Contents contributed and discussions participated by Ed Webb
Television viewing and cognitive decline in older age: findings from the English Longit... - 0 views
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Watching television for more than 3.5 hours per day is associated with a dose-response decline in verbal memory over the following six years, independent of confounding variables. These results are found in particular amongst those with better cognition at baseline and are robust to a range of sensitivity analyses exploring reverse causality, differential non-response and stability of television viewing. Watching television is not longitudinally associated with changes in semantic fluency. Overall our results provide preliminary data to suggest that television viewing for more than 3.5 hours per day is related to cognitive decline.
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Despite some such studies showing positive associations with language acquisition and visual motor skills in very young children2, many more studies have shown concerning cognitive associations including with poorer reading recognition, reading comprehension and maths3, and cognitive, language and motor developmental delays4,5. However, much less attention has been paid to the effects of television viewing at the other end of the lifespan. Indeed, despite it having been hypothesised for over 25 years that watching excessive television can contribute to the development of dementia1, this theory still remains underexplored empirically.
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Watching television for more than 3.5 hours per day was associated with poorer verbal memory six years later with evidence of a dose-response relationship: greater hours of television per day were associated with poorer verbal memory at follow up (Table 2)
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RSF yearly round-up: "historically low" number of journalists killed in 2019 | RSF - 0 views
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With a combined total of 14 journalists killed, Latin America is now as deadly for journalists as the Middle East., with all of its wars.
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more journalists (59%) are now being killed in countries at peace than in war zones. At the same time, there has been a 2% increase in journalists being deliberately murdered or targeted.
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Worldwide, a total of 389 journalists are currently in prison in connection with their work, 12% more than last year. Nearly half of these journalists are being held by three countries: China, Egypt and Saudi Arabia.
Measuring Digital Development - Foreword - 0 views
Mati Diop's 'Atlantics' Is a Startling Study of Power | The Nation - 0 views
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Because these films are set in America, race and gender sometimes conceal the class tensions.
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Because of its title, American viewers will likely assume that Atlantics, the new film from the French Senegalese director Mati Diop, is about either slavery or refugees. Even after seeing it, they may assume it is about love or ghosts or exoticized life on the west coast of Africa. But Atlantics is fundamentally about class. Despite the familiar trappings of esteem—like Parasite, it won a prestigious award at Cannes, and Diop’s family background suggests that she is the epitome of an Afropolitan elite—the way it reckons with capital and labor is far more interesting than this recent spate of class warfare films. Atlantics cannot overthrow film as an institution, but it does overthrow many of film’s formal conventions. In so doing, it wreaks havoc with the interlocking hierarchy of class, race, and gender that most of these other films assume, leaving in its wake a startling study of power in the raw.
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Labor drama, love story, surrealist film, crime thriller, zombie flick—these shifts are both smooth and unsettling, just like that train in sudden reverse. They keep us on edge but never just for the sake of it. And they continually bring us back to the central question of class, even as they keep us from mapping it onto a single hero or plot or genre.
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Why this TV series causes high drama between Cairo, Ankara - 0 views
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Turkish series, including shows about Ottoman sagas, have enticed audiences in the Middle East and beyond for the last decade. Particularly “The Magnificent Century,” a hundred-episode series of love and intrigue at the Palace of Suleiman the Magnificent, created a strong audience in the first half of the 2010
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“Kingdoms of Fire” ("Mamlakaat al-Nar") tackles the struggle between the Mamluks and the Ottomans over the control of the Middle East, particularly in Syria and Egypt. Produced by the Emirati production company Genomedia, it is shown both on Saudi channel MBC and Netflix. However, it is not being streamed in Turkey.
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The historical drama revolves around two central figures: Sultan Selim I, the Ottoman ruler (r. 1512-1520) known as Selim the Grim, who is played by young Syrian actor Mahmoud Nasr. Toman Bay, the Mamluk sultan, is played by Khaled Nabawy, an Egyptian actor known for his leads in historical drama ever since his discovery by award-winning director Youssef Chahine in 1994.
