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Creative Commons is facilitating the use and reuse of educational materials. According to this post written by a policy coordinator at the nonprofit organization, it can potentially allow students to save money they would be spending on textbooks. A professor at the University of MIchigan published a $10 book in 11 days because he adapted a book "offered under an open content license"

The use of Creative Commons licenses to broaden access to educational materials represents a general shift in academia. Although universities have often controlled this access to knowledge, these open source resources allow most people to educate themselves without the high barriers to entry, such as tuition. Like the MIT Open CourseWare, "iTunes U" compiles lectures from various universities. NYU actually just sent out its IT newsletter e-mail today, which contained a notice about its Open Education Pilot program. http://www.nyu.edu/its/connect/w11/openedpilot.html Even though it seems like universities are open to sharing lecture materials and other educational resources under the Creative Commons license, how lenient do you think these schools will be? Would they truly offer alternative textbooks in which the college has to forfeit their profit from their bookstore, for example?

What can you do if that novel you've been looking to read isn't available as an e-book? Well, it turns out that Japanese companies are actually taking books and scanning them for their customers as PDF files compatible with iPad, iPhone, Kindle and Nook. In Japan, copyright agreements depend on the author, and in turn the secretary general of Japan Book Publishers Association suggests all of this activity may be legal. It would be interesting to see this service offered in the U.S. and the copyright infringement cases that might arise.

The author recounts when he and his wife used their camera phones to snap a few pages from a decor book in Barnes and Noble for ideas to show their contractor. Do you think it is possible to regulate this kind of copying and do you think a cell phone photo of a page or two from a book justifies legal punishment?

NY federal judge ruled against google last week in their copyright case, having  "[tossed] out a 165-page settlement reached in 2008 between Google and authors and publishers groups". This article discusses Google's 2009 plan for a global digitized library and the lawsuits that have surrounded it.

The article is recent from March 25th (LA Times, Business Section). It's discussing Google's history regarding the e-book controversy. Judge Chin's decision forces us to think about what an online digital library might look like without infringing parties, like Google. As noted in the article, Google was attempting to use "orphan works," whose right holders could not be found. As a result, Google would be using the works without being held accountable under copyright law. Here's the original document, filed by the U.S. Supreme Court, on 3/22/2011: https://www.documentcloud.org/documents/74854-chin-ruling

Yoko Ono granted Beatles biographer, Hunter Davies, permission to publish a book of John's letters, but has emphasized the fact that she still owns the copyright of the letters that John wrote and mailed to other people.

"Do they treat piracy as part of the cost of doing business in the Internet age, or do they try and recoup piracy losses from paying customers by raising prices?"

It appears that even professors often overlook the legality of distributing copyrighted materials. Although it's no question that fair use applies to a small excerpt or one chapter of a book, the legality of distributing multiple chapters or an entire work is, what this article calls, "cheating a legitimate economic interest." Students might disagree based on the cost of textbooks and course readers, though from the standpoint of the publisher and author, if an academic intends to use an entire work, it should not be copied, but purchased as the entire original work.

International Publishing Company, Hachette has signed a "print-on-demand" agreement with the French National Library (BnF) which will allow them to sell out-of-copyright works from the BnF's online library. European Union countries have been known for setting limitations on the reproductions of oeuvres, particularly where the web is concerned. Hachette seems to have found a way to profit from this...

Films by Hitchcock, books by Virginia Woolf and Picasso's Guernica--just to name a few--are some of the works that are no longer readily accessible to the public. In a new case, Golan v. Holder, orchestra conductors, teachers and film archivists, are fighting for the right to perform, adapt and distribute creative works that they relied on for years without having to consider copyrights and their respective fees. Should these famous works be returned to the public domain?