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"Most of the people who come to Tahrir already know what is going on there. We need to reach the people who don't know, and are getting their information from Scaf-controlled state media."

With no co-ordinators or hierarchy to the Kazeboon campaign, it is difficult to keep track of the number of screenings now taking place, but an online calendar of events used by Egyptian activists suggests dozens are happening across the country every day.

"There has been a consistent effort [by the regime] to discredit undermine and distort the image of everyone who supports the Tahrir Square protests," she says. "The Kazeboon campaign means you are able to reach as many people as possible and show that you're not thugs." "As the screenings are typically organised by locals, it gives it more credibility among the neighbourhood residents,"

There were several elements about this unprecedented political event that stood out. First was the secularism of the whole affair. Women in chadors and niqabs and scarves walked happily beside girls with long hair flowing over their shoulders, students next to imams and men with beards that would have made Bin Laden jealous. The poor in torn sandals and the rich in business suits, squeezed into this shouting mass, an amalgam of the real Egypt hitherto divided by class and regime-encouraged envy. They had done the impossible – or so they thought – and, in a way, they had already won their social revolution.

There I was, back on the intersection behind the Egyptian Museum where only five days ago – it feels like five months – I choked on tear gas as Mubarak's police thugs, the baltigi, the drug addict ex-prisoner cops, were slipped through the lines of state security policemen to beat, bludgeon and smash the heads and faces of the unarmed demonstrators, who eventually threw them all out of Tahrir Square and made it the Egyptian uprising. Back then, we heard no Western support for these brave men and women. Nor did we hear it yesterday.

They supported democracy. We supported "stability", "moderation", "restraint", "firm" leadership (Saddam Hussein-lite) soft "reform" and obedient Muslims.

“I just wanted to pitch-in but I wasn't sure how,” says the 37-year-old street artist, who made his name in Cairo during the 2011 revolution against Hosni Mubarak.

“If I would were in Cairo now, I would have taken to the streets with graffiti, like I did in 2011. I kept on wondering: how can I participate in a concrete and positive way, and make it useful?"

On the morning of 20 September, Ganzeer woke up anxious. During the next few hours he drew the image that has quickly come to define a new wave of protests against the sitting president. In the illustration, Sisi is dressed in a striped jacket and tie, but drawn as a cartoonish cat burglar.