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The 30-minute speech I gave last month at the Symphony Space in New York is now available on video, and is posted below in three YouTube segments (the first segment also contains the 4-minute introduction of my speech). The speech pertains to the evolution of my views on media criticism, the nature of media propaganda and what drives it, and what can be done to combat it. A DVD of the entire event -- featuring the three other speeches: from Amy Goodman, Noam Chomsky and Michael Moore -- is available at FAIR's website. I want to note one example, from today, that vividly illustrates many of the themes I discussed in that speech.  It is found in the following passage from this Reuters article on Obama's escalation of the covert war in Yemen and his targeting of U.S. citizen Anwar Awlaki for assassination: A U.S. official confirmed to Reuters that a U.S. strike last Friday killed Abu Ali al-Harithi, a midlevel al Qaeda operative, which followed last month's attempted strike against Anwar al-Awlaki, the leader of al Qaeda in the Arabian Peninsula. Whether Awlaki has any operational role in Al Qaeda at all is a matter of intense controversy.  The U.S. Government has repeatedly asserted that he does, but has presented no verifiable evidence to support that accusation.  But what is not in dispute is the notion that Awlaki is "the leader of al Qaeda in the Arabian Peninsula."  He unquestionably is not, and never has been, as multiple Yemen experts have repeatedly noted.  The Reuters claim is factually and entirely false. Whatever one's views are on Obama's assassination program, targeting U.S. citizens without due process obviously raises extraordinary and vitally important questions.  As The New York Times' Scott Shane put it when confirming Awlaki's inclusion on Obama's hit list: "The Obama administration has taken the extraordinary step of authorizing the targeted killing of an American citizen. . . . It is extremely rare, if not unprecedented, for an America

The idea that journalists have no responsibility to the dissemination of helpful information is ridiculous to me. It certainly is not the media's job to accommodate misinformation and falsehoods. The presentation of facts is not a partisan issue. I can't help but wonder what ethics their willingness to peddle partisan bullshit supports.

In a stunning display of self-unawareness, The Atlantic's Jeffrey Goldberg pointed to last week's forced "resignation" by Dave Weigel from The Washington Post as evidence that the Post, "in its general desperation for page views, now hires people who came up in journalism without much adult supervision, and without the proper amount of toilet-training." Goldberg then solemnly expressed hope that "this episode will lead to the reimposition of some level of standards." Numerous commentators immediately noted the supreme and obvious irony that Goldberg, of all people, would anoint himself condescending arbiter of journalistic standards, given that, as one of the leading media cheerleaders for the attack on Iraq, he compiled a record of humiliating falsehood-dissemination in the run-up to the war that rivaled Judy Miller's both in terms of recklessness and destructive impact.

On the eve of a new leak, widely trumpeted Pentagon accusations about the whistleblowing site have proven false

The New York Times this morning has a particularly lush installment of one of the American media's most favored, reliable, and self-affirming rituals -- it's time to mock and pity Those Crazy, Primitive, Irrational, Propagandized Muslims and their Wild Conspiracy Theories, which their reckless media and extremists maliciously disseminate in order to generate unfair and unfounded hostility toward the U.S.:

Project Censored has an illustrious history of drawing attention to stories that the mainstream press overtly censors or ignores through a corporate media culture that dismisses the existence of topics that threaten the status quo. The organization also promotes media literacy by educating the public about strategies that are used to disseminate misinformation and propaganda. With the forthcoming publication of the newest edition of Project Censored, Truthout interviewed long-time project Director Peter Phillips and current Director Mickey Huff to gain a sense how this project began, and how it intends to continue making an impact in a constantly transforming media landscape.

The administration manipulates secrecy to disseminate beneficial information while supressing what's embarrassing