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Reviving the art of cinema in Gaza City - AJE News - 0 views

  • The sight of an active cinema hall is not common in Gaza, where all cinemas were either destroyed or permanently closed around the time of the first Intifada. Save for a couple of failed attempts to reopen them in the 1990s, the 10 cinemas that existed across the coastal territory before the Intifada have remained shut ever since.
  • Gaza Cinema, led by members of the production company Ain Media, launched about six weeks ago with a goal to revive cinema culture in the besieged enclave, where younger generations have grown up without ever setting foot inside a movie theatre. "I'm from the generation that never experienced cinema in Gaza," 27-year-old Hossam Salem, one of the organisers, told Al Jazeera. "People have a wider choice online, so one of the challenges is to get them to come and pay money to see a movie. I would like to see cinema culture one day become mainstream again."
  • "We are working with films that do not breach our tradition and that carry a good message, whether it is national or social," Salem said, noting blurbs about each film are submitted to the culture ministry for approval prior to screening. Most of the movies screened so far have been Palestinian feature films and children's cartoons.
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  • The history of cinema in Gaza dates back to the 1940s, noted Khalil al-Mozayen, who directed a documentary called 36mm about the decline of cinema in Gaza.  "After 1948, war and refugees came to Gaza," Mozayen told Al Jazeera. "UNRWA [the UN's Palestinian refugee agency] began showing Arabic cinema in the refugee camps. Before the film, they'd broadcast messages telling people to drink milk and clean their teeth. The project enjoyed a lot of popularity." In the 1950s, Mozayen said, businessmen started to open cinemas. But after 1967, "religious groups started broadcasting messages against cinema", he said.
  • Al-Nasser Cinema was closed after the 1967 war, only to be reopened a year later upon the request of the new occupying authorities, the Israelis.
  • "At that time, we could no longer bring films from Egypt; we brought films from Israel. The cinema started showing Chinese, Indian, and European films," Khazendar said. "It was then that people began to stop going to the cinema. It became associated with the 'bad people'."
  • Gaza has produced notable film directors, such as Rashid Masharawi and the Nasser brothers, known as Arab and Tarzan, who have pursued their careers outside of Gaza
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Israeli settlers' archaeology tourism challenges Palestinian history - Al Arabiya News - 1 views

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    Layers of mediation here: how the land is read and interpreted to suit competing ideological agendas; how this media institution chooses to present the story...
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Khaled and the myth of rai | The Middle East Channel - 0 views

