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Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.

a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.

A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.

Since 2013, Egypt has seen the worst human rights crackdown in the country’s history. The current regime has imprisoned thousands of political activists, criminalized demonstrations, and seized control over the media landscape in a successful effort to limit genuine political discourse. Today it is nearly impossible for any alternative narrative to penetrate conventional modalities of expression. As the state continues to close physical spaces and exert control over traditional media, alternative political voices have been forced to rely on digital platforms as a means to express themselves. In response, the state has turned its attention to these platforms.

Online censorship increased in 2017 when the websites of 21 independent media and political organizations were blocked inside the country in a single day. The number of blocked websites in Egypt has since surpassed 500. Large-scale phishing attacks are also frequently launched against Egyptian civil society, with attacks documented in 2017 and 2019. In 2018, several new laws were passed in Egyptian parliament limiting digital expression and inhibiting the right to privacy.

After compiling a dataset of 333 digital expression violations (including arrests, acquittals, prison sentences, investigations, fines, lawsuits, and pretrial detentions) in Egypt from 2011 until mid-2019, this report found the number of Egyptian citizens targeted by the state for digital expression has been steadily rising. Analysis of this data reveals a yearly increase in the number of digital expression violations, with a surge in the occurrence of these violations beginning in 2016 and continuing until mid-2019, when the data collection for this report ended.

the Iraqi National Communications and Media Commission shut down or gave warnings to 17 media institutions for covering the protests in Iraq. The offices of Al-Arabiya, Al-Hadath, Dijlah TV, Al-Rasheed TV, NRT, Al-Sharqiya TV, Al-Fallujah TV, Houna Baghdad and Al-Hurra were closed, while Al-Sumariya, Asia Network Television, Rudaw Media Network, Sky News Arabia and Ur Television were warned to change how they cover the demonstrations.

On Nov. 17, a mortar shell hit Iraq Art Co. in Karrada in the center of Baghdad.

Iraq Art Co. is a local production business that offers television services to several satellite channels such as the BBC, Al-Araby TV (owned by the Palestinian politician Azmi Bechara) and other channels. Al-Araby Al-Jadeed, which is affiliated with Al-Araby TV, said, “The missile was targeting the Al-Araby TV office in Baghdad.”

“They just want to see your visa,” a British embassy official told me on March 18, passing on a message from Egyptian security officials at the country’s visa and immigration office. I knew what that meant: Other journalists had been called to the same authority to have their visas revoked. Later that day, the British official called me again as I sheltered in a hotel room, after a lawyer advised me to flee my apartment in case it was raided by police. The security services had spoken to the Egyptian Ministry of Foreign Affairs, which had passed a second message to the British embassy. “They’re asking you to leave,”

I dodged the meeting at the visa authority by sending a lawyer in my place, after officials at the German embassy in Cairo—I’m a dual national—warned me I could be arrested or deported there. We think it’s best you get on a plane, they said. 

The number of infected people has become a metric for evaluating the Egyptian government’s control of the disease; the possibility that more people could be infected has become almost blasphemous in the eyes of the authorities. Even now, as confirmed COVID-19 cases in Egypt top 7,000, the size of the outbreak remains an inflammatory subject, with fear and nationalist pride working alongside a state that is practiced at concealing information

The white iPhone with chipped paint that Moroccan journalist Omar Radi used to stay in contact with his sources also allowed his government to spy on him.They could read every email, text and website visited; listen to every phone call and watch every video conference; download calendar entries, monitor GPS coordinates, and even turn on the camera and microphone to see and hear where the phone was at any moment.

Forensic evidence gathered by Amnesty International on Radi’s phone shows that it was infected by “network injection,” a fully automated method where an attacker intercepts a cellular signal when it makes a request to visit a website. In milliseconds, the web browser is diverted to a malicious site and spyware code is downloaded that allows remote access to everything on the phone. The browser then redirects to the intended website and the user is none the wiser.

