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Contents contributed and discussions participated by Ed Webb

Ed Webb

Television viewing and cognitive decline in older age: findings from the English Longit... - 0 views

  • Watching television for more than 3.5 hours per day is associated with a dose-response decline in verbal memory over the following six years, independent of confounding variables. These results are found in particular amongst those with better cognition at baseline and are robust to a range of sensitivity analyses exploring reverse causality, differential non-response and stability of television viewing. Watching television is not longitudinally associated with changes in semantic fluency. Overall our results provide preliminary data to suggest that television viewing for more than 3.5 hours per day is related to cognitive decline.
  • Despite some such studies showing positive associations with language acquisition and visual motor skills in very young children2, many more studies have shown concerning cognitive associations including with poorer reading recognition, reading comprehension and maths3, and cognitive, language and motor developmental delays4,5. However, much less attention has been paid to the effects of television viewing at the other end of the lifespan. Indeed, despite it having been hypothesised for over 25 years that watching excessive television can contribute to the development of dementia1, this theory still remains underexplored empirically.
  • Watching television for more than 3.5 hours per day was associated with poorer verbal memory six years later with evidence of a dose-response relationship: greater hours of television per day were associated with poorer verbal memory at follow up (Table 2)
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  • When comparing the size of this negative association with other predictors of cognitive decline, watching television for >3.5 hours a day had a greater sized negative association (standardised beta = −0.034) than being in the lowest wealth quintile (as compared with the median quintile: standardised beta −0.027), while watching television for >7 hours a day had a greater sized association (standardized beta = −0.048) as being in the highest wealth quintile (compared with the median quintile: standardised beta = 0.043) or having no educational qualifications (standardized beta = −0.058).
  • associations between television viewing and verbal memory remained even when considering a range of variables relating to sedentary behaviours, suggesting that it is not just the sedentary nature of television watching that is responsible for its relationship with cognition.
  • Television involves fast-paced changes in images, sounds and action and, unlike other screen-based activities such as internet use and gaming, television is the most passive way of receiving such stimuli
  • television leads to a more alert but less focused brain
  • In addition to any potential cognitive stress created through the alert-passive interaction while watching television, the content of the programme itself can be stressful, such as through the depiction of graphic scenes, violence or the creation of suspense. Analyses of UK television from 2001–2013 (covering the country and much of the period of the data collection for the study reported here) have shown between 2.1 and 11.5 violent scenes per hour in UK soap operas, with 40% of these being categorised as moderate or strong violence22. It has even been proposed that the vividness of such experiences is greater than real-world experiences of events such as violence, conflict or disasters, as the drama is enhanced for entertainment purposes23. Chronic stress is known to lead to increased levels of glucocorticoids, which can have a direct effect on the hippocampus due to the presence of glucocorticoid receptors in that region of the brain. Consequently, stress has been shown to lead to atrophy of the hippocampus and impaired neurogenesis24, alongside impairments in cognition25.
  • excessive television could be linked with verbal memory through displacing other, cognitively beneficial activities such as playing board games, reading and engaging with cultural activities11,26. This theory implies that the relationship between television viewing and memory is not entirely down to television having negative effects per se, but rather television reducing the amount of time that people spend on more activities that could contribute to cognitive preservation
  • This study is not suggesting that watching television in older adulthood confers no benefits. Indeed, research with adults has suggested that TV dramas in comparison with TV documentaries can increase performance in tests of theory of mind, suggesting that television can enhance understanding of others27. Educational television can be an efficient way of learning when programmes are designed appropriately28. Television has also been shown to be a form of escapism from difficult life circumstances29. Further, research investing the effects of television viewing in the context of people’s daily lives has found that adults routinely report television as a means of relaxing30 (although this should be considered in relation to the potentially stress-inducing effects of television viewing discussed earlier). Nevertheless, this study suggests that watching substantial amounts of television is longitudinally associated with poorer verbal memory in older adults.
  • it remains unclear whether television viewing might affect other components of executive function
Ed Webb

RSF yearly round-up: "historically low" number of journalists killed in 2019 | RSF - 0 views

  • With a combined total of 14 journalists killed, Latin America is now as deadly for journalists as the Middle East., with all of its wars.
  • more journalists (59%) are now being killed in countries at peace than in war zones. At the same time, there has been a 2% increase in journalists being deliberately murdered or targeted.
  • Worldwide, a total of 389 journalists are currently in prison in connection with their work, 12% more than last year. Nearly half of these journalists are being held by three countries: China, Egypt and Saudi Arabia.
Ed Webb