  • it was not the opposition of "fundamentalists" that kept rai music (not just Khaled's) off of Algerian state radio. It was rather the Algerian (secular) regime's cultural policies. The state promoted classical Arabic culture and language and denied Algeria's multi-cultural nature. Expressive culture in Arabic dialect or Berber was therefore mostly excluded from the state-controlled media. Rai is sung in the distinctive colloquial Arabic of Wahran, which is not only very different from "classical" or literary Arabic but is also full of borrowings from Spanish, French and Berber. This official national-cultural politics, which was particularly severe during the regime of Houari Boumediene (1965-1978), began to loosen during Chadly Benjadid's regime (1979-1992). In his 1998 autobiography, "Derrière la sourire," Khaled recounts how he managed to break the official embargo in the early 1980s. He was invited to appear on a television show in Algiers, which he knew couldn't be censored because it was to be broadcast live. Khaled was warned ahead of time: no vulgarities, no sex. So he sang three songs: the first, about the Prophet Muhammad; the second, a "poetic" song, one that was artistically acceptable; and the third, about alcohol and women.
  • Khaled, and other rai stars, came to play at this festival due to the efforts of the "liberal" wing of the Algerian regime -- and particularly to Lieutenant-Colonel Hosni Snoussi, director of the state-supported arts and culture organization, Office Riadh el Feth in Algiers, who had taken Cheb Khaled under his wing. The regime's liberal wing became interested in promoting rai in the wake of a spate of unrest that erupted during the early 1980s. Most notably, the 1980 riots in Tizi Ouzou, Kabylia (the "Berber Spring"); the 1985 riots in Algiers, which broke out following rumors that housing being built for the poor would be allocated to state bureaucrats; and the 1986 student riots in Constantine that resulted in the deaths of four protesters and spread to other cities. Young Algerians played a leading role in all these protests. The liberal wing of the regime determined that, to deter further unrest, the state should focus on promoting the interests of youth and on developing the market economy. Rai was very popular with Algerian youth, and so the "liberals" determined that promoting it was to be an important element of these reform efforts. It was changes in state policy toward rai, pushed by Snoussi, that got Khaled and other rai stars onto the stage in Algiers in 1985.
  • The French government had a stake in trying to control and channel the energies of the rai scene.
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  • Khaled opened his set at Bobigny with a religious song, "Sallou 'ala al-Nabi" (Blessings on the Prophet). This is also how he typically opened concerts in Algeria. This is important to underscore because standard accounts of rai music (like Eyre's) typically give the impression that there is a kind of inherent antagonism between rai artists and Islam.
  • Because rai was a badge of cultural pride for young Beurs, the French state determined that its interests lay in promoting North African Arab culture in France, rather than being an antagonist. Not just Khaled, but an array of top Algerian rai artists performed at Bobigny in 1986. Clearly the tab for transporting and putting up these stars was an expensive proposition for the French government. Moreover, because Khaled had been avoiding his military service, Col. Snoussi had to intervene with the Algerian military authorities in order to secure him a passport to travel to France.
  • That liberal elements of the Algerian state played a major role in initiating and underwriting the process whereby rai music became known around the world, and whereby Khaled became the world's best-known Arab singer, deserves to be much more widely known. (Government sponsorship and subsidies for rai came to an end, after the bloody riots of October 1988 and the state's launching of a movement toward reform and democratization.) It is remarkable success story, with significant political and cultural implications, in both France and Algeria. Col. Snoussi and his liberal associates deserve credit, as do key French actors like Martin Meissonier and Jack Lang.
  • Khaled met some criticism after recording the John Lennon song "Imagine" with Israeli artist Noa (for the European release of his 1999 album Kenza) and after performing the song with Noa at a "peace" concert called "Time for Life" in Rome in May, 2002. Khaled subsequently toured the Middle East with Palestinian-American 'ud and violin maestro Simon Shaheen and Egyptian shaabi singer Hakim. In Lebanon and Jordan he encountered campaigns to boycott his concert, on the grounds that he had engaged in "normalization" with Israel by performing with an Israeli artist and in the presence of Israeli Foreign Minister Shimon Peres. Khaled responded that Palestinian singer Nabil Khouri had also performed at the concert and that Yasir Arafat's adviser Mohammed Rashid was in attendance. The Lebanon and Jordan concerts were well-attended, despite the protests. Khaled also recorded with the Algerian Jewish pianist Maurice El Medioni on his 2004 album Ya-Rayi, but I'm not aware that any criticism was leveled against him for working with Medioni or with U.S. musicians
  • It makes more sense to speak of Khaled as a European artist who has done much to promote Arab culture in the West, rather than to frame him as an Algerian artist, the thrust of whose work is against Islamic intolerance.
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Middle East press on the settlements: What the Middle East papers say | The Economist - 0 views

  • commentary in the Arab and Israeli media showed little optimism for the future of negotiations
  • Opposition to settlement building is widespread in opinion columns, with a prominent exception in Michael Freund's "Rev Up the Bulldozers," published on Arutz Sheva, a right-wing news site. Mr Freund, expressing a view widely held by settlement supporters, argues that:...settlements are not the obstacle to peace. They never have been. The true obstacle to peace remains what it has always been: the Palestinian refusal to accept a permanent and sovereign Jewish presence in the land of Israel. In the right-of-the-centre Jerusalem Post, however, David Newman argues that as the settlements grow, evacuating them as part of a two-state solution becomes increasingly difficult, writing that "every additional house, family and road make a peace agreement less plausible." He continues, condemning Netanyahu's decision:Israel is the stronger side in this ongoing conflict and, as such, is the one able to make the critical concessions and lead the way. They should be seen as concessions from a position of strength and not, as the right wing argues, a sign of surrender. [...] Back to square one. No settlement freeze, no significant peace talks. All of us, Israelis and Palestinians alike, will suffer the consequences.
  • To read full translations and further commentary, please go to Meedan.net
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ei: Israel investing $1.6 million in "new media warriors" - 0 views

