There's a lot of hate towards the games of the week...
In case you don't know, I hate the Assassin's Creed series. Ever since the original entry was released and slapped me in the face with its lies, I've left the franchise behind, telling anyone who would listen it wasn't for me. After plenty of 'oh, but it's changed now' from people in the know, though, I decided to dip my toe in for only the second time.
Unsurprisingly, I still think it's rubbish. Aside from how long everything takes to get going, the entire thing just feels like a horrible slog. Drowning in fetch quests, 'follow this dude' missions, and 'don't let that guy die, otherwise we'll stop the game' follies, I just got the overwhelming sensation that nothing had changed since 2007.
Before you all find where I live and lynch me, I do understand why Desmond and all his friends have become so popular. Ubisoft's tech behind Assassin's Creed is very impressive, and there's an incredible amount of game here all things considered. I just don't like the way it plays, especially the nonsensical climbing that's the equivalent of fighting with a controller.
Combat sucks, too. And any game that forces me to visit what seems like its developer's offices at random intersections is always going to rub me up the wrong way in some fashion.
Suzy Menkes reports on designers proud to portray their national heritage in their clothes, including Huishan Zhang, Rahul Mishra, Leonard and Manish Arora.
Draped Indian saris, silken Mao jackets, and kimono coats used to be the preserve of old-style Parisian couturiers searching for a theme of the season.
But I am inspired by the idea that in this interconnected world, fine designers are emerging from across the globe. They yearn to show in Paris for the consecration of their dreams, but their strength is in the workmanship that they find in their home countries.
I have selected four designers whose influences derive from their homeland and whose design talents are open to the world.
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