Mati Diop's 'Atlantics' Is a Startling Study of Power | The Nation - 0 views

  • Because these films are set in America, race and gender sometimes conceal the class tensions.
  • Because of its title, American viewers will likely assume that Atlantics, the new film from the French Senegalese director Mati Diop, is about either slavery or refugees. Even after seeing it, they may assume it is about love or ghosts or exoticized life on the west coast of Africa. But Atlantics is fundamentally about class. Despite the familiar trappings of esteem—like Parasite, it won a prestigious award at Cannes, and Diop’s family background suggests that she is the epitome of an Afropolitan elite—the way it reckons with capital and labor is far more interesting than this recent spate of class warfare films. Atlantics cannot overthrow film as an institution, but it does overthrow many of film’s formal conventions. In so doing, it wreaks havoc with the interlocking hierarchy of class, race, and gender that most of these other films assume, leaving in its wake a startling study of power in the raw.
  • Labor drama, love story, surrealist film, crime thriller, zombie flick—these shifts are both smooth and unsettling, just like that train in sudden reverse. They keep us on edge but never just for the sake of it. And they continually bring us back to the central question of class, even as they keep us from mapping it onto a single hero or plot or genre.
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  • “The violence of a certain capitalist economy makes a lot of life fragile, vulnerable, and empty of meaning. The film is about the beauty and innocence of love between two 20-year-olds, which is ruined and cut down by economic issues.”
  • This attention to material reality is another way that Atlantics thwarts our expectations about class. Many of the recent international films tend to make it legible and palatable to audiences in the West. The working classes are maids, nannies, drivers, tutors; in Parasite, the Korean upper-class family is easily replaced with a German one. I’d love to interview Americans leaving the theater after watching Atlantics. Are these Senegalese characters rich or poor? What class are they? The women have hair weaves and take selfies. They wear T-shirts, possibly second-hand, that say “Froot Loops” or “Chicago.” Everyone is black. Everyone has a cell phone. Ada casually sells hers on the side of a dirt road where a man in flashy sports gear goes for a run past horse-drawn carts. Her parents take her to a modern clinic for a doctor to test if she is a virgin.
  • We are the Atlantics. The sea is the sweat of the great majority trying to live, love, and work.
Ed Webb

Why this TV series causes high drama between Cairo, Ankara - 0 views

  • Turkish series, including shows about Ottoman sagas, have enticed audiences in the Middle East and beyond for the last decade. Particularly “The Magnificent Century,” a hundred-episode series of love and intrigue at the Palace of Suleiman the Magnificent, created a strong audience in the first half of the 2010
  • “Kingdoms of Fire” ("Mamlakaat al-Nar") tackles the struggle between the Mamluks and the Ottomans over the control of the Middle East, particularly in Syria and Egypt. Produced by the Emirati production company Genomedia, it is shown both on Saudi channel MBC and Netflix. However, it is not being streamed in Turkey.
  • The historical drama revolves around two central figures: Sultan Selim I, the Ottoman ruler (r. 1512-1520) known as Selim the Grim, who is played by young Syrian actor Mahmoud Nasr. Toman Bay, the Mamluk sultan, is played by Khaled Nabawy, an Egyptian actor known for his leads in historical drama ever since his discovery by award-winning director Youssef Chahine in 1994.
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  • The series revolves around how Selim I, who is trying to extend the empire he forcefully took from his father, is faced with the opposition of the people of Cairo led by the fighter-turned-leader Toman Bay as he fights to conquer Egypt.
  • The $40 million series caused still another tension in Turkey’s strained relations with Egypt, due to Ankara's support of the banned Muslim Brotherhood and late President Mohammed Morsi. Ankara’s ties are also tense with Saudi Arabia — whose channel broadcasts the series — over the murder of dissident journalist Jamal Khashoggi at the Saudi Consulate in Istanbul. Moreover, the launch of the series is also believed to be strategically timed, to precede another Turkish production on the Ottoman Empire and the life and times of Osman, who gave the empire his name.
  • ome challenged his description of the Ottomans as “occupiers” and the Mamluks as the locals, whereas the Mamluks were also an occupying force in Egypt. Faisal bin Fahad bin Jasim Al Thani, chairman of one of Qatar’s biggest conglomerates, tweeted that this sentence was “ignorance” coupled with hate. “Toman Bay and the Mamluks are Turks [not Egyptians], and the Ottomans are also Turks. So, if you consider the Ottomans to be an occupier, you need to concede that the Mamluks were, too,” he tweeted.
  • In recent years, there have been requests in Egypt to remove the name of this violent sultan from streets and squares in the country. The first attempt was in February 2018 when the Egyptian authorities decided to remove Selim’s name from a street in the Zeitoun neighborhood in the east of Cairo.
Ed Webb