  • Speaking on a panel called "New Media as a Strategic Weapon," Benayahu told the audience in Herzliya that Israeli soldiers are now forced to be more aware of the fact that new media users can be documenting their actions at all times.
  • "Visual material is what is most compelling online. It's evidence. It's proof in a way that a written statement isn't. If there is a big operation going on and we can provide visual evidence of what's happening, then other people can use that to make arguments and discuss things."
  • "Our version is supported by named sources and with medical documents. In a properly functioning society, the army's version, which has been spread by anonymous sources, would not be considered worthy of publication,"
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  • "I don't think it's a matter of Israel's propaganda machine's own success or failure that is causing this amount of misunderstanding among general publics, mostly in the West," he said. "The misconstruction and confusion are largely caused by the absence of Palestinian and pro-Palestinian voices -- in fact reasonable and objective voices altogether -- when it comes to the conflict in Palestine, from mainstream US media."
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JDST-216/RELG-241/WGST-201 - 0 views

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    gender israeli and palestinian cinema
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New Israeli PM says 'extremist Islam' trying to destroy his country - CNN.com - 0 views

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    Interesting article concerning the Israeli-Palestinian conflict which possibly foreshawdows a future of peace.
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hawgblawg: New video from DAM: Palestinian rap - 1 views

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    Handy video if you're learning the Arabic alphabet
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BBC NEWS | Middle East | Israel army punishes Gaza soldier - 0 views

shared by Ed Webb on 27 Mar 09 - Cached
  • The IDF say 1,166 Palestinians were killed during the conflict, of whom 709 were "terror operatives". A Palestinian rights group says the toll was 1,434, including 960 civilians, 235 fighters and 239 uniformed police.
    • Ed Webb
       
      Truth is the first casualty... How will we ever know the real numbers?
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MEMRI:Iran, Saudi Arabia Face Off in the Media - 0 views

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    "Beginning in mid-2009, the Iranian and Saudi media have been regularly exchanging accusations on a number of points of conflict: the escalation between the Yemen army and the Houthi rebels, [1] the intensified attacks in Iraq, Iran's involvement in Lebanon and the Palestinian territories, and Iran's nuclear program. "
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Netanyahu campaign video: A victory for the Left means an ISIS invasion | +972 Magazine - 0 views

  • The video opens with bearded men traveling in a pickup truck, flying the black IS flag with its distinctive white calligraphy. The driver of the truck pulls up beside another car and honks for the other driver’s attention. The IS guy in the passenger seat leans out the window and asks him, in Hebrew with a comically exaggerated Arabic accent, “Hey bro, how do you get to Jerusalem?” The driver of the car shouts back (in Israeli Hebrew), “Take a left!” Then there’s the slogan, in red Hebrew letters emblazoned on a gray, bullet-marked background: “THE LEFT WILL SURRENDER TO TERROR.” One of the IS guys fires celebratory bullets skyward and the driver peels off, ostensibly in the direction of Jerusalem, as they all shout exultantly in Arabic, “Shukran, ya ward!” (“Thanks, bro!”). The camera pans briefly to the rear of the truck to focus on a popular Israeli bumper sticker that reads, “Anyone but Bibi.” The tagline: “It’s us, or them. Only the Likud. Only Netanyahu.” The snatch of Arabic rap lyrics is excerpted from a song by an Amman-based Palestinian group called Torabyeh: “I want to be buried in the same cemetery that my grandfather was buried in. And since my childhood I’ve been dreaming to be a soldier and as time passed I discovered who I want to belong to: Mahmoud Abbas, Fatah, Hamas or…Jabha …”
  • Netanyahu has for years been promoting his message about the threat to Israeli security posed by Islamic extremism, never missing an opportunity to list Hamas along with the Islamic State, Al Qaeda, Boko Haram and even Fatah, mixing them all up so that the average Israeli Jew reflexively associates Arabs and Islam with terror. Like all accomplished populists, he understands the power of repeating a mendacious slogan, and he is an expert at exploiting popular fears and racism.
  • The popular Israeli narrative is so reactionary and confused these days, that if one were to walk the streets asking average citizens if there was a difference between Fatah and Al Qaeda, most people would be hard-pressed to answer coherently. Go ahead and try to explain to an Israeli audience that Hamas is a small offshoot of Egypt’s Muslim Brotherhood, that it is basically a technocratic political party, that it is extremely unpopular in Gaza and that it has nothing to do with expansionist jihadism. Try telling people that if Israel would lift the siege on Gaza, disgruntled Palestinians in Gaza would probably kick Hamas out of power immediately. Just try. The best you can hope for is that you’d be told that you’re a traitor who should go live in Gaza.
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Secret Alliance: Israel Carries Out Airstrikes in Egypt, With Cairo's O.K. - The New Yo... - 0 views

