Group items matching

in title, tags, annotations or url

Danto has argued that what all works of art have in common is that they all relate in some way to an `artworld', to an accepted artistic theory, or to the history of art as a whole. So if someone puts a toilet in the middle of an art gallery and calls it art, then it is art if (and only if) it makes sense in the history of the development of art over the centuries. Maybe the history of art was just ready for a toilet in an art gallery then, and what distinguishes it from ordinary toilets are the interpretations which those educated in art history put upon it. Danto has a view of the development of the history of art inspired by Hegel. He claims that eventually, through its growing consciousness of itself, art becomes philosophy and thus comes to an end.

Mute finance After running on a mixed economy of barter, grant and private monies since its inception in 1994, Mute started receiving revenue funding from the arts Council of England in 1999. The grant is now set at £65,000 per annum, having significantly increased in the past couple of years, and goes towards the core costs of staff, premises and production. ACE's 'core funding' is supplemented by project funds allocated to new initiatives; in recent years Mute has received nearly £100,000 from ACE for such projects. Grants were awarded for White Cube, Blue Sky (a book now renamed Proud to be Flesh: a Mute Anthology on network cultures); web tools resource OpenMute; business development, FLOSS migration and new online art commissions as well as an OpenMute national workshop tour, UserLand. Approximately £40,000 has also been received from creative-industries agencies London Innovations and CIDA for technology projects centred on wireless networking (YouAreHere) and software development (TNS).