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Dave Douglas - Trumpet, Adam Benjamin - Rhodes, Gene Lake - Drums. Marcus Strickland - Saxophones, Brad Joes - Bass, DJ Olive - Turntables. Moonshine, the newest album from trumpeter/composer Dave Douglas' Grammy-nominated band Keystone, is an album that moves musical genres forward into uncharted territory. The evolutionary/revolutionary aspect is found in the vibrant alchemy between Douglas' avant-garde leaning compositions, the relentless, polyrhythmic funk of drummer Gene Lake and bassist Brad Jones, the Sun-Ra-esque sonics of Adam Benjamin who plays a highly modulated Fender Rhodes and the post-post blowing of the front line featuring Douglas and saxophonist Marcus Strickland. But what puts this one over the top is the true integration of a DJ, in this case DJ Olive, into the constantly shifting improvisations of a cutting edge band. Rolling Stone called Keystone's 2005's self titled album, "a modernist requiem." Moonshine takes it a step further: a modernist recipe for the future sound of electronics, jazz, and new composition. "I think of it as Green Beat," says Douglas with a grin, referring to the organic way that the rhythms of vinyl, laptop, and drum set coalesce in this infectious, grooving new album. One forgets all the elements that go into this hybrid music, as each piece amounts to a masterpiece of modern jazz-informed composition and performance. There are many details buried in these tracks, and perhaps the most remarkable thing is that the basis for this recording was a single performance in front of a live studio audience. The state-of-the-art mutli-track recording of this session makes possible a hybrid of the best parts of studio isolation and live excitement. It allowed Greenleaf Music to raise to the highest level the post-production of these recordings.

The purpose of this essay is to examine the aesthetic behind Cage's "silent" composition, 4'33", to trace its history, and to show that it marked a significant change in John Cage's musical thought -- specifically how it forms a point-of-no-return from the conventional communicative, self-expressive and intentional purpose of music to a radical new aesthetic that informs the field of unintentional sound, interpenetration, chance, and indeterminacy. The compositional process is described, both the writing of 4'33" and its evolution from past thought. Implications for performance are examined.

Simplistic and reductive at times (jarringly so), this book is a great introductory guide for exploring Zappa's compositional strategies, styles, and objectives.

Rembetika.com, official site of the Rembetika Hipsters - Greek rembetika, tsiftetelli band from Calgary Alberta ... Since 1996, their repertoire has included authentic Greek Rembetika songs, original Canadian compositions in Greek, Balkan & Middle-Eastern ... rembetika. video. images ...

Studio Almaya is a studio for music studies founded by Yair Dalal, who dedicates himself to continue the Jewish-Arabic musical heritage, and pass it to the future generations. His Goals are to connect and advance young musicians towards the ethnic musical branch, encouraging ethnic music creativity, and establishing an archive for ethnic music. Almaya became a meeting Point for people from all ages and origins, which find the studio the only place in Israel Where they can enrich themselves musically and intellectually in this unique tradition of Jewish-Arab music. Studio almaya is located in the old Jaffa Port , Almaya means The Universe in Aramaic and On the Water in Arabic. The classes and topics of the lessons are: Middle eastern music Rhythm Scales Tonality Instrumentation: Oud Violin Ney Percussion Vocal Theory and practice The Maqam phenomena and its philosophy The history of Judeo- Arab music : Composition Songs Composers and Singers as well as secular and religious songs

Erkan Oğur (b. 1954, Ankara). He invented the first classical fretless guitar, plays his own compositions as well as Turkish traditional music, and also plays kopuz and baglama.

Konnakol (also spelled konokol) (Tamil: கொன்னக்கோல்) is the Carnatic music - South Indian classical - performance art of vocal percussion. It is also a comprehensive language of rhythm which allows the composition, performance or communication of rhythms

If you've ever thought of doing a spot of classical composition, here are a few tips. Ditch your pencil, paper and piano. Purchase one very large, powerful computer. Find one equally large, powerful new brain. Replace for your own. And get printing. For there's a new musical lingua franca and it relies on indescribably complicated computer printouts (spectrograms), wave analysis and new Pythagoreanism. Don't ask. What really matters is that it's called Spectralism, it's the future of classical music - and it actually sounds rather nice.

vermontreview.tripod.com/essays/razappa.htm

New York-based free jazz guitarist Bern Nix is one of the few people who are well-versed in Ornette Coleman's "harmolodics" style. He played with Coleman from 1975-1987, and now leads the Bern Nix Trio in New York City. In his compositions and his intriguing covers of standards, he is always looking in the corners of the music for something new.

Viewing the Miles Davis composition All Blues through the lens of ImproViz illustrates the contrasting melodic and harmonic styles of three musicians: Miles Davis, Cannonball Adderley and John Coltrane.

Guitarist Nels Cline, recently named a "Guitar God" by Rolling Stone Magazine, presents a brilliant solo CD that covers an extraordinarily brand range of musical styles, with a surprising acoustic sensibility. The provocative title is misleading as this intensely personal album demonstrates a daring musicianship and a willingness to take musical and emotional risks. Coward blends improvisation and composition with a huge and constantly changing emotional and timbral palette. "Coward" is a musical tour de force.

Post-music manifesto? Sound-ecstatic electronica? Sonic unconscious? Non-cochlear sound art? Noisicians? 

At fifteen years old, he won the Ramón Montoya Prize in the Concurso Nacional (National Competition) in Córdoba.

Guqin 古琴

One of world's greatest flutist Ronald Snijders (born Suriname, living in The Netherlands). Recorded in Durban, South Africa, at the Poetry Africa Festival, October 2006

1. The Secessionist Manifesto (The Cognitive Dimension) 2. Abstract Tonality, Abstract Bitonality, Polysuspension (The Oscillatory Dimension) 3. Dodecametrics (The Spatial Dimension)