“The Moroccan authorities are buying every possible and imaginable surveillance and espionage product. They want to know everything.”

An evangelical broadcaster who boasted of miraculously securing a TV license in Israel now risks being taken off the air over suspicions of trying to convert Jews to Christianity. The controversy over “GOD TV” has put both Israel and its evangelical Christian supporters in an awkward position, exposing tensions the two sides have long papered over.

Israel has long welcomed evangelicals’ political and financial support, especially as their influence over the White House has risen during the Trump era, and it has largely shrugged off concerns about any hidden religious agenda.

When GOD TV, an international Christian broadcaster, reached a seven-year contract earlier this year with HOT, Israel’s main cable provider, it presented itself as producing content for Christians. But in a video message that has since been taken down, GOD TV CEO Ward Simpson suggested its real aim was to convince Jews to accept Jesus as their messiah. The channel, known as “Shelanu,” broadcast in Hebrew even though most Christians in the Holy Land speak Arabic.

For some members of the tribe, Sanders’ commitment to social justice, his family’s experience with the Holocaust, his distinctive old-Brooklyn accent, his childhood memories of stickball and Ebbets Field, and even his visits to a kibbutz are all insufficient proofs of Jewishness. Why doesn’t he belong to a synagogue? Why did he marry a Catholic? Why is he so critical of the mainstream consensus on Israel? Why isn’t he a Jew the way Goldberg wants him to be a Jew?

Goldberg continues to edit one of the most important magazines in the country, and is a fixture of its star-studded annual Aspen Ideas Festival. As such, he is easily one of the most powerful arbiters of elite opinion, and representative of the establishment that has led the country to the brink of ruin.

If you’re a Jew who matters inside the Beltway, there’s a decent chance you hang out with Goldberg.

“I know everything about Israeli culture, about the customs and holidays, but the other side knows nothing about me,”

Garabli’s act is titled “HaKovshim,” Hebrew for “The Conquerors” or “The Occupiers.” The inspiration for the name came to her when she passed a street of the same name on her way to college in Tel Aviv. “I could not believe my eyes,” she exclaimed. “There is actually a street with this name.”

Though Garabli tackles the political weight of her identity in her work, she does not see her participation in Israeli institutions as a problem. She has previously been involved with projects at the Suzanne Dellal Center, a leading cultural center in Tel Aviv; following her success with “The Occupiers” in Acre, Tmu-na, a community theater in Tel Aviv, invited Garabli to perform on its stage. “I pay taxes like everyone else, and so I deserve to enjoy budgets as every artist does,” she said.

The scenes emerging from Iran today elicit a mix of reactions across a region still reeling from the dark legacy of the “Arab Spring,” which itself came on the heels of the “Green Movement” protests in the wake of Iran’s 2009 presidential election. Many Arabs cannot help but recall the sense of hope that reverberated from Tunisia to Yemen, only to be shattered by unyielding repression, war, and the resurgence of authoritarianism. Subsequent protest waves, including those that began in 2019 in Lebanon, Iraq, and Sudan, were similarly met with brutality, co-optation, and dissolution.

Over a decade on from the Arab uprisings, the path toward democracy and freedom for youth across the Middle East has become more treacherous than ever, as liberation movements find themselves fighting against stronger, smarter, and more entrenched regimes that have adapted to modern challenges to their domination.

Technologies that many hoped would help to evade state censorship and facilitate mobilization have been co-opted as repressive surveillance tools.

“Daring to organize and host an event dedicated to the question of gender identity and the reality of queer people is after all a militant act,” Aouini said. The MQFF took place on the backdrop of a reversal of Tunisia’s hard-won democratic gains following a year of drastic moves by Saied that expanded presidential powers since his power grab on July 25, 2021, effectively taking the country — once the Arab democratic exception — back to one-man rule.

