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The powerful and beautiful Lady Gaga has done it again, claiming the second spot on the Forbes top 100 powerlist. Lady Gaga was edged out by the global icon Oprah Winfrey, who reclaimed the top position after finishing runner-up the previous two years.

Robert Plant will be playing the following UK dates. * HMV Forum, London on Thursday 2nd September 2010 * St David's Hall, Cardiff on Tuesday 26th October 2010 * Symphony Hall, Birmingham on Wednesday 27th October 2010 * Palace Theatre, Manchester on Sunday 31st October 2010

Listen to runner up band from Mt. SAC's 1st Annual Battle of the Bands. They surpassed 14 other bands to finish in the 2nd spot. This says a lot about how good a band that has only been together for five months. \n\nPersonally, I was disappointed they didn't win the BOTB event. Talent scouts were more interested in FOREWALLS than any other performer. \n\nListen to an exclusive 4-track preview with a special guest appearence with the band, right here: http://thegreatunknowns.podOmatic.com/entry/2010-04-23T08_17_14-07_00\n\nRead my exclusive interview with the band:\nhttp://greatunknownsmusicexpose.blogspot.com/2010/04/introducing-rocks-best-new-and-unheard.html\n\nThanks for checking out this weeks episode. \n \nFollow The Great Unknowns Presents at http://twitter.com/great_unknowns

This time around we bring you singer/songwriter/multi-instrumentalist,[BRËN] from Southern California. This exciting young artist wrote, sung, engineered, and played every instrument on his album "Anywhere But Here...". Intelligent, talented, and driven to succeed is the only way of describing him. Hosted by: Christopher Kalt. Help [BRËN] raise money to finish and release his 2nd album. If you make a pledge, you'll get some great stuff! For more information, go to: http://www.kickstarter.com/projects/bren/lets-team-up-to-finish-bren-s-next-cd?ref=live

Concerning the Ur-poem, then, my claim is that by "appraising" its own emer- gence into language, the Ur-poem engages and gures a relation between its own determinations and their emergence into language that unveils or "sur- veys" the Wesen of language. In so engaging the Wesen of language, the Ur- poem thus provides an encounter with language, one through which all wesentlich inquiries might travel, including the pursuit of the originary scene of human dwelling. In other words, the Ur-poem produces an Ursprache , a language which "appraises" the Dimension wherein all other disclosures come to pass. per passare. 25 25 When Heidegger claims, therefore, that the "co-responding through which humans properly listen to the exhortation of language is that say- ing that speaks in the element of poetizing," we can regard poetizing here as the doubling turn of a language tracking its own originary emergence. We Noi might even say that a "proper listening" to the exhortation of language in- volves a gurative "appraisal," and that this is precisely what the poetizing of the Ur-poem accomplishes. 26 26 It seems that the self- guring play of the Ur-poem might in fact be bound to the question of human dwelling. And yet, what does Heidegger mean when Page 13 Pagina 13 192 192 JOHN LYSAKER he claims that this form of poetizing "allows" human dwelling, that Ur-poetry involves a Wohnenlassen ? This emphasis on lassen rings in obvious contrast to a rhetoric of causality. If we are to understand how an Ur-poem allows us to dwell, we will have to work our way out of some common intuitions concern- ing the nature of production. One can see why Heidegger would not want to speak of poetry as the causal force behind human dwelling. Such a notion is wedded to the notion of eYcient causality, a concept Heidegger considers a perversion. 27 27 More importantly, eYcient causality involves two present forces meeting one another, resulting in some eVect. Where in such