Rationality is the ability to do well on hard decision problems.
Another central theme of rationality is truth-seeking. Truth-seeking is often used as an aid to decision-making: if you're trying to decide whether to get a cryonics policy, you might want to find out whether the technology has any good evidence suggesting that it might work. We can make good decisions by getting an accurate estimate of the relevant facts and parameters, and then choosing the best option according to our understanding of things; if our understanding is more accurate, this will tend to work better.
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What is Rationality? | Less Wrong - 0 views
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Rationality is also the art of how to systematically come to know what is true. Often, the processes of truth-seeking and decision-making, both on the individual level and the group level are subject to biases: systematic failures to get to the truth or to make good decisions. Biases in individual humans are an extremely serious problem - most people make important life-decisions without even realizing the extent and severity of the cognitive biases they were born with. Therefore rational thought requires a good deal of critical thinking - analyzing and reflecting on your own thought processes in order to iron out the many flaws they contain. Group dynamics can introduce mechanisms of irrationality above and beyond the individual biases and failings of members of the group, and often good decision-making in groups is most severely hampered by flawed social epistemology.
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Rationality techniques and topics include:
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Following through with simple logical inferences and numerical calculations - A surprising number of bad decisions and conclusions can be avoided by doing relatively simple pieces of logical reasoning without error or flinching in the face of the conclusion. Common general examples include non sequiturs such as affirming the consequent, argument from fallacy, and taking absence of evidence as certitude of absence ("I haven't found any evidence for it therefore it can never happen" type reasoning). Many bad decisions also result from not doing simple arithmetic, or not taking into account quantitative reasoning. See this website on environmentalism gone wrong due to a failure to reason quantitatively.
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Ideas of the century: Neurophilosophy (19/50) by AC Grayling TPM: The Philosophers' Mag... - 2 views
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Neuroscience, psychology and philosophy here meet in richly promising combination, giving rise in the usage of its proponents to a new name: neurophilosophy. T
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Without question, empirical neuroscience is teaching us much already, and will teach us vastly more along these lines as time goes by. It is an important project. It is not either sceptical or critical of this project to say, nevertheless, that a sense of proportion has to be kept regarding its philosophical promise. For when one thinks about persons, their characters, what they know and believe, the frameworks of concepts that organise their view of the world and their attitudes and responses to it, and the way they give weight to competing reasons for action, the neurophilosophical approach is only going to be part of the story, because in principle it cannot be the whole story. The reason is that minds have to be understood “broadly” as opposed to “narrowly”, in the same sense that we speak of “broad content” and “narrow content” in relation to mental content generally. For instance, individuating (“picking out”) referential thoughts necessarily involves mention of the referents of the thoughts; thus, to individuate a thought of a chair from the thought of a book necessitates reference to the chair and the book outside the thinker’s head.
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The implication is that the character and content of one’s mind is the result of its interaction with the social and physical settings in which it became functional and increasingly mature. Any individual mind is accordingly the manufacture of a community of minds and of input from the world; it grows by continuous feedback in interaction with parents, teachers, the community, and the physical environment. Therefore to identify what a person knows and believes, and to describe how he thinks, is to see him as a node in a complex of relationships with other minds and a manifold of accompanying external stimuli. The point might illustratively be put by saying that a mind is the product of many brains in interaction; that externally-caused excitations – many of them from other brains – of some subset of sensory surfaces (fingertip dendrites, rods and cones, taste buds, ear drums) are necessary conditions for mental life, to which ineliminable reference must be made in explaining mental content; in short, that mind is brain plugged into two kinds of environment, social and physical, and a brain not thus plugged in is not the seat of a mind.