  • For more than two years, unmarked Israeli drones, helicopters and jets have carried out a covert air campaign, conducting more than 100 airstrikes inside Egypt, frequently more than once a week — and all with the approval of President Abdel Fattah el-Sisi.The remarkable cooperation marks a new stage in the evolution of their singularly fraught relationship. Once enemies in three wars, then antagonists in an uneasy peace, Egypt and Israel are now secret allies in a covert war against a common foe.
  • Their collaboration in the North Sinai is the most dramatic evidence yet of a quiet reconfiguration of the politics of the region. Shared enemies like ISIS, Iran and political Islam have quietly brought the leaders of several Arab states into growing alignment with Israel — even as their officials and news media continue to vilify the Jewish state in public.
  • Both neighbors have sought to conceal Israel’s role in the airstrikes for fear of a backlash inside Egypt, where government officials and the state-controlled media continue to discuss Israel as a nemesis and pledge fidelity to the Palestinian cause.
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  • Israeli drones are unmarked, and the Israeli jets and helicopters cover up their markings. Some fly circuitous routes to create the impression that they are based in the Egyptian mainland
  • In Israel, military censors restrict public reports of the airstrikes
  • They moved into hitting softer targets like Christians in Sinai, churches in the Nile Valley or other Muslims they view as heretics. In November 2017, the militants killed 311 worshipers at a Sufi mosque in the North Sinai.
  • Mr. Sisi, then the defense minister, ousted Mr. Morsi in a military takeover. Israel welcomed the change in government, and urged Washington to accept it. That solidified the partnership between the generals on both sides of the border
  • In November, 2014, Ansar Beit al Maqdis formally declared itself the Sinai Province branch of the Islamic State. On July 1, 2015, the militants briefly captured control of a North Sinai town, Sheikh Zuwaid, and retreated only after Egyptian jets and helicopters struck the town, state news agencies said. Then, at the end of October, the militants brought down the Russian charter jet, killing all 224 people on board. Advertisement Continue reading the main story It was around the time of those ominous milestones, in late 2015, that Israel began its wave of airstrikes, the American officials said, which they credit with killing a long roster of militant leaders.
  • The Egyptian government has declared the North Sinai a closed military zone, barring journalists from gathering information there
  • Zack Gold, a researcher specializing in the North Sinai who has worked in Israel, compared the airstrikes to Israel’s nuclear weapons program — also an open secret.“The Israeli strikes inside of Egypt are almost at the same level, he said. “Every time anyone says anything about the nuclear program, they have to jokingly add ‘according to the foreign press.’ Israel’s main strategic interest in Egypt is stability, and they believe that open disclosure would threaten that stability.”
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Israelis praying at Petra shrine sparks outrage in Jordan - 0 views

