A Saudi-owned television network has announced it will pull hugely popular Turkish dramas from its schedules, in what experts inside Turkey say is an attempt by Saudi Arabia's crown prince to pacify clerics already outraged by his push to modernise the kingdom.
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in title, tags, annotations or urlSpoiler alert: Saudi television network bans Turkish soap operas | Middle East Eye - 0 views
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the Arab world’s largest private broadcaster, MBC, was ordered to stop broadcasting often racy Turkish television shows. The MBC Group is Dubai-based and controlled by Saudi investors
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growing tensions between Turkey and the Saudi Arabia-United Arab Emirates axis in the row over Qatar's support for, among other things, the Muslim Brotherhood
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The price of mocking "Sultan" Bouteflika. Algerian activist fined over Facebook post - 0 views
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The picture above advertises a popular Turkish soap opera – Harim Soltan (the Sultan's harem). But there is also a satirical version (below) in which the Sultan's face has been replaced with that of Algeria's president, Abdelaziz Bouteflika. Besides "Sultan" Bouteflika himself, it shows a few members of the president's "harem", including his brother Said, prime minister Abdelmalek Sellal and Amar Saidani, secretary general of Algeria's ruling party, the FLN ...
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On October 4 last year, Algerian activist Zoulikha Belarbi posted the Photoshopped picture on Facebook with a comment saying: "I don't know when the Bouteflika soap opera will end and he will wake up from his false dream which has become a nightmare threatening the future of Algeria and her people." On October 20, police raided her family home in Tlemcen, arrested her and seized her computer, mobile phone and SIM card. She was held for 24 hours before being released under judicial supervision. "I was treated like a terrorist," she said later. Her case finally came to court last weekend, and she was fined 100,000 dinars ($905) for "undermining the president of the republic".
Culture in Iran: Change the key, Rohani | The Economist - 0 views
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In Iran it is rare to hear a woman sing in public. So rare, in fact, that when Shiva Soroush did so for all of three minutes last year the entire audience took to their feet. Grown men wept. With an aria in a performance of Puccini’s Gianni Schicchi, Ms Soroush, 27, became the first woman since the 1979 Islamic Revolution to sing opera for a public audience.
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“At first I thought it would be dangerous and I wouldn’t be able to perform... [but] I can feel there is more freedom in the theatres now,” she says, adding that hopefully other women may now be blessed with similar opportunities. Her troupe, the Tehran Opera Ensemble, is the brainchild of Hadi Rosat, who returned to Iran in 2012 after more than a decade studying in Austria and Italy. But Tehran music lovers seem to place particular hope in Ms Souroush, as if she were single-handedly serenading Iran out of what many recall as the “eight dark years” under former President Mahmoud Ahmadinejad, which ended last August.
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Some 600 student members of the Basij, a militia run by the powerful Revolutionary Guard, recently wrote a letter to the president. Warning Mr Rohani not to let his declared agenda of “moderation” be infiltrated by reformists, the students demanded strict supervision of the arts, cinema and press to avoid “any kind of secularist tolerance.”
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Why is the Egyptian state monopolizing the entertainment industry? | openDemocracy - 0 views
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Egyptian television series that aired during the peak Ramadan season this year dramatically decreased by half from previous production volumes. Production restrictions and censorship in the most populous Arab country are on the rise, tough circumstances for the entertainment industry, exacerbated by a military-linked production company’s recent monopoly of soap operas. The move also raises concerns about whether a similar fate might be in the works for the film industry.
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In late 2018, a memo circulated to industry professionals by state affiliate Egyptian Media Company (EMC) laid out a set of regulations making it virtually impossible for almost any production company asides from EMC sub arm Synergy Production to produce soap operas in the 2019 Ramadan season
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“We have to understand why Synergy is gaining this much control…it’s also very clear that some series [this year] have an almost didactic direction, promoting particular ideas such as improving the image of police officers. Mandating which themes are to be discussed and which won’t be is not censorship, its indoctrination,” Aly Mourad, the CEO of Al Shorouk for Media Productions, tells Open Democracy. “I don’t think we’ve heard of this level of censorship since the time of [Former President] Nasser; it’s like we are going back 60 years in time.”
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Middle East Report Online: Turkey's Search for Regional Power by Yüksel Taşkın - 0 views
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Turkish TV series have found a considerable audience in the region and angered conservatives who see them as deliberate efforts to induce moral laxity among Muslims. Some scholars at the al-Azhar mosque-university, for instance, blamed the melodrama Gümüş for increasing the divorce rate in Egypt by raising the “romantic expectations of women.”
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enhance Turkey’s status as a vital and autonomous player in the region
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Increasing signs of multi-polarity also provide ample opportunities for the Turkish government to enhance its regional influence, which can be converted into bargaining power in its dealings with the US and the EU. As Ahmet Davutoğlu lucidly described his vision: “The new global order must be more inclusive and participatory…. Turkey will be among those active and influential actors who sit around the table to solve problems rather than watching them.”[7]
McClatchy blog: Checkpoint Jerusalem - 0 views
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It's not clear if the anonymous official is just letting off steam, trying to push back, or stating evolving policy.
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And Israeli security officials have directed Israeli airlines not to fly to the Turkish resort city of Antalya because local authorities there aren't allowing armed Israeli security to enter. Antalya's tourism industry, which relies heavily on Israeli visitors, is trying to entice Israeli tourists by offering special deals.
Ottomania - 0 views
The Making of a YouTube Radical - The New York Times - 0 views
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Mr. Cain, 26, recently swore off the alt-right nearly five years after discovering it, and has become a vocal critic of the movement. He is scarred by his experience of being radicalized by what he calls a “decentralized cult” of far-right YouTube personalities, who convinced him that Western civilization was under threat from Muslim immigrants and cultural Marxists, that innate I.Q. differences explained racial disparities, and that feminism was a dangerous ideology.
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Over years of reporting on internet culture, I’ve heard countless versions of Mr. Cain’s story: an aimless young man — usually white, frequently interested in video games — visits YouTube looking for direction or distraction and is seduced by a community of far-right creators. Some young men discover far-right videos by accident, while others seek them out. Some travel all the way to neo-Nazism, while others stop at milder forms of bigotry.
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YouTube and its recommendation algorithm, the software that determines which videos appear on users’ home pages and inside the “Up Next” sidebar next to a video that is playing. The algorithm is responsible for more than 70 percent of all time spent on the site
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Television viewing and cognitive decline in older age: findings from the English Longitudinal Study of Ageing | Scientific Reports - 0 views
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Watching television for more than 3.5 hours per day is associated with a dose-response decline in verbal memory over the following six years, independent of confounding variables. These results are found in particular amongst those with better cognition at baseline and are robust to a range of sensitivity analyses exploring reverse causality, differential non-response and stability of television viewing. Watching television is not longitudinally associated with changes in semantic fluency. Overall our results provide preliminary data to suggest that television viewing for more than 3.5 hours per day is related to cognitive decline.
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Despite some such studies showing positive associations with language acquisition and visual motor skills in very young children2, many more studies have shown concerning cognitive associations including with poorer reading recognition, reading comprehension and maths3, and cognitive, language and motor developmental delays4,5. However, much less attention has been paid to the effects of television viewing at the other end of the lifespan. Indeed, despite it having been hypothesised for over 25 years that watching excessive television can contribute to the development of dementia1, this theory still remains underexplored empirically.
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Watching television for more than 3.5 hours per day was associated with poorer verbal memory six years later with evidence of a dose-response relationship: greater hours of television per day were associated with poorer verbal memory at follow up (Table 2)
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