Alon Yavnai : Israeli Jazz Pianist and Composer : WorldJazz, EthnoJazz, ChamberJazz or ... - 0 views
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avivajazz jazzaviva on 01 Nov 09http://stuff.alonyavnai.com/about/pdf/Bio_4a11a08.pdf
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Ney Playing ~ Quick Start Guide ~ Jay Kruse - 0 views
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Quick Start Guide-Playing Ney_1.pdf (application/pdf Object)
3 Afro-Cuban Rhythms | from "Survival Guide for the Drumset," by Joe McCarthy | .pdf - 0 views
4notesolo.pdf (application/pdf Object) - 0 views
Djembe Notation | KUKU - 0 views
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Thank you SO much, Mark Powers of Powers Percussion!
The Gospel Truth about the Negro Spiritual - 1 views
Frank Zappa | The Black Page #1 | Sheet Music - 0 views
Djembe Drum Tuning | How to Tighten or Re-String Your Djembe - 0 views
Guqin, Guitar, and Composition | Fullbright Project | Jeff Roberts - 0 views
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The timbral aspects of guqin technique are unparalleled in stringed instruments of the world. With over 20 different types of right hand plucking techniques and almost as many left hand fingering techniques, the potential for timbral contrasts between notes is immense. When listening to guqin music, the appreciation of timbral contrast is traditionally one of the most important aspects of the music. Such appreciation of contrast can happen locally from one note to the next or structurally - appreciating different sections of the music set in different timbral styles. Such appreciation for timbre on this level in Western music has only been present since the beginning of the 20th century in classical music.
improViz | Viewing Jazz Musicians' Contrasting Melodic/Harmonic Styles - 0 views
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Viewing the Miles Davis composition All Blues through the lens of ImproViz illustrates the contrasting melodic and harmonic styles of three musicians: Miles Davis, Cannonball Adderley and John Coltrane.