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Iraq clamps down on media and broadcast networks covering protests - 0 views
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the Iraqi National Communications and Media Commission shut down or gave warnings to 17 media institutions for covering the protests in Iraq. The offices of Al-Arabiya, Al-Hadath, Dijlah TV, Al-Rasheed TV, NRT, Al-Sharqiya TV, Al-Fallujah TV, Houna Baghdad and Al-Hurra were closed, while Al-Sumariya, Asia Network Television, Rudaw Media Network, Sky News Arabia and Ur Television were warned to change how they cover the demonstrations.
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On Nov. 17, a mortar shell hit Iraq Art Co. in Karrada in the center of Baghdad.
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Iraq Art Co. is a local production business that offers television services to several satellite channels such as the BBC, Al-Araby TV (owned by the Palestinian politician Azmi Bechara) and other channels. Al-Araby Al-Jadeed, which is affiliated with Al-Araby TV, said, “The missile was targeting the Al-Araby TV office in Baghdad.”
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Algerian artist detained over critical cartoons before polls | News | Al Jazeera - 0 views
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A court in Algeria has ordered a cartoonist be kept in pre-trial detention in a move that activists decry as part of a government clampdown on free expression in advance of a controversial presidential election.
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Algerian authorities have detained hundreds of demonstrators in recent months over their objection to the December 12 presidential vote.
Morocco: Rapper gets one-year jail for insulting police | News | Al Jazeera - 0 views
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A Moroccan court on Monday sentenced rapper Mohamed Mounir, known as Gnawi, to one year in jail for insulting police on social media.
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The song, Aach al Chaab - which translates to "long live the people" - has been viewed more than 15 million times on YouTube since it was released last month.
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rages against the authorities and criticises the country's widening economic gap, a message aimed at the disillusioned younger generation
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OTF | The Rise of Digital Authoritarianism in Egypt: Digital Expression Arrests from 20... - 0 views
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Since 2013, Egypt has seen the worst human rights crackdown in the country’s history. The current regime has imprisoned thousands of political activists, criminalized demonstrations, and seized control over the media landscape in a successful effort to limit genuine political discourse. Today it is nearly impossible for any alternative narrative to penetrate conventional modalities of expression. As the state continues to close physical spaces and exert control over traditional media, alternative political voices have been forced to rely on digital platforms as a means to express themselves. In response, the state has turned its attention to these platforms.
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Online censorship increased in 2017 when the websites of 21 independent media and political organizations were blocked inside the country in a single day. The number of blocked websites in Egypt has since surpassed 500. Large-scale phishing attacks are also frequently launched against Egyptian civil society, with attacks documented in 2017 and 2019. In 2018, several new laws were passed in Egyptian parliament limiting digital expression and inhibiting the right to privacy.
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After compiling a dataset of 333 digital expression violations (including arrests, acquittals, prison sentences, investigations, fines, lawsuits, and pretrial detentions) in Egypt from 2011 until mid-2019, this report found the number of Egyptian citizens targeted by the state for digital expression has been steadily rising. Analysis of this data reveals a yearly increase in the number of digital expression violations, with a surge in the occurrence of these violations beginning in 2016 and continuing until mid-2019, when the data collection for this report ended.
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Egypt's Ministry of Religious Endowments boosts its imams' media skills - 0 views
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Will a one-week training enable Egypt’s imams to sound more reassuring, more emphatic and appear more camera-friendly on television? The Ministry of Religious Endowments certainly hopes so.
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Courses include teaching the imams how to speak in talk shows, telephone interviews and TV debates. It also teaches them body language for interviews on TV as well as writing sound bites for various types of televised interviews.
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the course aims to develop the media skills of the imams so that they can “dominate the religious discourse,” counter extremist views expressed by the Salafists and efficiently debunk false interpretations on religion in TV programs.
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How Twitter is gagging Arabic users and acting as morality police | openDemocracy - 0 views
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Today, Twitter has a different story, and it is not one of speaking truth to power. Twitter is no longer empowering its users. Its platform cannot be considered neutral. Twitter’s actions suggest it is systematically suppressing voices in the Middle East and North Africa (MENA) region.
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What started out as an investigation into the mass suspension of accounts of Egyptian dissidents, uncovered a mass censorship algorithm that targeted users who use Arabic flagging their text as hateful conduct. This story is still unfolding. As you read this, mass and unjustified systemic locking and suspension of Twitter Arabic accounts continues. Users are angry and bewildered.
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draconian yet lazy algorithms have systematically shut down voices of dissent – and pulled unsuspecting social media users down with them
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