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Ed Webb

Arianna Huffington: Virality Uber Alles: What the Fetishization of Social Media Is Cost... - 0 views

  • The media world's fetishization of social media has reached idol-worshipping proportions. Media conference agendas are filled with panels devoted to social media and how to use social tools to amplify coverage, but you rarely see one discussing what that coverage should actually be about. As Wadah Khanfar, former Director General of Al Jazeera, told our editors when he visited our newsroom last week, "The lack of contextualization and prioritization in the U.S. media makes it harder to know what the most important story is at any given time."
  • locked in the Perpetual Now
  • There's no reason why the notion of the scoop can't be recalibrated to mean not just letting us know 10 seconds before everybody else whom Donald Trump is going to endorse but also giving us more understanding, more clarity, a brighter spotlight on solutions
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  • We're treating virality as a good in and of itself, moving forward for the sake of moving
  • "Twitter's algorithm favors novelty over popularity."
  • there were too many tweets about WikiLeaks, and they were so constant that Twitter started treating WikiLeaks as the new normal
  • as we adopt new and better ways to help people communicate, can we keep asking what is really being communicated? And what's the opportunity cost of what is not being communicated while we're all locked in the perpetual present chasing whatever is trending?
  • "What it means to be social is if you want to talk to me, you have to listen to me as well." A lot of brands want to be social, but they don't want to listen, because much of what they're hearing is quite simply not to their liking, and, just as in relationships in the offline world, engaging with your customers or your readers in a transparent and authentic way is not all sweetness and light. So simply issuing a statement saying you're committed to listening isn't the same thing as listening.
  • Fetishizing "social" has become a major distraction, and we're clearly a country that loves to be distracted. Our job in the media is to use all the social tools at our disposal to tell the stories that matter -- as well as the stories that entertain -- and to keep reminding ourselves that the tools are not the story. When we become too obsessed with our closed, circular Twitter or Facebook ecosystem, we can easily forget that poverty is on the rise, or that downward mobility is trending upward, or that over 5 million people have been without a job for half a year or more, or that millions of homeowners are still underwater. And just as easily, we can ignore all the great instances of compassion, ingenuity, and innovation that are changing lives and communities.
  • conflates the form with the substance
  • new social tools can help us bear witness more powerfully or they can help us be distracted more obsessively
  • humans are really a herd animal and that is what we are doing on these social sites, Herding up
Ed Webb

Isis's online propaganda outpacing US counter-efforts, ex-officials warn | World news |... - 0 views

  • “When these people go online, they needed to be treated like trolls,” Amanullah said, “and we keep feeding the trolls.”
  • it is “impossible for State to know if it’s succeeded or failed at its task”
  • he initiative was inadvertently creating a dialogue of equals between the US and Isis, distracting from Muslim criticisms of Isis that carry more credibility within the Muslim world
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  • The “tragedy of the US government’s attempts to engage online”, Amanullah said, is that “there’s nothing these people like more than to see the US government specifically acknowledging and interacting with them online. They turn right around to their followers and say, ‘See? We’re every bit as powerful as we say we are, the US government is proof.’”
Ed Webb

Thread by @_amroali: "Since 2011, I've noticed anti-Semitic books, eg Protoco... - 0 views

  • Since 2011, I’ve noticed anti-Semitic books, eg Protocols of the elders of Zion etc have greatly decreased in popularity among Cairo’s book sellers. This is not to mention anti-Jewish conspiracies significantly declining in everyday discourse. A big contrast with the 1990s/2000s.
  • The Mubarak regime banked on keeping the population focussed on external matters (and imaginary threats), to distract them from internal failings. If it meant the conflation of Zionism with Judaism, then so be it. The 2011 Arab uprisings were a watershed moment because it turned Arab heads from the direction of the external to the internal. The Arab tyrant was now seen as the worst conspiracy imposed on the population.
  • On the cultural level, Egypt underwent a reconciliation with its Jewish past, which spawned films and an unusual but welcome enthusiasm with Egyptian Jewry.
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  • Anti-Israel sentiment is still strong on a popular level, and for obvious good reason. The slow but gradual positive restoration of Jews back into the Egyptian imaginary shows that the fruits of the Arab Spring cannot always be measured in election victories and constitutions.
Ed Webb