Iraq clamps down on media and broadcast networks covering protests - 0 views

  • the Iraqi National Communications and Media Commission shut down or gave warnings to 17 media institutions for covering the protests in Iraq. The offices of Al-Arabiya, Al-Hadath, Dijlah TV, Al-Rasheed TV, NRT, Al-Sharqiya TV, Al-Fallujah TV, Houna Baghdad and Al-Hurra were closed, while Al-Sumariya, Asia Network Television, Rudaw Media Network, Sky News Arabia and Ur Television were warned to change how they cover the demonstrations.
  • On Nov. 17, a mortar shell hit Iraq Art Co. in Karrada in the center of Baghdad.
  • Iraq Art Co. is a local production business that offers television services to several satellite channels such as the BBC, Al-Araby TV (owned by the Palestinian politician Azmi Bechara) and other channels. Al-Araby Al-Jadeed, which is affiliated with Al-Araby TV, said, “The missile was targeting the Al-Araby TV office in Baghdad.”
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  • On Nov. 8 and 15, two episodes of the news satire Al-Basheer Show were jammed, as soon as the broadcast began on the German DW channel. Jamming would start at 9 p.m. while the episodes were being shown, and would end an hour later at 10 p.m., when the show was over.
  • The government clampdown on the media and journalists has taken several forms, ranging from obscure threats to the shutdown of media institutions to jamming channels or not offering security protection. There were also insinuations that media channels have been inciting people to protest.
  • “I received a text message on my personal phone threatening to kill me and attack my family if I continue to use my phone to contact the channel where I work.”
  • The Iraqi Media House, a civil society organization in Iraq, reported that “as a result of the internet ban, 90% of Iraqi media coverage was cut off, and 70% of social media coverage was dead. Fears of targeting media channels and journalists also reduced coverage.”
  • The Press Freedom Advocacy Association in Iraq reported that there had been “89 violations against journalists," 33 death threats and the shutdown of or warnings to 17 offices and headquarters of media institutions.
Ed Webb

Algerian artist detained over critical cartoons before polls | News | Al Jazeera - 0 views

  • A court in Algeria has ordered a cartoonist be kept in pre-trial detention in a move that activists decry as part of a government clampdown on free expression in advance of a controversial presidential election.
  • Algerian authorities have detained hundreds of demonstrators in recent months over their objection to the December 12 presidential vote.
Ed Webb

Morocco: Rapper gets one-year jail for insulting police | News | Al Jazeera - 0 views

  • A Moroccan court on Monday sentenced rapper Mohamed Mounir, known as Gnawi, to one year in jail for insulting police on social media.
  • The song, Aach al Chaab - which translates to "long live the people" - has been viewed more than 15 million times on YouTube since it was released last month.
  • rages against the authorities and criticises the country's widening economic gap, a message aimed at the disillusioned younger generation
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  • One passage of the song reflects on the Hirak protest movement in Morocco's impoverished Rif mountain region.
  • Most shockingly to many Moroccans, the song also directly criticises Morocco's king and his adviser, a criminal offence.
  • Young people make up one-third of Morocco's 35 million population. A quarter of those aged between 15 and 24 are unemployed and out of school, according to official figures.
Ed Webb

OTF | The Rise of Digital Authoritarianism in Egypt: Digital Expression Arrests from 20... - 0 views

