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The book scrutinizes an old canonical form (the Tao) of the Southern Shaolin Kung Fu, the "Gung Gee Fook Fu". According to the legend, the founder of the Hung Gar Kung Fu style, Hung Tziguan studied this form under the tutorship of Southern Shaolin's best fighter, a Master of the Tiger Style Chzi Shan. The quintessence of Southern Shaolin Kung Fu School. This TAO includes main basic techniques and fighting methods of Southern Shaolin Tiger Style, one of the most effective hand-to-hand system of Chinese Fighting Kung Fu.

The book scrutinizes an old canonical form (the Tao) of the Southern Shaolin Kung Fu, the "Gung Gee Fook Fu". According to the legend, the founder of the Hung Gar Kung Fu style, Hung Tziguan studied this form under the tutorship of Southern Shaolin's best fighter, a Master of the Tiger Style Chzi Shan. The quintessence of Southern Shaolin Kung Fu School. This TAO includes main basic techniques and fighting methods of Southern Shaolin Tiger Style, one of the most effective hand-to-hand system of Chinese Fighting Kung Fu.

An old proverb says: "If you exercise only the technique (style) but ignore special training you will be a nobody till your old days." "Special training" implies particular exercises for developing both WAI ZHUANG - "the External Power" and NEI ZHUANG - "the Internal Power". Those exercises (training procedures) are collected under a common title - LIAN GONG, literally "Exercising to Acquire Mastery". In his preface the author writes: "...It is not an idle talk that "Strength can not overcome the Pugilistic Art (Quan Shu), the Pugilistic Art can not overcome Internal Mastery (Gong Fu)". The people think that it is enough to exercise the Pugilistic Art (Quan Shu) but few know that the Pugilistic Art can not withstand the Internal Mastery (Gong Fu) as the Pugilistic Art is sprouts of Gong Fu and Gong Fu itself is the base and root of the Pugilistic Art. There are people who exercise only Gong Fu and do not exercise Quan Shu. But nobody heard that Quan Shu can be exercised without exercising Gong Fu. Such "mastery" is like flying fluff or floating duckweed - too weak base. It is necessary to exercise both Gong Fu and Quan Shu, only in that case there will be a strong base and excellent Mastery."

An old proverb says: "If you exercise only the technique (style) but ignore special training you will be a nobody till your old days." "Special training" implies particular exercises for developing both WAI ZHUANG - "the External Power" and NEI ZHUANG - "the Internal Power". Those exercises (training procedures) are collected under a common title - LIAN GONG, literally "Exercising to Acquire Mastery". In his preface the author writes: "...It is not an idle talk that "Strength can not overcome the Pugilistic Art (Quan Shu), the Pugilistic Art can not overcome Internal Mastery (Gong Fu)". The people think that it is enough to exercise the Pugilistic Art (Quan Shu) but few know that the Pugilistic Art can not withstand the Internal Mastery (Gong Fu) as the Pugilistic Art is sprouts of Gong Fu and Gong Fu itself is the base and root of the Pugilistic Art. There are people who exercise only Gong Fu and do not exercise Quan Shu. But nobody heard that Quan Shu can be exercised without exercising Gong Fu. Such "mastery" is like flying fluff or floating duckweed - too weak base. It is necessary to exercise both Gong Fu and Quan Shu, only in that case there will be a strong base and excellent Mastery."

The book deals with the most popular and probably the most monumental form of the Hung Gar Kung Fu style. This form, known as "The Tiger and the Crane", was created in the late 19th century by Lam Sai Wing's teacher, an unrivalled master of Kung Fu Wong Fei Hung. The Tiger's extremely tough, fierce and lightning-fast attack are balanced against and supplemented by the softer and smoother techniques of the Crane. The "tough" and the "soft" combine in a harmony. A lot of attention is given to real-life combat application of the Kung Fu techniques in question.

The book deals with the most popular and probably the most monumental form of the Hung Gar Kung Fu style. This form, known as "The Tiger and the Crane", was created in the late 19th century by Lam Sai Wing's teacher, an unrivalled master of Kung Fu Wong Fei Hung. The Tiger's extremely tough, fierce and lightning-fast attack are balanced against and supplemented by the softer and smoother techniques of the Crane. The "tough" and the "soft" combine in a harmony. A lot of attention is given to real-life combat application of the Kung Fu techniques in question.

The history of the creation of this book goes back to Master Fan Xu Dong (life time: 1841 - 1925, according to another data - 1936). At the turn the 19-th and 20-th century Fan Xu Dong several times visited Shaolin Temple where he studied heritage of the monastery. That's what Master Jon Funk writes about it: "Fan made several trips to the Shaolin temple and spent time there researching with the monks. From these trips to the Shaolin temple, as well as his other work with the Seven Star Praying Mantis system, he wrote five volumes titled "The Shaolin Authentic". These handwritten manuals contained concepts on fighting skills, medical information and historical aspects of kung fu. Contained in one of these five volumes is the eighteen exercises of the LUOHAN GONG complete with replicas of the original drawings of the Shaolin monks demonstrating the postures of each exercise." These five books were later hand copied in Hong Kong by shifu Huang Han Xun. The original illustrations and calligraphy on LUOHAN GONG by shifu Fan Xu Dong was reproduced in shifu Huang's book in which he added photographs to depict the movements.

The history of the creation of this book goes back to Master Fan Xu Dong (life time: 1841 - 1925, according to another data - 1936). At the turn the 19-th and 20-th century Fan Xu Dong several times visited Shaolin Temple where he studied heritage of the monastery. That's what Master Jon Funk writes about it: "Fan made several trips to the Shaolin temple and spent time there researching with the monks. From these trips to the Shaolin temple, as well as his other work with the Seven Star Praying Mantis system, he wrote five volumes titled "The Shaolin Authentic". These handwritten manuals contained concepts on fighting skills, medical information and historical aspects of kung fu. Contained in one of these five volumes is the eighteen exercises of the LUOHAN GONG complete with replicas of the original drawings of the Shaolin monks demonstrating the postures of each exercise." These five books were later hand copied in Hong Kong by shifu Huang Han Xun. The original illustrations and calligraphy on LUOHAN GONG by shifu Fan Xu Dong was reproduced in shifu Huang's book in which he added photographs to depict the movements.

The book covers "external" (WAI) and "internal" (NEI) training methods practiced by traditional schools of the "Shaolin family" (SHAOLIN PAI). The following proverb has been passed down from generation to generation of people who were occupied in martial arts: "Strength can not overcome style, style can not overcome mastery." There is one more saying: "Style is the flesh of mastery, mastery (GONG FU) is the skeleton of style." All this stresses paramount importance of training in the "internal mastery" (GONG FU). Now many exercises presented in the book are almost lost and practiced by very few people. However, earlier they were an integral part of training in traditional schools of Chinese martial arts. Those and similar training methods allowed masters of the past to reach staggering results. Now their skills seem to us supernatural and unattainable...

The book covers "external" (WAI) and "internal" (NEI) training methods practiced by traditional schools of the "Shaolin family" (SHAOLIN PAI). The following proverb has been passed down from generation to generation of people who were occupied in martial arts: "Strength can not overcome style, style can not overcome mastery." There is one more saying: "Style is the flesh of mastery, mastery (GONG FU) is the skeleton of style." All this stresses paramount importance of training in the "internal mastery" (GONG FU). Now many exercises presented in the book are almost lost and practiced by very few people. However, earlier they were an integral part of training in traditional schools of Chinese martial arts. Those and similar training methods allowed masters of the past to reach staggering results. Now their skills seem to us supernatural and unattainable...