Israel, Mired in Ideological Battles, Fights on Cultural Fronts - The New York Times - 2 views
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Miri Regev, the divisive and conservative minister of culture and sport, who wants to deny state money to institutions that do not express “loyalty” to the state, including those that show disrespect for the flag, incite racism or violence, or subvert Israel as a Jewish and democratic state.
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For one well-known poet, Meir Wieseltier, the law “brings us closer to the rise of fascism and exposes its true face.” But Isi Leibler argued in The Jerusalem Post that the government is “not obliged to subsidize the demonization of the nation” and should instead support “the inculcation of love of Israel.”
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such conflicts, over what cultural works the state should promote for schoolchildren to read or for citizens to see and hear, is part of a political drama in which the politicians of a new generation are jockeying for position as leader of the so-called nationalist camp
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The price of mocking "Sultan" Bouteflika. Algerian activist fined over Facebook post - 0 views
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The picture above advertises a popular Turkish soap opera – Harim Soltan (the Sultan's harem). But there is also a satirical version (below) in which the Sultan's face has been replaced with that of Algeria's president, Abdelaziz Bouteflika. Besides "Sultan" Bouteflika himself, it shows a few members of the president's "harem", including his brother Said, prime minister Abdelmalek Sellal and Amar Saidani, secretary general of Algeria's ruling party, the FLN ...
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On October 4 last year, Algerian activist Zoulikha Belarbi posted the Photoshopped picture on Facebook with a comment saying: "I don't know when the Bouteflika soap opera will end and he will wake up from his false dream which has become a nightmare threatening the future of Algeria and her people." On October 20, police raided her family home in Tlemcen, arrested her and seized her computer, mobile phone and SIM card. She was held for 24 hours before being released under judicial supervision. "I was treated like a terrorist," she said later. Her case finally came to court last weekend, and she was fined 100,000 dinars ($905) for "undermining the president of the republic".
Tahrir Monologues: Storytelling the highs and lows of revolution - Street Smart - Folk ... - 0 views
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The performance displayed the fear, the doubt, and the waning of faith that materialised in the months that followed the stepping down of former president Hosni Mubarak. “Stories of unity and diversity seem like a ridiculous memory now,”
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This performance at Left Bank featured memories from the battle in Mohamed Mahmoud Street last November, the December clashes at the cabinet sit in, and the February football match massacre in Port Said.
Building an Internet Culture - 0 views
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ten conclusions that might guide a country's development of a culturally appropriate Internet policy
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Do not spend vast sums of money to buy machinery that you are going to set down on top of existing dysfunctional institutions. The Internet, for example, will not fix your schools. Perhaps the Internet can be part of a much larger and more complicated plan for fixing your schools, but simply installing an Internet connection will almost surely be a waste of money.
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Learning how to use the Internet is primarily a matter of institutional arrangements, not technical skills
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A Song Contest Becomes a Hot Spot in Feud Between Countries - NYTimes.com - 0 views
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The simmering conflict between Armenia and Azerbaijan has entered a new theater: the Eurovision Song Contest.
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some Azerbaijanis who took impartiality to impressive lengths, voting for the Armenian entry in the 2009 final in May, reportedly were called in to the Azerbaijani National Security Ministry
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Previously, the Armenians had raised tensions by slipping images of a memorial in Nagorno-Karabakh, the enclave at the center of the dispute between the countries, into the video presentation that introduced their representative in a preliminary round.
Enough About You - Features - Utne Reader - 0 views
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Economic man . . . has given way to the psychological man of our times—the final product of bourgeois individualism. The new narcissist is haunted not by guilt but by anxiety. His sexual attitudes are permissive rather than puritanical, even though his emancipation from ancient taboos brings him no sexual peace. He extols cooperation and teamwork while harboring deeply antisocial impulses. He praises respect for rules and regulations in the secret belief that they do not apply to himself. Acquisitive in the sense that his cravings have no limits, he does not accumulate goods and provisions against the future, in the manner of the acquisitive individualist of 19th-century political economy, but demands immediate gratification and lives in a state of restless, perpetually unsatisfied desire.
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The contemporary climate is therapeutic, not religious. People today hunger not for personal salvation, let alone for the restoration of an earlier golden age, but for the feeling, the momentary illusion, of personal well-being, health, and psychic security.
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Today Americans are overcome not by the sense of endless possibility but by the banality of the social order they have erected against it. People nowadays complain of an inability to feel. They cultivate more vivid experiences, seek to beat sluggish flesh to life, attempt to revive jaded appetites. Outwardly bland, submissive, and sociable, they seethe with an inner anger for which a dense, overpopulated bureaucratic society can devise few legitimate outlets.
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'Diamond Dust,' a poisonous pleasure for Egyptian moviegoers - 0 views
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Tearing down pillars of modern Egyptian history can be lethal, as author and screenwriter Ahmed Mourad and director Marwan Hamed recently discovered with “Diamond Dust,” a political thriller dealing with the Free Officers Movement and the coup that dethroned King Farouk on July 23, 1952
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“Diamond Dust” the book, published six months before the 2011 revolution, became a best-seller that year, but was not a source of controversy. Its adaptation for the stage in 2016 premiered without event. This August, however, when the film adaptation by Hamed, known for the daring drama “The Yacoubian Building” (2006), arrived in Egyptian cinemas, it created a stir.