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Transindividuation by Bernard Stiegler & Irit Rogoff | Journal e-flux 2010 - 0 views
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This is a segment of conversation between the philosopher Bernard Stiegler and cultural theorist Irit Rogoff that took place on the occasion of Stiegler’s lecture series, “Pharmaconomics” at Goldsmiths in February, March 2010, as part of his current professorial fellowship. In this segment, we touch on a couple of Stiegler’s key terms in the development of his thought, such as “transindividuation,” “transmission,” and “long circuits.” In his three-volume work Technics and Time, Stiegler has argued that “technics” (a constellation of models and discourses converging on information systems, codes, prostheses, machines, etc.) constitute what “is most properly to be thought as the key philosophical question of our time.” As Andrés Vaccari states about Technics and Time: In the human sciences, culture and language have also been progressively engulfed by the universe of technics: the artificial realm of institutions, rituals, knowledges, symbol systems and practices that makes humans functional, speaking, meaning-making creatures; that is, what makes humans human. The essence of the human, it seems, is the technical; which is paradoxically the other of the human: the non-human, the manufactured, unnatural, artificial; the inhuman even.1
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Attention is the reality of individuation in Gilbert Simondon’s sense of the terms: insofar as it is always both psychical and collective. Attention, which is the mental faculty of concentrating on an object, that is, of giving oneself an object, is also the social faculty of taking care of this object – as of another, or as the representative of another, as the object of the other: attention is also the name of civility as it is founded on philia, that is, on socialised libidinal energy. This is why the destruction of attention is both the destruction of the psychical apparatus and the destruction of the social apparatus (formed by collective individuation) to the extent that the later constitutes of system of care, given that to pay attention is also to take care.
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The first is education in the larger sense of transmission—inter-generational transmission—because, to my mind, this is the essence of education. What is education in this sense? Education is the relation between diverse generations, and contact is its mode of transmission. For example, an artist is capable of affecting, in and of themselves, a line of transmission from Paleolithic art through to contemporary art, and this transmission is a relationship to time, to human—I don’t like the word “human,” so perhaps we could say “mortal”—experience. These lines are within the artist, not made manifest by him or her, nor are they structures of representation, and they are put into effect through their practice, through the contact with them. Initially, the most common, everyday experience of education is the relationship between parents and children, or we could say that the space of the family is the first space of education. And here we can already begin to identify problems, which are very close, very connected to problems that you can see at other levels and modalities of education, in schools and in museums and in other similar institutions. And so I would like to speak about those three levels; this “family” education; academic education, lets say; and “cultural” education, that of cultural institutions. And in these three different levels, you can encounter the same problems—problems of circuits, long and short. Today, the problem of education at the level of the family is the short-circuiting of the relationship between generations through the operations of the media. What is created between generations are in fact long circuits. What Freud or Groddeck call the “id” is an unconscious space of long circuits. These unconscious spaces link generations along very, very long spans of time. What is produced within these long circuits are the material of the dream, for example, which is at stake in Freud’s interpretation of dreams, as well as clearly being the matter from which artists operate and produce. Joseph Beuys is extremely important for me because he was working on this question of long circuits aligning him in individuated ways with the past.
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I discovered that in fact in the 1880s, the Paris Opera had an extremely interesting policy regarding the “public.” When you were a member, you had a subscription to the opera, and you received the entire score of a new production before the performance. And you also received the transcription of the piece, an arrangement for piano and violin and voice as well as a commentary on the complexity of the score. And you had to prepare yourself before going to the concert hall. Why? In fact, at this time throughout the bourgeois families you had people with skills at playing the piano, the violin, or singing, and everyone was reading and writing music. Being capable of playing music was a condition for listening to music, because if you could not play, it was not possible to listen to this music. Because there were no hi-fi apparatuses, there was no radio or phonographs. So at the beginning of the twentieth century new apparatuses appeared that suddenly created a short-circuit in the skills—the musical skills of the public.
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My own grandfather who died in 1935 was a worker who drove locomotives, but he was capable of reading music. But in my generation, our generation, reading music is exceptional, it’s not common knowledge, so in fact I think that in the twentieth century you had an extremely important, instrumental shift, a transformation in education in which suddenly the skills of the “savoir faire”—of playing instruments and reading scores—were short-circuited, and suddenly the relationship between artworks and their publics was completely changed.
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My thought was much influenced by the philosophy of Gilbert Simondon, who was an important thinker of individuation. Simondon says that if you want to understand the individual, you need to inscribe the individual in a process of which he is only a phase. As such, the individual has no interests. The individual is only an aspect, or phase of a process, but the process is what is important. So what is this process? It is the process of individuation, that is of transformation, and for Simondon, everything is a caught up in and brought into a process of individuation. For example, the passages of life are a process of individuation, but “technics” are also processes of individuations.
