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Elisabeth Nesheim

CoCArt Music Festival - Centrum Sztuki Współczesnej "Znaki Czasu" w Toruniu - 0 views

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    The basic idea of CoCArt organizers is to present current trends in the field of contemporary sound&visual art. The international event features multimedia concerts of artists that integrate music, image and performance.
Jill Walker Rettberg

Remix Theory » Archivio » WHAT COMES AFTER REMIX? by Lev Manovich - 0 views

  • officially accepted
    • Jill Walker Rettberg
       
      Hm, that doesn't seem to fit with Lessig and others' arguments about the music industry suing people who use remix?
  • “appropriation” never completely left its original art world context where it was coined.
  • I think that “remixing” is a better term anyway because it suggests a systematic re-working of a source, the meaning which “appropriation” does not have
  • ...10 more annotations...
  • The other older term commonly used across media is “quoting” but I see it as describing a very different logic than remixing. If remixing implies systematically rearranging the whole text, quoting refers inserting some fragments from old text(s) into the new one.
  • “montage” and “collage”
  • three differences.
  • we can say that if modernist collage always involved a “clash” of element, electronic and software collage also allows for “blend.
    • Jill Walker Rettberg
       
      This is really interesting!! Consider in relation to our discussions about film theory and editing - Kuleshov, Eisenstein and more.
  • database of culture
  • Remixing originally had a precise and a narrow meaning that gradually became diffused
  • If post-modernism defined 1980s, remix definitely dominates 2000s
  • Wired magazine devoted its July 2005 issue to the theme Remix Planet.
  • In his book DJ Culture Ulf Poschardt singles out different stages in the evolution of remixing practice
  • Around the turn of the century (20tth to 21st) people started to apply the term “remix” to other media besides music: visual projects, software, literary texts
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    Useful short article by Lev Manovich, who is a prominent scholar of digital culture, about the history of remix and its relationship to other related practices in art and literature (appropriation, quoting, montage, etc). Read this!
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