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The late Iraqi dictator is lauded on a mysterious satellite channel that began broadcasting on the Islamic calendar's anniversary of his 2006 execution.

The Associated Press tracked down a man in Damascus, Syria named Mohammed Jarboua, who claimed to be its chairman. The Saddam channel, he said, "didn't receive a penny from the Baathists" and is for Iraqis and other Arabs who "long for his rule." Jarboua has clearly made considerable efforts to hide where it's aired from and refuses to say who is funding it besides "people who love us."

Saddam's hanging three years ago was on the first day of Eid al-Adha, the most important holiday of the Islamic calendar. His execution — and the day it was done — remains a sore point for Saddam sympathizers still smarting over images of the defiant leader in his final moments as Shiites in the death chamber shouted curses.

Miramax, the film studio behind hundreds of hit movies including "Pulp Fiction" and "Chicago," has been sold to the Doha-based beIN Media Group, the companies announced on Wednesday.BeIN, which runs sports networks and movie channels in 24 countries in the Middle East, North Africa, Europe and the US, said Miramax would continue to operate as an independent film and television studio under its new owners.

Miramax's back catalogues of more than 700 movies have won a total of 68 Oscars, including for "The English Patient," "Shakespeare in Love," and "No Country for Old Men".

BeIN separated from the Al Jazeera Media Network back 31 December 2013 to focus primarily on football matches and other sporting events.

After naming a few prominent valide sultans — the title of the legal mother of the sultan — from the Ottoman era, Erdogan said, “Valide sultans have been pioneers of their generation and examples to our mothers.” Challenging the Orientalist portrayal of the harem as a place where ambitious women battled with the power of their sexuality, Erdogan praised the harem, saying, “For the members of the Ottoman family, the harem was a school. It was a center of education, where women were prepared for life and organized volunteer activities. This household was led by the valide sultans.”

Indeed, despite harsh criticism by AKP elites, series like “Magnificent Century,” about the lives of prominent sultans and their lovers, such as Hurrem or Kosem Sultan, have become extremely popular in Turkey. These shows have also generated a niche for neo-Ottoman goods. Scents named after powerful women of the Ottoman court along with themed bathrobes, bathroom accessories, jewelry and even hair coloring are being sold. Ottoman-era aphrodisiacs to impress your partner have made a strong comeback and can be found in mainstream markets. Most of these products are not designed for Westerners fascinated by the ways of the East but for contemporary Turks. Today, one also has the option of partaking in the palace experience according to one's budget and tastes. For example, Les Ottomans, a fancy boutique and hotel on the Bosporus, offers rooms decorated to provide the unique atmosphere of the eras and tastes of 10 different sultans. US Republican presidential hopeful Donald Trump has even visited the hotel.

While journalists working for pro-government media outlets rigorously tried to prove the harem’s educational value, others asked whether the harem could be called a school simply because the residents were educated in certain trades. Ozlem Kumrular, a historian and author of the book “Kosem Sultan,” about the prominent valide sultan, tweeted an image of a painting depicting nude women around a pool, and wrote, “The artist of this harem painting is the last caliph, Abdulmecid. Odd but true.” It is interesting to note that although Kumrular’s message received hundreds of retweets, no backers of Erdogan’s praise of the harem tried to explain the rationale behind the painting. Most of the replies were satirical. For instance, one read, “Could [Sultan] Abdulmecid know the harem better than Mrs. Erdogan? I wonder what class this was.”

Mustafa Edib has been working as a journalist for years and prides himself on fighting for the rights of the marginalized.In 2009, he publicly defended President Recep Tayyip Erdogan’s ruling Justice and Development Party (AKP) when it faced a closure trial for alleged violation of the state’s secular principles. He has no regrets about helping to preserve a political force that would one day snub out his own voice, “because back then, AKP was being oppressed, and we stand against all types of tyranny”.

the closure of numerous other media outlets has raised concerns about a wider political crackdown on media freedoms

When Edib, the newspaper’s foreign editor, showed up to work on the morning after the seizure, his office resembled a police barracks. He told Middle East Eye that the Internet connection had been disabled and the paper was already prepared, but that he “didn't know where or by whom, quite frankly”.