  • Since 2013, Egypt has seen the worst human rights crackdown in the country’s history. The current regime has imprisoned thousands of political activists, criminalized demonstrations, and seized control over the media landscape in a successful effort to limit genuine political discourse. Today it is nearly impossible for any alternative narrative to penetrate conventional modalities of expression. As the state continues to close physical spaces and exert control over traditional media, alternative political voices have been forced to rely on digital platforms as a means to express themselves. In response, the state has turned its attention to these platforms.
  • Online censorship increased in 2017 when the websites of 21 independent media and political organizations were blocked inside the country in a single day. The number of blocked websites in Egypt has since surpassed 500. Large-scale phishing attacks are also frequently launched against Egyptian civil society, with attacks documented in 2017 and 2019. In 2018, several new laws were passed in Egyptian parliament limiting digital expression and inhibiting the right to privacy.
  • After compiling a dataset of 333 digital expression violations (including arrests, acquittals, prison sentences, investigations, fines, lawsuits, and pretrial detentions) in Egypt from 2011 until mid-2019, this report found the number of Egyptian citizens targeted by the state for digital expression has been steadily rising. Analysis of this data reveals a yearly increase in the number of digital expression violations, with a surge in the occurrence of these violations beginning in 2016 and continuing until mid-2019, when the data collection for this report ended.
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  • Egyptian security authorities routinely surveil and target social media posts—particularly Facebook content—as a basis for the arrest and detention of Egyptian citizens. The state relies on provisions such as “spreading false news,” “joining a banned group” and “misuse of social media” to detain citizens for digital expression. These charges are found in the Penal Code, the Counterterrorism Law, and the Telecommunications Law, rather than new and highly publicized laws such as the Cybercrime Law and the Media Regulation Law.
  • Detainees held for digital expression violations by the SSP spend long periods in pretrial detention due to the unique procedural rules governing this body; many of these cases are never even brought to court
  • a dramatic increase in the use of a special prosecutorial body, the State Security Prosecution, to investigate digital expression cases.
  • The SSP is a special prosecutorial body which investigates and prosecutes cases related to national security and terrorism; it is notoriously subject to extraordinary procedural rules.
  • Egypt’s Prosecutor General issued a decree in 2018 directing prosecutors to focus on cases concerning the spread of false news. A “rumour collection network” was established for citizens to send in reports of false news and rumours to a WhatsApp number—effectively crowdsourcing surveillance to the civilian population.
  • Egyptian security authorities surveil online expression through technically unsophisticated strategies such as device seizures, observation of social media platforms, and informant networks. Demonstration events on Facebook, particularly during periods of heightened political tension, are routinely targeted by security authorities. Videos are also frequently targeted, as they are easily shared and accessed. Analysis of the dataset found three main types of arrests: mass arrests during periods of increased political tension; high profile figures targeted for their cumulative body of work; and individual posts that cause a citizen to be targeted.
Ed Webb

Egypt's Ministry of Religious Endowments boosts its imams' media skills - 0 views

  • Will a one-week training enable Egypt’s imams to sound more reassuring, more emphatic and appear more camera-friendly on television? The Ministry of Religious Endowments certainly hopes so.
  • Courses include teaching the imams how to speak in talk shows, telephone interviews and TV debates. It also teaches them body language for interviews on TV as well as writing sound bites for various types of televised interviews. 
  • the course aims to develop the media skills of the imams so that they can “dominate the religious discourse,” counter extremist views expressed by the Salafists and efficiently debunk false interpretations on religion in TV programs.
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  • In 2017, the parliamentary Committee on Religious Affairs approved a draft law that banned issuing fatwas through the media unless prior authorization had been obtained from Al-Azhar, the country’s top religious institution. The draft still has to go through the General Assembly to become law.
  • The Ministry of Religious Endowments — known locally as Awqaf — objected that the right of authorizations should rest with Al-Azhar, saying that this bypasses the ministry, which should be the appropriate authority to grant permissions. The ministry argued that as all of its imams are graduates of Al-Azhar, they were fully equipped to give this permission.
  • Parliament has shelved the draft law until an agreement is reached between Al-Azhar and Awqaf, which has so far failed to materialize. 
  • According to Hosni Hassan, media professor at Helwan University, the main purpose of the trainings is to ensure that the Friday sermons — delivered by imams of Awqaf — are efficient tools to spread the Egyptian state’s version of Islam and to persuade the public.
  • The state — represented by the Ministry of Religious Endowments — is paying close attention to Friday sermons and religious lessons in mosques so they can become tools of improving social and religious behavior
  • “The rate of extremist fatwas has declined since 2013 after the fall of the Muslim Brotherhood, after the group was designated as a terrorist organization and its sheikhs were arrested,”
  • The ministry announced in 2014 that only preachers licensed by the ministry were allowed to deliver the Friday sermons or teach religious classes in mosques.The ministry organizes a number of exams every year for those wishing to obtain such licenses. In 2015, a new law stipulated that unlicensed preachers who deliver the Friday sermons or teach religious courses in mosques shall be sentenced to imprisonment from three months to a year or pay a fine of 20,000-50,000 pounds ($1,238-3,097).
  • The Ministry of Religious Endowments also issued in 2016 a decision that the imams in the mosques deliver a unified Friday sermon.
Ed Webb