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Now we ourselves, as humans, are a type of individuation that is very specific, as our individuation is not only a vital individuation, that is, an individuation of the living organism, of life, but an individuation of the psyche as well, so it is operating as both conscious and unconscious processes. And Simondon says that the individuation of the psyche is always already an individuation of a group of psyches, because a psyche is never alone. It always operates in relation to another psyche. At the limit itself, himself, or herself, a psyche in this situation is a very specific doubling of oneself in narcissism and a type of dialectical relationship to oneself. But this situation of dialogism in the psyche is an interiorization of a primordial situation in which, if you follow the arguments of Freud or Winnicott, you are in a dialectic relationship with other psyches, such as that of your mother or your father. This individuation, for example, is omnipresent and continuous. When you are reading a book, you individuate yourself by reading this book because reading a book is to be transformed by the book. If you are not transformed by the book, you are not reading the book—you believe that you are reading. You may believe that you are, but you are not.
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IR: So reading a book is a short-circuit. BS: It can be a short-circuit if you believe you are reading a book and you don’t in fact read it. It is a long circuit if you individuate yourself by reading the book, if you are in the process of individuating yourself. Now the theory of Wolfgang Iser—the theorist of the school of Konstanz—is that a book is a process of individuation, a book doesn’t exist as such. What exists as a book is the community of the reader. And this is extremely interesting. Because it says in fact that a book is a power of individuation, but not individuation as such. It is the circuit created, the long circuit created by the readers, which is the individuation of the book. And it is not only the case for the book. It is the case for every artwork or other forms of creative work in the humanities. Now, when you are individuating yourself with somebody—for example, we are now in discussion and in speaking, I am individuating myself. But in listening to me, you are individuating yourself through my discourse. You can individuate through my discourse by adherence with my discourse, but it’s also equally possible to individuate oneself by its contradiction, its negation.
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A co-individuation is not the same as individuation, it is a process of individuation—for example in the dialogues of Plato, in which you have the presence of Socrates and Gorgias who are not in a position of individuating themselves. In the dialogues of Plato, the goal of the dialogues is nevertheless to reach a kind of agreement, even an agreement on disagreement if you can say, “we disagree on that,” “we agree on things,” “we disagree on that,” it is a kind of disagreement. It is a disagreement with an agreement about the disagreement. Part of the belief in socialization was to stipulate that a “gentleman” is capable of arriving at an agreement about a disagreement while a “barbarian” is not capable, and that is important for our argument here. This process of co-individuation, when it produces a kind of convergence and agreement, transforms the process of trans-individuation. Why? Because if you have a discussion and a topic, in the discussion you have several positions expressed during the discussion, but you have a moment in which you have what Simondon calls a “meta-stabilization”—a kind of agreement that can become a rule. For example, if you are a geometer or a moviemaker, you will meta-stabilize something that will become the style of Euclid, or the style of Fellini, or the style of Godard, or the style of Expressionism in German cinema in the twenties, and so on and so forth. And this becomes a kind of cultural inheritance, which created in philosophy, for example, a new dialectic, or perhaps an “apodictic” (the branch of philosophy that analyzes influence) that will then be transmitted in the operations of a conventional “objective” education.
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There is a specific reason, an argument I am putting forward, which is that, in my point of view, the twentieth century began in the nineteenth century. There was a change, a very deep change, in the organology of transindividuation. Such was the text of Adorno and Horkheimer “The Culture Industry: Enlightenment as Mass Deception,” in which suddenly—through what is currently called mass media: television, cinema, radio, now digital technology and networks as well—the development of a new organology was forged, which in turn creates a new organization of the circulation of the symbolic. Within this new mode of organization, suddenly the production of the symbolic becomes industrial, subject to industrial processes. Here you encounter the production of symbols on the one hand, and the consuming of such symbols on the other—an aporia because it is impossible to consume a symbol. The symbol is not an object of consumption; it is an object of exchange, of circulation, or of the creation of circuits of trans-individuation. So this situation suddenly produced what I call short-circuiting—of trans-individuation. And it is a very long story, it is not framed by a short historical period, but extends over a long time.
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There is an extremely interesting sentence by the anthropologist André Leroi-Gourhan who says you need to participate at the level of feeling, of emotion, in order to exit something—not reject something, but engage with it emotionally. Why did he say something like that? He was a reader of Bergson, just like Simondon, and you know the problem for Bergson is what is called the “loop stimulus”—it is not a stimulus response, but is like Marcel Mauss, with the exchange of gifts. You can receive if you can give. If you can engage, you are also able to exit. If you are able to engage critically, then a process takes place that would otherwise remain static.