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Danto has argued that what all works of art have in common is that they all relate in some way to an `artworld', to an accepted artistic theory, or to the history of art as a whole. So if someone puts a toilet in the middle of an art gallery and calls it art, then it is art if (and only if) it makes sense in the history of the development of art over the centuries. Maybe the history of art was just ready for a toilet in an art gallery then, and what distinguishes it from ordinary toilets are the interpretations which those educated in art history put upon it. Danto has a view of the development of the history of art inspired by Hegel. He claims that eventually, through its growing consciousness of itself, art becomes philosophy and thus comes to an end.

"I have never learned to trust it. I can't trust it to this day ... A dreadful doubt hangs over the whole achievement of literature." Thus wrote Joseph Conrad, in an essay published in the Manchester Guardian Weekly on December 4 1922. Long before Auden was telling us poetry makes nothing happen, or Adorno was saying there could be no poetry after Auschwitz, Conrad was questioning - fundamentally - the political and moral utility of writing. Yet this was a writer who drew the approbation of FR Leavis, the pre-eminent British supporter of the view that literature could play a role in the maintenance of civilisation. In 1941, Leavis described Conrad as being "among the very greatest novelists in the language - or any language".

"Both at sea and on land my point of view is English, from which the conclusions should not be drawn that I have become an Englishman. That is not the case. Homo duplex has in my case more than one meaning."

rust vs. Mistrust by media source How to know? Who to believe? The new-media revolution has subverted as well as expanded the possibilities of knowledge-based understanding. Tony Curzon Price presents openDemocracy’s response to a crisis of trust. The Enlightenment faith that knowledge will lead to understanding, and understanding to a better world, is central to openDemocracy's being. It informs both what we publish - in-depth analysis and commentary by public intellectuals, professionals, writers, academics and activists - and how we view ourselves: the product, process and the purpose alike.

upposedly, the Kane & Lynch debacle was settled weeks ago, but it’s very possible that Eidos recently decided to pull future ad campaigns, which definitely could have been the straw that broke the camel’s back for the bigwigs at CNET. Like it or not, the “professional” sites, whose opinions seemingly matter most, battle with the balance of journalistic integrity and advertising relationships day-in and day-out. And it should come as no surprise that it’s the “community” sites that are much more resistant to these influences because advertisers aren’t flocking to them as frequently.

I remember a story from an old college professor of mine who works for Time Inc.: Time magazine published an article that slightly badmouthed one of IBM’s computers, which resulted in the computer giant in pulling its advertising for the following three years. Whether or not the writer was fired, I don’t know.