Group items tagged

'...This, in short, is how Christian belief figures into literary fiction in our place and time: as something between a dead language and a hangover. Forgive me if I exaggerate. But if any patch of our culture can be said to be post-Christian, it is literature. Half a century after Flannery O'Connor, Walker Percy, Reynolds Price and John Updike presented themselves as novelists with what O'Connor called "Christian convictions," their would-be successors are thin on the ground. So are works of fiction about the quan­daries of Christian belief. '...Where has the novel of belief gone? The obvious answer is that it has gone where belief itself has gone. In America today Christianity is highly visible in public life but marginal or of no consequence in a great many individual lives. For the first time in our history it is possible to speak of Christianity matter-of-factly as one religion among many; for the first time it is possible to leave it out of the conversation altogether. This development places the believer on a frontier again, at the beginning of a new adventure; it means that the Christian who was born here is a stranger in a strange land no less than the Sikhs, Muslims, Hindus, Buddhists, Soviet Jews .... 'The religious encounter of the kind O'Connor described forces a person to ask how belief figures into his or her own life and how to decide just what is true in it, what is worth acting on.... When we talk about belief we talk about what is permissible - about the sex abuse scandal or school prayer or whether the church should open its basement to 12‑step everything. What about the whole story? Is it our story? Is belief believable? There the story ends - right where it ought to begin.... ' This refusal to grant belief any explanatory power shows purity and toughness on the writer's part, but it also calls to mind what my Catholic ancestors called scrupulosity, an avoidance that comes at the cost of fullness of life. That - or it may show that the

'...This, in short, is how Christian belief figures into literary fiction in our place and time: as something between a dead language and a hangover. Forgive me if I exaggerate. But if any patch of our culture can be said to be post-Christian, it is literature. Half a century after Flannery O'Connor, Walker Percy, Reynolds Price and John Updike presented themselves as novelists with what O'Connor called "Christian convictions," their would-be successors are thin on the ground. So are works of fiction about the quan­daries of Christian belief. '...Where has the novel of belief gone? The obvious answer is that it has gone where belief itself has gone. In America today Christianity is highly visible in public life but marginal or of no consequence in a great many individual lives. For the first time in our history it is possible to speak of Christianity matter-of-factly as one religion among many; for the first time it is possible to leave it out of the conversation altogether. This development places the believer on a frontier again, at the beginning of a new adventure; it means that the Christian who was born here is a stranger in a strange land no less than the Sikhs, Muslims, Hindus, Buddhists, Soviet Jews .... 'The religious encounter of the kind O'Connor described forces a person to ask how belief figures into his or her own life and how to decide just what is true in it, what is worth acting on.... When we talk about belief we talk about what is permissible - about the sex abuse scandal or school prayer or whether the church should open its basement to 12‑step everything. What about the whole story? Is it our story? Is belief believable? There the story ends - right where it ought to begin.... ' This refusal to grant belief any explanatory power shows purity and toughness on the writer's part, but it also calls to mind what my Catholic ancestors called scrupulosity, an avoidance that comes at the cost of fullness of life. That - or it may show that the