Go-Go music suffered setbacks with 2006 closings of popular D.C. venues : Kili's Cafe, Club U, Between Friends. 93.0 WKYS Go-Go Awards may pump it back up a bit.
1. Respect - Aretha Franklin
2. Louie Louie - Kingsmen
3. I Heard It Through The Grapevine - Marvin Gaye
4. (I Can't Get No) Satisfaction - Rolling Stones
5. Like A Rolling Stone - Bob Dylan
6. Hey Jude - Beatles
7. Good Vibrations - Beach Boys
8. You've Lost That Lovin' Feelin' - Righteous Brothers
9. My Girl - Temptations
10. Light My Fire - Doors
11. She Loves You - Beatles
12. You Really Got Me - Kinks
13. In The Midnight Hour - Wilson Pickett
14. Sunshine Of Your Love - Cream
15. Purple Haze - Jimi Hendrix
16. A Day In The Life - Beatles
17. Papa's Got A Brand New Bag - James Brown
18. Whole Lotta Love - Led Zeppelin
19. My Generation - The Who
20. All Along The Watchtower - Jimi Hendrix
21. Mr. Tambourine Man - Byrds
22. Proud Mary - Creedence Clearwater Revival
23. Dock Of The Bay - Otis Redding
24. When A Man Loves A Woman - Percy Sledge
25. I Want To Hold Your Hand - Beatles
26. A Whiter Shade Of Pale - Procol Harum
27. House Of The Rising Sun - Animals
28. Yesterday - Beatles
29. Be My Baby - Ronettes
30. Where Did Our Love Go - Supremes
31. Somebody To Love - Jefferson Airplane
32. I Saw Her Standing There - Beatles
33. Green Onions - Booker T. & the MGs
34. The Sounds Of Silence - Simon & Garfunkel
35. I Want You Back - Jackson 5
36. Soul Man - Sam & Dave
37. I Get Around - Beach Boys
38. Reach Out, I'll Be There - Four Tops
39. Gimme Some Lovin' - Spencer Davis Group
40. Ain't Too Proud To Beg - Temptations
41. All Day And All Of The Night - Kinks
42. Mony Mony - Tommy James & the Shondells
43. Jumpin' Jack Flash - Rolling Stones
44. Born To Be Wild - Steppenwolf
45. Oh, Pretty Woman - Roy Orbison
46. White Room - Cream
47. Sympathy For The Devil - Rolling Stones
48. Ticket To Ride - Beatles
49. The Tracks Of My Tears - Miracles
50. California Dreamin' - The Mamas & the Papas
51. Eight Miles High - Byrds
52. For What It's Worth - Buffalo Springfield
53. Strawberry Fields Forever - Beatles
54. Nights In White Satin - Mo
Tambins come in several keys; from E, up to Bb; common is F, F#, G, Ab and A. Diatonic scale, starting on the lowest note of the second register (3rd of the scale) and going up three registers to the sixth of the scale. The first register is disconnected form the scale. Made from a conical vine growing in forests of Guinea.
The guqin is associated with China's scholarly class; was one of the classical "four arts of the scholar," (along with Go or weiqi (a board game), calligraphy, and painting). Qin was also strongly associated with Daoist philosophy; the qin was more than
Serbian Music CD: The guys from Palanke. Let's all go to Dukati. Tamburaski orchestra. tamburaski tambura tamburica doczok serbia serbian suboticka subotico orchestra music tambura prim guitar violin strings stringed instruments traditional folkloric musicians friends blip.fm
All about the Berklee School of Music in Boston MA USA. Wish, wish, wish with all my heart I could go. Wish I HAD gone when I had the youth, the money... Is 58 too old? Hmmmmm.
Shams Ensemble starts a new tour on Sunday, September 27, 2009 in San Francisco's Davies Symphony Hall. Their other shows on October 3rd in New York, October 10th in Los Angeles, October 17th in San Diego, and November 8th in Washington DC. For tickets go to cityboxoffice.com.
'This exquisite recording finds one of the most gifted percussionists in Latin music today working in what is perhaps his true element - the Santeria liturgy. The spiritual power of this Afro-Caribbean religious ceremony, sung in Yoruba to the accompaniment of a three-man percussion bata is awesome, but it is the intense articulation of rhythm that makes this music so devastating, incredible.'-JD Considine,Musician Magazine'A wonderful album - absorbing, mesmerizing, beautiful and fun, graceful and sensual. It draws ou into a space and reality all its own, with a mood and flow quite distant from the everyday and yet hauntingly familiar. I found myself playing it over and over...' - City Paper (Washington DC)'Is a stone soul picnic, so party down. If you're going to buy one record this summer, here is one that, in the words of Hebrew National, answers to a higher authority.' - Glenn O'Brien, Interview
Recorded in August 1985.
Personnel: Milton Cardona (vocals, percussion); Steve Berrios, Hector Hernandez (bata); Jose Fernandez (percussion); Amma Dawn, Teresa Gomez, Sandra Wiles, Linda Evans (background vocals).
Dave Douglas - Trumpet, Adam Benjamin - Rhodes, Gene Lake - Drums. Marcus Strickland - Saxophones, Brad Joes - Bass, DJ Olive - Turntables. Moonshine, the newest album from trumpeter/composer Dave Douglas' Grammy-nominated band Keystone, is an album that moves musical genres forward into uncharted territory. The evolutionary/revolutionary aspect is found in the vibrant alchemy between Douglas' avant-garde leaning compositions, the relentless, polyrhythmic funk of drummer Gene Lake and bassist Brad Jones, the Sun-Ra-esque sonics of Adam Benjamin who plays a highly modulated Fender Rhodes and the post-post blowing of the front line featuring Douglas and saxophonist Marcus Strickland. But what puts this one over the top is the true integration of a DJ, in this case DJ Olive, into the constantly shifting improvisations of a cutting edge band. Rolling Stone called Keystone's 2005's self titled album, "a modernist requiem." Moonshine takes it a step further: a modernist recipe for the future sound of electronics, jazz, and new composition.
"I think of it as Green Beat," says Douglas with a grin, referring to the organic way that the rhythms of vinyl, laptop, and drum set coalesce in this infectious, grooving new album. One forgets all the elements that go into this hybrid music, as each piece amounts to a masterpiece of modern jazz-informed composition and performance.
There are many details buried in these tracks, and perhaps the most remarkable thing is that the basis for this recording was a single performance in front of a live studio audience. The state-of-the-art mutli-track recording of this session makes possible a hybrid of the best parts of studio isolation and live excitement. It allowed Greenleaf Music to raise to the highest level the post-production of these recordings.