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“Diamond Dust” is the first Egyptian movie to describe the 1952 change in government as a coup, rather than a revolution, as the state officially recognizes the event. In fact, the film is unapologetically critical of the whole movement. Egyptian cinematic works have criticized the politics of President Gamal Abdel Nasser, one of the leaders of the Free Officers, and of his successors' regimes, but the Free Officers Movement itself had apparently been off-limits.
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Where Countries Are Tinderboxes and Facebook Is a Match - The New York Times - 0 views
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they had shared and could recite the viral Facebook memes constructing an alternate reality of nefarious Muslim plots. Mr. Lal called them “the embers beneath the ashes” of Sinhalese anger
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the forces of social disruption that have followed Facebook’s rapid expansion in the developing world, whose markets represent the company’s financial future. For months, we had been tracking riots and lynchings around the world linked to misinformation and hate speech on Facebook, which pushes whatever content keeps users on the site longest — a potentially damaging practice in countries with weak institutions.
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Time and again, communal hatreds overrun the newsfeed — the primary portal for news and information for many users — unchecked as local media are displaced by Facebook and governments find themselves with little leverage over the company. Some users, energized by hate speech and misinformation, plot real-world attacks.
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Why is the Egyptian state monopolizing the entertainment industry? | openDemocracy - 0 views
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Egyptian television series that aired during the peak Ramadan season this year dramatically decreased by half from previous production volumes. Production restrictions and censorship in the most populous Arab country are on the rise, tough circumstances for the entertainment industry, exacerbated by a military-linked production company’s recent monopoly of soap operas. The move also raises concerns about whether a similar fate might be in the works for the film industry.
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In late 2018, a memo circulated to industry professionals by state affiliate Egyptian Media Company (EMC) laid out a set of regulations making it virtually impossible for almost any production company asides from EMC sub arm Synergy Production to produce soap operas in the 2019 Ramadan season
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“We have to understand why Synergy is gaining this much control…it’s also very clear that some series [this year] have an almost didactic direction, promoting particular ideas such as improving the image of police officers. Mandating which themes are to be discussed and which won’t be is not censorship, its indoctrination,” Aly Mourad, the CEO of Al Shorouk for Media Productions, tells Open Democracy. “I don’t think we’ve heard of this level of censorship since the time of [Former President] Nasser; it’s like we are going back 60 years in time.”
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Tunisia's Dying Jazz | Foreign Policy - 0 views
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Bidali is one of the last living practitioners of stambeli, a uniquely Tunisian hybrid of musical genre, healing practice, and religious ceremony. It’s deeply rooted in the history of a specific community: the descendants of slaves brought to the region from sub-Saharan Africa during the eighteenth and nineteenth centuries. It also has close links to Sufism, an ancient form of Islamic mysticism that uses music, dance, and rhythm to induce trance-like states that are supposed to bring listeners closer to the essence of the divine
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President Habib Bourguiba, Tunisia’s first postcolonial leader, gave state support to many forms of art, but stambeli wasn’t among them; it didn’t fit the modern image of the country he was trying to shape
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while subsequent police crackdowns have landed Salafists of all stripes in jail, some of the trends they promoted, such as moral self-policing and austere interpretations of Islamic cultural heritage, have taken root in society. With its unorthodox religious associations, stambeli has found itself in the firing line
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Egypt's War on Books - The Atlantic - 0 views
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nothing seems to disturb Egypt’s ruling cadres more than the written word. The recent litany of bans and shutdowns, including blocking hundreds of web pages online, illustrates what Cambridge University’s Khaled Fahmy, a prolific historian of the Middle East, called “an alarmist moment of crisis,” one in which Egypt’s authoritarian state of emergency laws have turned something as simple as reading into a dangerous act. “Free press and freedom of information … are essential ingredients of any democratic system. The regime and many segments of society do not see it this way—they see the exact opposite. They see at times of crises we have to have absolute unity,”
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sentenced to five years in jail under a counter-terrorism law for possessing a copy of Karl Marx’s Value, Price and Profit
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Sisi prefers conservative Islamists who he can control over secular dissidents—chiefly writers—who threaten his rule.
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Why Iran's grand ayatollahs are fighting over Rumi - 0 views
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Plans to make a movie about Rumi, a 13th-century Persian Sufi poet, have once again revived an old quarrel between two currents among Iranian clerics — one that celebrates him as a great mystic and another that opposes his teachings as deviation and heresy.
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nearly 750 years after Rumi's death, award-winning Iranian director Hassan Fathi, known in Iran for the hit series “Shahrzad,” announced Sept. 22 that he would produce a movie titled “Drunk on Love” about the much-speculated relationship between Rumi and Shams.
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The project is to be an Iranian-Turkish production.
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How Twitter is gagging Arabic users and acting as morality police | openDemocracy - 0 views
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Today, Twitter has a different story, and it is not one of speaking truth to power. Twitter is no longer empowering its users. Its platform cannot be considered neutral. Twitter’s actions suggest it is systematically suppressing voices in the Middle East and North Africa (MENA) region.
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What started out as an investigation into the mass suspension of accounts of Egyptian dissidents, uncovered a mass censorship algorithm that targeted users who use Arabic flagging their text as hateful conduct. This story is still unfolding. As you read this, mass and unjustified systemic locking and suspension of Twitter Arabic accounts continues. Users are angry and bewildered.
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draconian yet lazy algorithms have systematically shut down voices of dissent – and pulled unsuspecting social media users down with them
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