“The fact that we succeed in having a queer festival in an Arab Muslim country is an achievement,” Jerbi told Al-Monitor. “Coming to this event and meeting people like me is in itself something. We are not here to seek attention; we are here to just see our rights respected.”

After decades of war, occupation and factional feuding, the Lebanese began suffering through compounding crises in 2019: fiscal, monetary, financial and economic. Since then, though they weren’t exactly living in paradise before, people in Lebanon have been “sinking” through one of the 10 (perhaps even three) worst collapses in the world since the 1800s.

At least 80 percent of Lebanese are poor. About 90 percent of the Syrians and Palestinians living in Lebanon, regardless of whether they are registered and how the Lebanese state and international organizations classify them, need (additional) assistance to cope with these crises. So, too, do hundreds of thousands of migrants from Asia and Africa who have also suffered while living in Lebanon.

Time and again, people have taken matters into their own hands because — much like people who have played by the rules, however warped in principle and skewed in practice — they have no good options. They have done so peacefully, such as when they protested in Beirut and across the country for months in late 2019 and early 2020. They have done so violently, such as when they’ve rioted, blocked roads, burned tires, or attacked business owners — from prominent bankers holed up in pilfered palaces, to gas station owners in north Lebanon, to shopkeepers in Beirut and the Bekaa Valley. They have done so spontaneously, or at least without political direction, while struggling day after day — like when a woman rammed her sports-utility vehicle into a pharmacy. They have done so as instruments of factional bosses, each adept at initiating, escalating, managing, or diffusing conflict as they deem necessary or useful — like when gunmen clashed in Khaldeh, a town south of Beirut, in August 2020 and August 2021, or fought in Beirut skirmishes in October 2021.

The arrest of an operator of a popular Telegram channel on Oct. 14 shocked many Iranian dissidents abroad. Rohollah Zam, the administrator of Amad News, was residing in France as a political refugee when the Islamic Revolutionary Guard Corps Intelligence Organization announced his arrest and shortly thereafter aired a video confession. Many dissidents and observers abroad wondered how someone could be apprehended by the IRGC in the relative safety of Europe. According to BBC Persian, Zam was arrested in Iraq and handed over to Iranian authorities. Zam reportedly flew to Iraq on Oct. 12, according to BBC Persian. One day after his arrival his wife, Mahsa Razani, lost contact with him. It is not yet clear what Zam was doing in Iraq or why he thought he would be safe in a country that has an extradition agreement with Iran.

In the video, Zam looks into the camera and says that he “regrets” his activities of the last few years. He added “it was a mistake to trust the French government,” adding, “In general trusting governments is not wise, especially those who show they have a bad relationship with the Islamic Republic, such as the United States, Israel, Saudi Arabia and Turkey.” Zam added that he would need to “apologize to the system as a whole” for his actions.

Zam is the son of Mohammad Ali Zam, an influential cleric who has held important media positions within various institutions in the Islamic Republic. Mohammad Ali told the Iranian press that he had no knowledge of his son’s arrest until he saw it on the news.

Thousands of Sharif University alumni power Iran’s most sensitive industries, including nuclear energy and aerospace. One of supreme leader Ayatollah Ali Khamenei’s closest advisors has taught there for decades. But as demonstrations erupt across Iran — first sparked by the death in September of 22-year-old Mahsa Amini in the custody of the country’s morality police — the scientific powerhouse known as “Iran’s M.I.T.” has emerged as an unexpected hub for protest, fueling Iran’s biggest antigovernment movement in over a decade.

Across the country and despite a violent crackdown, Iranians have taken to the streets, venting their outrage over social repression, economic despair and global isolation — crises that have clipped the ambitions of Iran’s young and educated generation.

“They are demanding the end of the Islamic Republic.”

