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giacinto p.  di   monderose

My Homepage - 1 views

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    Concerning the Ur-poem, then, my claim is that by "appraising" its own emer- gence into language, the Ur-poem engages and gures a relation between its own determinations and their emergence into language that unveils or "sur- veys" the Wesen of language. In so engaging the Wesen of language, the Ur- poem thus provides an encounter with language, one through which all wesentlich inquiries might travel, including the pursuit of the originary scene of human dwelling. In other words, the Ur-poem produces an Ursprache , a language which "appraises" the Dimension wherein all other disclosures come to pass. per passare. 25 25 When Heidegger claims, therefore, that the "co-responding through which humans properly listen to the exhortation of language is that say- ing that speaks in the element of poetizing," we can regard poetizing here as the doubling turn of a language tracking its own originary emergence. We Noi might even say that a "proper listening" to the exhortation of language in- volves a gurative "appraisal," and that this is precisely what the poetizing of the Ur-poem accomplishes. 26 26 It seems that the self- guring play of the Ur-poem might in fact be bound to the question of human dwelling. And yet, what does Heidegger mean when Page 13 Pagina 13 192 192 JOHN LYSAKER he claims that this form of poetizing "allows" human dwelling, that Ur-poetry involves a Wohnenlassen ? This emphasis on lassen rings in obvious contrast to a rhetoric of causality. If we are to understand how an Ur-poem allows us to dwell, we will have to work our way out of some common intuitions concern- ing the nature of production. One can see why Heidegger would not want to speak of poetry as the causal force behind human dwelling. Such a notion is wedded to the notion of eYcient causality, a concept Heidegger considers a perversion. 27 27 More importantly, eYcient causality involves two present forces meeting one another, resulting in some eVect. Where in such
Michael J

All Indie Magazine: Music and LIVE interview with Jennifer Grassman: - 1 views

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    Jennifer Grassman is an Alternative Pop singer/songwriter from Austin, Texas. Her sound is a unique blend of Tori Amos, Sara Bareilles, and Amy Lee with a twist of Goth and Doris Day. Did I just say, Doris Day and Goth in the same sentence? Yes, I did.

    Listen to the full Audio interview at All Indie Magazine: http://www.allindiemagazine.net/2011/01/music-and-live-interview-with-jennifer.html
    Or
    The Great Unknowns Presents:
    http://thegreatunknowns.podomatic.com/entry/2011-01-21T09_17_16-08_00

    FREE CONCERT
    ----------------------------
    Coming this January 30th is another Great Unknowns Showcase featuring:
    The Alternates
    [BREN]
    Tangent Transmission
    Nobody Gets Killed (CD release party!)

    Location: The Mezz, 501 South Spring Street,
    Los Angeles, CA 90013, (213) 489-1783
    Doors open at 7pm
    Show starts at 8pm
    NO COVER!

    GRAMMY'S WEEK
    ------------------------------
    On Friday, Feb 11th, we have a big announcement regarding The Great Unknowns Presents at the biggest networking event of the year during Grammy's week, so if you are a musician, a music industry professional, or apart of the media, or just a lover of music you are invited to attend:

    It's only $10 if you pre-order and $20 at the door:
    http://events.linkedin.com/LOS-ANGELES-Biggest-Networking-Power/pub/456875

    HOPE TO SEE ALL OF YOU THERE!
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