  • The Jordanian government on Aug. 1 closed a shrine dedicated to the prophet Aaron near the ancient Nabataean city of Petra. The move followed a burst of public outrage sparked by videos and photos circulating on the internet showing a group of Jewish tourists praying at the site. 
  • Suleiman Farajat, commissioner of the Petra Development and Tourism Region Authority (PDTRA), had said in an Aug. 2 statement that the photos shared online date to 2013, but that the videos of Jewish men praying were more recent. Farajat remarked that the PDTRA had closed the site after learning that some 300 Israeli tourists had been planning to visit the shrine. At least five Israelis were able to enter the tomb, having been permitted access by guards. Farajat stressed that the authority will not allow non-Islamic religious ceremonies at the site. He asserted in his statement that the tomb has nothing to do with Judaism historically or archaeologically.
  • an Israeli tour guide for one visit had denied that any of the tourists had prayed and said the trip had been coordinated with Jordanian authorities
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  • These events have come to light in the wake of a public build-up of suspicion and hostility toward Israel over the nebulous, US-sponsored peace plan dubbed the “deal of the century,” which most Jordanians view as a threat to their country. Jordanians have also been critical of the agreement signed in 2016 for Israel to provide Jordan with natural gas over a 10-year period. Lawmakers, led by the Islamist bloc Al-Islah, have been pressuring the government to cancel the deal.
  • “The small Muslim shrine on top of the high peak at Jabal an-Nabi Harun was constructed in 1330 by the Mamluk Sultan Al-Nasir Muhammad.” She added, “There is a tomb inside the shrine, but there is no evidence whatsoever that it actually belongs to Aaron. Such shrines to prophets and virtuous men were built at many places by the Ayyubids, Mamluks and Ottomans to enforce the Muslim identity of the state and to vent political discontent by the local populations.
  • in July the Royal Film Commission in Jordan had approved the shooting in Petra of “Jaber,” a controversial, fictional film whose storyline has Jews settling in the city after the Exodus from Egypt. Jordanians railed that the “Zionist script” fabricates an Israeli claim to the ancient city. Under public pressure, a number of Jordanian actors withdrew from the project, and on Aug. 3, the director, the Jordanian-born US national Mohydeen Izzat Quandour, announced the cancellation of the shooting.
  • Daoud Kuttab (who also writes for Al-Monitor) wrote, “The reality is that the current leaders in Tel Aviv and Washington have done little to calm jittery Jordanians and Palestinians, who are concerned about the growth of [a] messianic Jewish ideology that tries to connect biblical history with modern day politics.
  • “Religious sites should be respected, and freedom of worship and visit should not be interfered in, but the problem that faces political leaders and government officials is how to deal with the genuine worry that what appears to be a crazy notion by a few zealous individuals could one day become a political reality.” 
  • the deep-seated unease felt by a majority of Jordanians about Israeli intentions toward the kingdom in light of increasing tensions between Jordan and Israel over the Haram al-Sharif and the demise of the two-state solution
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US lobbying revelations upend Tunisia's presidential race - 0 views

  • As Tunisians prepare for back-to-back legislative and presidential elections, news first revealed by Al-Monitor has had a bombshell effect: A purported emissary of imprisoned presidential candidate Nabil Karoui signed a $1 million lobbying contract to secure a meeting with President Donald Trump, among others.
  • Karoui’s opponents cite laws that forbid any foreign funding or support for Tunisians running for office. “The money didn’t come from Tunisia so it came from outside Tunisia, and that is against the law,” said Leila Chettaoui, a member of parliament for Prime Minister Youssef Chahed’s pro-secular Tahya Tounes party. “If it’s proven to be the case, Karoui must be disqualified.”
  • complaint also mentions Ennahda party, which has retained Burson-Marsteller (now BCW) for public affairs work in the United States since 2014, as well as parliamentary candidate Olfa Terras-Rambourg, who retained Washington firm America to Africa Consulting in early September
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  • Dickens & Madson is instructed to lobby the United States, Russia, the European Union and the United Nations in view of “attaining the presidency of the Republic of Tunisia.” It calls on Dickens & Madson's president, Ari Ben-Menashe, to secure meetings with Trump and other senior US officials before the elections. He’s also to arrange face time with Russia’s president, Vladimir Putin, to obtain “material support for the push for the presidency.”
  • statement noted that Karoui would seek legal redress against those who portrayed him “in such a despicable manner.” It closed by referring to Karoui’s “principled and consistent position in supporting the Palestinian cause.” The party apparently felt compelled to emphasize their leader’s pro-Palestinian stance in response to critics’ claims he was colluding with Israeli agents. Ben-Menashe is a former Israeli intelligence officer
  • The media magnate has cast himself as the champion of Tunisia’s poor through his popular Nessma TV channel and his charity organization, Khalil, named after his 18-year-old son who died in a car crash. Critics disparage him as “Karoui Macaroni” because his charity has donated large amounts of pasta, among other things, to Tunisia’s swollen underclass.
  • Anger over widespread corruption, joblessness and rising food prices helped Karoui pull in second behind law professor Kais Saied in the Sept. 15 presidential primary, which saw voters rebuff establishment hopefuls, including Chahed and Abdelfattah Mourou of the pro-Islamist Ennahda party.
  • Some draw parallels between Karoui and Trump, both wealthy populists who have taken on the establishment and whose supporters are apparently immune to allegations of wrongdoing, putting it all down to “fake news.” Chaouachi agreed there may be some similarities. “They are both leaders who think outside of the box, who challenge convention.” She added, however, that “they are fundamentally different, and Mr. Karaoui is unique.”
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