The Israeli army’s expanded authorization for bombing non-military targets, the loosening of constraints regarding expected civilian casualties, and the use of an artificial intelligence system to generate more potential targets than ever before, appear to have contributed to the destructive nature of the initial stages of Israel’s current war on the Gaza Strip, an investigation by +972 Magazine and Local Call reveals

The investigation by +972 and Local Call is based on conversations with seven current and former members of Israel’s intelligence community — including military intelligence and air force personnel who were involved in Israeli operations in the besieged Strip — in addition to Palestinian testimonies, data, and documentation from the Gaza Strip, and official statements by the IDF Spokesperson and other Israeli state institutions.

The bombing of power targets, according to intelligence sources who had first-hand experience with its application in Gaza in the past, is mainly intended to harm Palestinian civil society: to “create a shock” that, among other things, will reverberate powerfully and “lead civilians to put pressure on Hamas,”

Across the Middle East, LGBTQ communities face a growing crackdown, echoing efforts by prominent American conservatives to restrict the rights of gay and transgender people and erase their influence from society.

Lebanon, Jordan and Turkey have always stood out in the region on LGBTQ issues. All have queer scenes, all have hosted Pride parades or similar events. But in all three places, the community exists in a legal gray area — neither criminalized nor protected by the law. As anti-LGBTQ+ sentiment intensifies and is championed by some of the region’s most powerful figures, gay and trans people feel more vulnerable than ever.

Turkey’s Radio and Television Supreme Council levied fines against streaming platforms including Netflix, Disney and Amazon Prime for showing “homosexual relationships” that are “contrary to social and cultural values and the Turkish family structure.”

CPJ could not meet with Hajji at the Al-Jazeera office because it has remained closed since police raided the bureau on July 26, 2021, confiscating all broadcasting equipment and forcing all staff to leave the building. The raid came less than 24 hours after Tunisia President Kais Saied fired Prime Minister Hichem Mechichi and suspended parliament, granting himself sole executive power. A new constitution, approved by a largely boycotted voter referendum nearly a year later, on July 25, 2022, codified Saied’s nearly unchecked power, upending the checks and balances between the president, prime minister, and parliament provided by the 2014 constitution.

at least four journalists have been arrested, and two were sentenced to several months in prison by military courts. Many others have been attacked by security forces while covering protests.

“We found that 2022 was one of the worst years in terms of press freedom violations since we began monitoring them six years ago,” Khawla Chabbeh, coordinator of the documentation and monitoring unit at the National Syndicate of Tunisian Journalists (SNJT), a local trade union, told CPJ in a meeting. On July 25, 2022, the day of the constitutional referendum, “we monitored the most violations against journalists that has occurred in a single day,”

perhaps the biggest test case for what happens when a Middle Eastern nation intent on using oil money to enhance its influence through sports emerges on the global stage.

Can sports help bring societal progress to a region that has long resisted change? Or are those countries rewarded with reputational prestige despite human rights abuses that they have little intention to address?

Owing to its small population of roughly 300,000 citizens, Qatar relies heavily on migrant workers. When it won the World Cup bid, it employed a labor system called kafala. Under kafala, migrant workers, mostly seeking to leave impoverished conditions elsewhere, have to pay exorbitant recruitment fees and cannot change jobs without the consent of their employer. The system led to rampant abuses that included wage theft and unsafe working conditions, ultimately resulting in the deaths of thousands of workers. Qatar also bans homosexuality, which it defends on religious grounds.

At the heart of the regime’s responses to these pressures is the “National Dialogue.” The Dialogue, which kicked off last May, is a vaguely conceived multi-track forum in which a host of carefully selected political figures and experts convene periodically to discuss public policy reforms. The political leadership has marketed this initiative to its international and domestic detractors as a testament to its readiness to engage opponents and alternative viewpoints. In reality, the Dialogue is the regime’s attempt at gaslighting critics

the spectacle (as opposed to the outcome) of deliberation is the clear driver of this initiative

by early 2023, the regime had decimated the resources it now needed to erect a convincing façade of participatory politics to mitigate the concerns of its international partners and to absorb popular discontent