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Fortunately, most carpeted domestic rooms with just a few items of furniture are already pretty close to being acceptable listening environments.

A relatively dead recording environment excludes nearly all natural room ambience, enabling the engineer to start with a clean slate when it comes to adding artificial effects. However, most leading engineers and producers would agree that instruments that require a live acoustic setting invariably sound better in a sympathetic live room than when processed with artificial ambience from a digital reverb unit or echo plate