and agendas are varied. Even within academic settings, the characteristics of good writing vary among disciplines; what counts as a successful lab report, for example, differs from a successful history paper, essay exam, or literary interpretation.
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    Take a look at the section I highlighted.
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    More fodder for writing as embodying many different forms.
Patrick Higgins

Portfolios (Authentic Assessment Toolbox) - 3 views

  • Portfolio: A collection of a student's work specifically selected to tell a particular story about the student
    • Patrick Higgins
       
      This is what I am really leaning towards: students telling the story of their work. Can we accomplish that?
  • A portfolio is not the pile of student work that accumulates over a semester or year. Rather, a portfolio contains a purposefully selected subset of student work. "Purposefully" selecting student work means deciding what type of story you want the portfolio to tell.
  • 1. Growth Portfolios a. to show growth or change over time b. to help develop process skills such as self-evaluation and goal-setting c. to identify strengths and weaknesses d. to track the development of one more products/performances 2. Showcase Portfolios a. to showcase end-of-year/semester accomplishments b. to prepare a sample of best work for employment or college admission c. to showcase student perceptions of favorite, best or most important work d. to communicate a student's current aptitudes to future teachers 3. Evaluation Portfolios a. to document achievement for grading purposes b. to document progress towards standards c. to place students appropriately
    • Patrick Higgins
       
      Which one do you think fits our purposes? Or should we leave that up to the students?
Patrick Higgins

The Strength of Weak Ties » Towards a Framework For Visual Literacy Learning - 0 views

  • The auditory nerve transmits sound to the brain and is composed of about 30,000 fibers. Contrast that with the optic nerve which sends visual signals to the brain through 1 million fibers (Burmark 2002). Basically, you’ve got a dial-up connection from the ear to the brain and broadband from the eye to the brain.
  • Visuals, when combined with other multimedia, provide individuals with a competitive voice. One that can be heard. One that can be measured. One that says “here I am, and here’s what I think, here is what I have to contribute. Now what do you think?” Kids have meaningful things to say, so challenge them to produce visual content with purpose and with pride.
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    Here are some things to think about...
Patrick Higgins

The New Writing Pedagogy - 0 views

  • Moving to a new pedagogy is not easy for many district administrators, however, as the Web as a writing space is still primarily an unknown, scary place to put students. But as research is showing, students are flocking to online networks in droves, and they are doing a great deal of writing there already, some of it creative and thoughtful and inspiring, but much of it outside the traditional expectations of “good writing” that classrooms require
  • That change is spelled out clearly by the National Council of Teachers of English, which last year published “new literacies” for readers and writers in the 21st century. Among those literacies are the ability to “build relationships with others to pose and solve problems collaboratively and cross-culturally,” to “design and share information for global communities to meet a variety of purposes,” and to “create, critique, analyze, and evaluate multi-media texts.” Very little of that kind of work is possible to achieve without expanding the way we think about writing instruction in the context of online social tools.
  • “Using online writing tools will allow students to write whenever and wherever they feel inspired, and to be able to speak to an audience that is larger and more important to them than the traditional classroom,” Childers says. “There is a reason why we should constantly be looking for ways to incorporate more innovative writing opportunities into our curriculum.”
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