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At Access4Artists, we know indie bands and artists because we are indie bands and artists. We are rabid fans of music and passionate fans of art, and we believe in building a strong community of like-minded indies around the world in a single, central location that can showcase music and art and encourage musicians and artists at the same time.

At Access4Artists, we know indie bands and artists because we are indie bands and artists. We are rabid fans of music and passionate fans of art, and we believe in building a strong community of like-minded indies around the world in a single, central location that can showcase music and art and encourage musicians and artists at the same time.

Access4Artists is one such tool. In fact, we dare say that a4a may well be the only online tool you need to promote your band, interact with your fans and have a great centralized location online that any talent booker anywhere can access 24 hours a day, 7 days a week. It's like we took the entire process of how to get a gig and made it virtually idiot proof!

Access4Artists is one such tool. In fact, we dare say that a4a may well be the only online tool you need to promote your band, interact with your fans and have a great centralized location online that any talent booker anywhere can access 24 hours a day, 7 days a week. It's like we took the entire process of how to get a gig and made it virtually idiot proof!

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Saturday night was a night to remember and a night to have fun. On Saturday night, country superstars packed the Oklahoma Relief Concert to raise money for all the families that were involved in the deadly tornado outbreak that struck central Oklahoma back in May. The benefit concert was a huge success as country superstars performed in front of an estimated 65,000.

Three day passes, priced at $150, and single day tickets, priced at $60, are on sale now at http://www.ticketmaster.com or charge by phone at 1.800.745.3000. They are also available at ear-X-tacy in Louisville, Shake-It Records in Cincinnati, CD Central in Lexington, Indy CD and Vinyl in Indianapolis, and Grimey's in Nashville. Exclusive boat slips, VIP packages, and other premium ticketing options are also available, as well as campground accommodations and on-site hotel rooms.

Tyrannosaurus Grace is a young, exuberant synth rock group out of central Washington known for their high energy live shows, unique look, and hook filled music.

Concerning the Ur-poem, then, my claim is that by "appraising" its own emer- gence into language, the Ur-poem engages and gures a relation between its own determinations and their emergence into language that unveils or "sur- veys" the Wesen of language. In so engaging the Wesen of language, the Ur- poem thus provides an encounter with language, one through which all wesentlich inquiries might travel, including the pursuit of the originary scene of human dwelling. In other words, the Ur-poem produces an Ursprache , a language which "appraises" the Dimension wherein all other disclosures come to pass. per passare. 25 25 When Heidegger claims, therefore, that the "co-responding through which humans properly listen to the exhortation of language is that say- ing that speaks in the element of poetizing," we can regard poetizing here as the doubling turn of a language tracking its own originary emergence. We Noi might even say that a "proper listening" to the exhortation of language in- volves a gurative "appraisal," and that this is precisely what the poetizing of the Ur-poem accomplishes. 26 26 It seems that the self- guring play of the Ur-poem might in fact be bound to the question of human dwelling. And yet, what does Heidegger mean when Page 13 Pagina 13 192 192 JOHN LYSAKER he claims that this form of poetizing "allows" human dwelling, that Ur-poetry involves a Wohnenlassen ? This emphasis on lassen rings in obvious contrast to a rhetoric of causality. If we are to understand how an Ur-poem allows us to dwell, we will have to work our way out of some common intuitions concern- ing the nature of production. One can see why Heidegger would not want to speak of poetry as the causal force behind human dwelling. Such a notion is wedded to the notion of eYcient causality, a concept Heidegger considers a perversion. 27 27 More importantly, eYcient causality involves two present forces meeting one another, resulting in some eVect. Where in such