A male journalist from Europe who has lived in Ankara for the last five years told Al-Monitor, “In the beginning, the toughest challenge was to survive the amount of food I was forced to eat because of the Turkish hospitality. In 2012 and 2013, the situation changed drastically and more and more often I had to cover street demonstrations and violent protests. Until that time the biggest danger I faced was being trampled by wrestling camels. After that it became normal to deal with tear gas, water cannons, plastic bullets and stones hurled by protesters. Nowadays, the biggest challenge is to be able to report in an environment where self-censorship is a constant danger and whoever disagrees with what you write or objects to the photos you take thinks you are against them. It is also very hard to obtain interviews, especially from ordinary people who seem to be afraid of talking with a foreigner.”

“Writing about Turkish politics is becoming increasingly a dangerous occupation. Several government officials who agree to talk demand they would like to preview the piece prior to publication. One MHP [Nationalist Action Party] official asked me to kill a piece because it included a section on the HDP [Peoples' Democratic Party]. He said his name could not appear in the international press with the names of the terrorists. There are plenty of capricious examples that turn proper reporting into an impasse.”

There is an increasingly sophisticated government propaganda apparatus — directly or indirectly controlled by the AKP — and they often point their guns at anyone even nominally critical of the AKP or [Turkish President Recep Tayyip] Erdogan. Sometimes they are nice — always looking for gullible foreigners to convert to the cause, but they can also be incredibly vicious

A Saudi-owned television network has announced it will pull hugely popular Turkish dramas from its schedules, in what experts inside Turkey say is an attempt by Saudi Arabia's crown prince to pacify clerics already outraged by his push to modernise the kingdom.

the Arab world’s largest private broadcaster, MBC, was ordered to stop broadcasting often racy Turkish television shows. The MBC Group is Dubai-based and controlled by Saudi investors

growing tensions between Turkey and the Saudi Arabia-United Arab Emirates axis in the row over Qatar's support for, among other things, the Muslim Brotherhood

Liao Liang's mission in the Kenyan capital is hardly confidential: As a senior editor of the China Global Television Network (CGTN), a subsidiary of Chinese state television, his task is that of shining a positive light on his country's ambitious activities -- particularly those in Africa, where China's reputation has suffered as its footprint has grown.

"It's an apartheid system," he says, with the Chinese at the top, then the whites, then the blacks and at the very bottom are the Kenyans. "We have to let the Chinese go first in the restrooms and we're only allowed to eat in the cafeteria after 1 p.m., after they have eaten. They treat us like their inferiors." Sometimes, James M. says, he only receives half of his contractual editor's salary of 2,000 euros per month. He says he is penalized 2,000 shillings - around 17 euros - for every mistake in his stories, including typos.

CGTN journalists aren't just there to ward off criticism of China's expansion in Africa but also to break the West's media dominance. The broadcaster has a similar mission in Africa as Russia's state broadcaster RT does in Europe.

Testimonial narratives are an essential feature of intellectual life in post-totalitarian societies. Post-Soviet Eastern Europe, post-dictatorial Latin America, and post-Apartheid South Africa all witnessed a proliferation of autobiographical accounts by victims of the ancien régime, seeking to reclaim their public voice. Currently, post-Ben Ali Tunisia is witnessing the same phenomenon. More and more activists and intellectuals have begun reflecting on the past, in order to forge the country’s future. What is remarkable about this wave is the increasing number of women, including both activists and intellectuals, who have written autobiographical accounts of the uprising and its aftermath

For Tunisian activists and intellectuals, the urgency of remembering the past, in order to make sense of it, has been driven by the realization that authoritarianism can easily return in a different form

As violence was increasing on the religious right, politicians on the secular left were encumbered by internal disagreements and unable to muster an appropriate response. As a result, the “old left’s” weakness and concomitant rise of the Islamist right have figured prominently in the testimonies of Tunisian women activists and intellectuals. Indeed, the testimonies published so far have mostly been triggered by a fear of an Islamist takeover of Tunisia’s newly-liberated public sphere

Turkish authorities have opened a legal inquiry against 30 people accused of tweeting disinformation about the health of President Recep Tayyip Erdogan.They posted "manipulative content" on Twitter using the hashtag #olmus (dead in Turkish), police said.