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Reflections on the Artistic Process By David Liebman - 0 views

www.davidliebman.com/...ctionsontheartisticprocess.htm

jazz creativity process david liebman saxophonists

shared by avivajazz jazzaviva on 18 Oct 09 - Cached

avivajazz jazzaviva on 18 Oct 09

Reflections on the Artistic Process By David Liebman

<div class="cArrow"> </div><div class="cContentInner">Reflections on the Artistic Process By David Liebman</div>

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Musical Composing and the Creative Process : Tufts 2007 - 0 views

www.tufts.edu/...music-process.html

music composers creativity brain neurology cognitive psychology science mathematics heart emotions perception untagged aviva.gabriel

shared by avivajazz jazzaviva on 01 Mar 09 - Cached

John Cage and 4'33" ...::: Was He Trying to Piss Off the Audience...?...Or...? - 0 views

solomonsmusic.net/4min33se.htm

johncage contemporary classical silence sound music composition composers avant-garde deconstructing deconstructed postmodern pomo theory musictheory

shared by avivajazz jazzaviva on 27 Aug 11 - Cached

avivajazz jazzaviva on 27 Aug 11

The purpose of this essay is to examine the aesthetic behind Cage's "silent" composition, 4'33", to trace its history, and to show that it marked a significant change in John Cage's musical thought -- specifically how it forms a point-of-no-return from the conventional communicative, self-expressive and intentional purpose of music to a radical new aesthetic that informs the field of unintentional sound, interpenetration, chance, and indeterminacy. The compositional process is described, both the writing of 4'33" and its evolution from past thought. Implications for performance are examined.

<div class="cArrow"> </div><div class="cContentInner">The purpose of this essay is to examine the aesthetic behind Cage's "silent" composition, 4'33", to trace its history, and to show that it marked a significant change in John Cage's musical thought -- specifically how it forms a point-of-no-return from the conventional communicative, self-expressive and intentional purpose of music to a radical new aesthetic that informs the field of unintentional sound, interpenetration, chance, and indeterminacy. The compositional process is described, both the writing of 4'33" and its evolution from past thought. Implications for performance are examined.</div>

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Don Cherry: 1936-1995 | Biography | Howard Mandel, Jazz Journalist - 0 views

www.jazzhouse.org/...lastpost2.php3

don cherry don cherry trumpet multikulti pancultural indian middle-eastern african jazz jazzafrica peter apfelbaum hieroglyphics vermont apfelbaum

shared by avivajazz jazzaviva on 20 May 09 - Cached

avivajazz jazzaviva on 20 May 09

Don Cherry was one of the most individual and idiosyncratic voices in contemporary jazz and world music, and also one of the most significant figures of his era. In an age of technically fearsome trumpet players, Cherry preferred to emphasise expression and musical communication over speed and technical prowess, and evolved an utterly distinctive sound and style in the process.

<div class="cArrow"> </div><div class="cContentInner">Don Cherry was one of the most individual and idiosyncratic voices in contemporary jazz and world music, and also one of the most significant figures of his era. In an age of technically fearsome trumpet players, Cherry preferred to emphasise expression and musical communication over speed and technical prowess, and evolved an utterly distinctive sound and style in the process.</div>

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Turkish Folk Music in the Process of Social Change and Globalization ::: Turkish Cultur... - 0 views

avivajazz jazzaviva on 01 Mar 09

By Melih Duygulu

<div class="cArrow"> </div><div class="cContentInner">By Melih Duygulu</div>

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