How Twitter is gagging Arabic users and acting as morality police | openDemocracy - 0 views

  • Today, Twitter has a different story, and it is not one of speaking truth to power. Twitter is no longer empowering its users. Its platform cannot be considered neutral. Twitter’s actions suggest it is systematically suppressing voices in the Middle East and North Africa (MENA) region.
  • What started out as an investigation into the mass suspension of accounts of Egyptian dissidents, uncovered a mass censorship algorithm that targeted users who use Arabic flagging their text as hateful conduct. This story is still unfolding. As you read this, mass and unjustified systemic locking and suspension of Twitter Arabic accounts continues. Users are angry and bewildered.
  • draconian yet lazy algorithms have systematically shut down voices of dissent – and pulled unsuspecting social media users down with them
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  • The effects of these suspensions was not just hiding a set of tweets critical of the government, but completely disabling the influence network of Egypt’s dissidents. This is potentially the first documented politically motivated mass shutdown of twitter accounts at a time when online interaction was high and translated to possible action on the ground
  • accusations are not limited to Egypt but the entire region who have a sense that being critical of their governments was met with punitive measures by Twitter against them
  • many of those suspensions had a common denominator: being critical of the Egyptian government
  • suspensions seemed to have happened around late September and lasted from one day to a few days. In many cases Twitter had responded that they had suspended the accounts by mistake. The accounts affected varied from having a few followers to hundreds of thousands
  • a trending anti-Sisi hashtag disappeared suddenly in July 2018, and then later on in 2019. It didn’t help either to find that an officer in the British Army information warfare unit was head of editorial in Twitter for the MENA region.
  • I interviewed @OfficialAmro1, a user affected by mass suspensions with over 265K followers and 115K tweets. He was suspended without cause and added, “I don’t even curse.”To which I foolishly replied, “Cursing would not suspend your account, particularly if directed against a public figure. Incitement will.”“No, now it does,” he replied. He also added that if you criticize a figure loyal to the Arab regimes, you can get your account locked or suspended.
  • The 'hateful conduct' policy as defined by Twitter states: You may not promote violence against or directly attack or threaten other people on the basis of race, ethnicity, national origin, sexual orientation, gender, gender identity, religious affiliation, age, disability, or serious disease.Analyzing the message contents that were flagged for hateful conduct I saw that most did not violate Twitter’s rules. Soon I began to discover that what @OfficialAmro1 had told me was true. The content I was seeing contained profanity. But that wasn’t the whole story.Arabic curse words are used often. I sampled around a little under 50 claims, with over 30 screenshots that contain Twitter’s email identifying the violating tweet. It was clear that profanity alone was not causing the suspensions.
  • Tragically funnier still are those who were joking around with their friends using their usual language that has profanities @ism3lawy_ ended up cursing Egypt’s Zamalek football club and for that his account was suspended permanently along with that of one of his friends. In a separate conversation, his friend @EHAB_M0 was also joking around with his friends and eventually got a permanent suspension.
  • Within seconds of my post, the algorithm identified the curse words and locked my account for 12 hours. It was my first violation ever. The irony of documenting this as a reply to the platform’s account is probably lost on them.
  • the most dangerous and disconcerting of my findings is that the appeal system in Twitter for MENA is broken.
  • Even things like talking about prostitution can get you banned
  • There is an element of guardianship that is present in despotic Arab regimes, and that moral guardianship is reflected in the algorithm by Twitter as was shown through the numerous examples above.
  • With my limited access to Twitter’s data, I have found nearly 20 accounts probably wrongfully and permanently suspended. I imagine hundreds or even thousands more have been kicked off the platform.
  • “Thank you for trying to help make Twitter a free space once again.”
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