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The Public Humanities Projects program supports projects that bring the ideas and insights of the humanities to life for general audiences through in-person programming. Projects must engage humanities scholarship to analyze significant themes in disciplines such as history, literature, ethics, and art history. NEH encourages projects that involve members of the public in collaboration with humanities scholars or that invite contributions from the community in the development and delivery of humanities programming. This program supports a variety of forms of audience engagement. Applications should follow the parameters set out below for one of the following three categories: * Humanities Discussions: This category supports three-month-long to two-year-long series of at least fifteen in-person public programs that engage audiences with significant humanities resources, such as historic artifacts, artworks, literature, musical compositions, or films. These resources should be chosen to engage a diverse public audience. The programs must be anchored through perspectives presented by humanities experts as speakers, panelists, or discussion leaders providing context and analysis of program themes. Projects may include, but are not limited to, community forums, panel symposiums, lecture series, reading and discussion programs, analytical discussions on museum collections or theater/musical performances, life-long learning programs, or other methods of face-to-face audience engagement or informal education.

The Digital Projects for the Public program supports projects that interpret and analyze humanities content in primarily digital platforms and formats, such as websites, mobile applications and tours, interactive touch screens and kiosks, games, and virtual environments. The projects must be designed to attract broad public audiences. All Digital Projects for the Public projects should * present analysis that deepens public understanding of significant humanities ideas; * incorporate sound humanities scholarship; * involve humanities scholars in all phases of development and production; * include appropriate digital media professionals; * reach a broad public through a realistic plan for development, marketing, and distribution; * create appealing digital formats for the general public; and * demonstrate the capacity to sustain themselves. All projects should demonstrate the potential to attract a broad, general, nonspecialist audience, either online or in person at venues such as museums, libraries, or other cultural institutions. Applicants may also choose to identify particular communities and groups, including students, to whom a project may have particular appeal. NEH also welcomes applications for non-promotional digital components of a larger project. For these projects, you should explain how the digital platform will enrich the users' learning experience and engagement. For instance, if your request is for a mobile experience that would operate within a museum or would work in conjunction with a film, you should explain how this project element will substantially add to the audience's learning experience.

The Radcliffe Institute for Advanced Study at Harvard University is accepting applications for its 2019-2020 Fellowship Program Through the program, stipends of up to $77,500 for one year with additional funds for project expenses will be awarded to individuals working in the creative arts, humanities, social sciences, natural sciences, and mathematics to pursue projects within their fields. In addition, some support for relocation expenses is provided where relevant. In addition to the stipend, fellows receive office or studio space and access to libraries and other resources of Harvard University during the fellowship year, which runs from early September 2019 through May 31, 2020. Visual, film, and video artists may apply for either one or two semesters. In the event that they come for one semester, the stipend is $38,750. Radcliffe Fellows are expected to devote themselves full time to the work outlined in their proposal. Since this is a residential fellowship, fellows are expected to reside in the Boston area during the fellowship period and to have their primary office at the institute to participate fully in the life of the community. The deadline for individual applications in the creative arts, humanities, and social sciences is September 13, 2018. For applications in the natural sciences and mathematics, the deadline is October 4, 2018.

The Harry Ransom Center fellowship program at the University of Texas at Austin was established in 1989 under the directorship of Thomas F. Staley to encourage and facilitate use of the center's collections for scholarly inquiry. The program enables scholars from around the world to visit the center and conduct on-site research in its extensive collections of manuscripts, rare books, photographs, artworks, and other materials documenting America's cultural history and the creative process In 2020-21, the center will award ten dissertation fellowships and up to fifty postdoctoral fellowships for projects that require substantial on-site use of the center's collections. The collections support research in all areas of the humanities, including literature, photography, film, art, the performing arts, music, and cultural history. Through the program, recipients receive $3,500 per month for one to three months. Travel stipends and dissertation fellowships provide stipends of $2,000. International fellows will receive an additional $500 to offset visa and travel costs. 

These fellowships are intended to support an academic year of research and/or writing by early career scholars for a project that will make a substantial and original contribution to the understanding of art and its history. The ultimate goal of the project should be a major piece of scholarly work by the applicant. ACLS does not fund creative work (e.g., novels or films), textbooks, straightforward translation, or pedagogical projects.

California Documentary Project, a competitive grants program that supports documentary film, radio, and new media productions designed to enhance an understanding of California and its cultures, peoples, and histories. Projects must use the humanities to provide context, depth, and perspective and be suitable for California and national audiences through broadcast and/or distribution. CDP grants support projects at the research and development, production, and public engagement stages.

The SFFILM Westridge Grant is a fund that supports US-based, independent narrative feature films in the screenwriting phase. Grants are awarded twice annually to projects that address social issues and pressing questions of our time through creative and original storytelling. The SFFILM Westridge Grant is open to US-based filmmakers whose stories take place in the United States. A total of $200,000 will be granted annually through this program, with four or five $20,000-$25,000 grants awarded in each spring and fall. In addition to financial support, grantees receive a range of benefits through SFFILM's comprehensive and dynamic artist development programs, as well as support and feedback from SFFILM and Westridge Foundation staff.

"The Media Projects program supports the development, production, and distribution of radio, podcast, television, and long-form documentary film projects that engage general audiences with humanities ideas in creative and appealing ways.  All projects must be grounded in humanities scholarship and demonstrate an approach that is thoughtful, balanced, and analytical.  The approach to the subject matter must go beyond the mere presentation of factual information to explore its larger significance and stimulate reflection.  Media Projects offers two levels of funding: Development and Production."

As a part of its current initiative, Standing Together: The Humanities and the Experience of War, the National Endowment for the Humanities offers the Dialogues on the Experience of War program. The program supports the study and discussion of important humanities sources about war, in the belief that these sources can help U.S. military veterans and others to think more deeply about the issues raised by war and military service. The humanities sources can be drawn from history, philosophy, literature, and film-and they may and should be supplemented by testimonials from those who have served. The discussions are intended to promote serious exploration of important questions about the nature of duty, heroism, suffering, loyalty, and patriotism.

The Media Projects program supports the development, production, and distribution of radio, podcast, television, and long-form documentary film projects that engage general audiences with humanities ideas in creative and appealing ways.  All projects must be grounded in humanities scholarship and demonstrate an approach that is thoughtful, balanced, and analytical.  The approach to the subject matter must go beyond the mere presentation of factual information to explore its larger significance and stimulate reflection.  Media Projects offers two levels of funding: Development and Production.

The Japan Foundation New York office (JFNY) accepts applications from non-profit organizations for projects that take place within the 37 states east of the Rocky Mountains, plus Washington D.C., listed below for the JFNY Grant for Arts & Culture on a rolling basis throughout the year. This grant aims to support projects that will further understanding of Japanese arts and culture. Successful projects are granted up to $5,000. This grant also supports online projects related to Arts & Cultural Exchange that incorporate issues pertaining to the COVID-19 global pandemic such as virtual exhibitions, virtual performances, film streaming, online conference as well as webinar. Priority will be given to those projects that have secured additional funding from sources other than the Japan Foundation.

The GKV Foundation supports individual development and related community impact through the use of a range of artistic media, including the visual arts, music, and dance. The goal is that with GKV first-year funding enough measurable results will be achieved to attract sustaining funding from other sources. Priority is given to established nonprofits with a big idea that has great potential but that has yet to be funded and therefore is untested. In order to be considered for funding, interested organizations must first submit a Letter of Interest. If the LOI is of interest to the foundation and is selected for further consideration, the organization will be contacted via email and invited to submit a more comprehensive proposal.