The Making of a YouTube Radical - The New York Times - 0 views

  • Mr. Cain, 26, recently swore off the alt-right nearly five years after discovering it, and has become a vocal critic of the movement. He is scarred by his experience of being radicalized by what he calls a “decentralized cult” of far-right YouTube personalities, who convinced him that Western civilization was under threat from Muslim immigrants and cultural Marxists, that innate I.Q. differences explained racial disparities, and that feminism was a dangerous ideology.
  • Over years of reporting on internet culture, I’ve heard countless versions of Mr. Cain’s story: an aimless young man — usually white, frequently interested in video games — visits YouTube looking for direction or distraction and is seduced by a community of far-right creators. Some young men discover far-right videos by accident, while others seek them out. Some travel all the way to neo-Nazism, while others stop at milder forms of bigotry.
  • YouTube and its recommendation algorithm, the software that determines which videos appear on users’ home pages and inside the “Up Next” sidebar next to a video that is playing. The algorithm is responsible for more than 70 percent of all time spent on the site
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  • YouTube has inadvertently created a dangerous on-ramp to extremism by combining two things: a business model that rewards provocative videos with exposure and advertising dollars, and an algorithm that guides users down personalized paths meant to keep them glued to their screens
  • “If I’m YouTube and I want you to watch more, I’m always going to steer you toward Crazytown.”
  • 94 percent of Americans ages 18 to 24 use YouTube, a higher percentage than for any other online service
  • YouTube has been a godsend for hyper-partisans on all sides. It has allowed them to bypass traditional gatekeepers and broadcast their views to mainstream audiences, and has helped once-obscure commentators build lucrative media businesses
  • Bellingcat, an investigative news site, analyzed messages from far-right chat rooms and found that YouTube was cited as the most frequent cause of members’ “red-pilling” — an internet slang term for converting to far-right beliefs
  • The internet was an escape. Mr. Cain grew up in postindustrial Appalachia and was raised by his conservative Christian grandparents. He was smart, but shy and socially awkward, and he carved out an identity during high school as a countercultural punk. He went to community college, but dropped out after three semesters. Broke and depressed, he resolved to get his act together. He began looking for help in the same place he looked for everything: YouTube.
  • they rallied around issues like free speech and antifeminism, portraying themselves as truth-telling rebels doing battle against humorless “social justice warriors.” Their videos felt like episodes in a long-running soap opera, with a constant stream of new heroes and villains. To Mr. Cain, all of this felt like forbidden knowledge — as if, just by watching some YouTube videos, he had been let into an exclusive club. “When I found this stuff, I felt like I was chasing uncomfortable truths,” he told me. “I felt like it was giving me power and respect and authority.”
  • YouTube’s executives announced that the recommendation algorithm would give more weight to watch time, rather than views. That way, creators would be encouraged to make videos that users would finish, users would be more satisfied and YouTube would be able to show them more ads.
  • A month after its algorithm tweak, YouTube changed its rules to allow all video creators to run ads alongside their videos and earn a portion of the revenue they generated.
  • Many right-wing creators already made long video essays, or posted video versions of their podcasts. Their inflammatory messages were more engaging than milder fare. And now that they could earn money from their videos, they had a financial incentive to churn out as much material as possible.
  • Several current and former YouTube employees, who would speak only on the condition of anonymity because they had signed confidentiality agreements, said company leaders were obsessed with increasing engagement during those years. The executives, the people said, rarely considered whether the company’s algorithms were fueling the spread of extreme and hateful political content.
  • Google Brain’s researchers wondered if they could keep YouTube users engaged for longer by steering them into different parts of YouTube, rather than feeding their existing interests. And they began testing a new algorithm that incorporated a different type of A.I., called reinforcement learning. The new A.I., known as Reinforce, was a kind of long-term addiction machine. It was designed to maximize users’ engagement over time by predicting which recommendations would expand their tastes and get them to watch not just one more video but many more.
  • YouTube’s recommendations system is not set in stone. The company makes many small changes every year, and has already introduced a version of its algorithm that is switched on after major news events to promote videos from “authoritative sources” over conspiracy theories and partisan content. This past week, the company announced that it would expand that approach, so that a person who had watched a series of conspiracy theory videos would be nudged toward videos from more authoritative news sources. It also said that a January change to its algorithm to reduce the spread of so-called “borderline” videos had resulted in significantly less traffic to those videos.
  • the bulk of his media diet came from far-right channels. And after the election, he began exploring a part of YouTube with a darker, more radical group of creators. These people didn’t couch their racist and anti-Semitic views in sarcastic memes, and they didn’t speak in dog whistles. One channel run by Jared Taylor, the editor of the white nationalist magazine American Renaissance, posted videos with titles like “‘Refugee’ Invasion Is European Suicide.” Others posted clips of interviews with white supremacists like Richard Spencer and David Duke.
  • As Mr. Molyneux promoted white nationalists, his YouTube channel kept growing. He now has more than 900,000 subscribers, and his videos have been watched nearly 300 million times. Last year, he and Ms. Southern — Mr. Cain’s “fashy bae” — went on a joint speaking tour in Australia and New Zealand, where they criticized Islam and discussed what they saw as the dangers of nonwhite immigration. In March, after a white nationalist gunman killed 50 Muslims in a pair of mosques in Christchurch, New Zealand, Mr. Molyneux and Ms. Southern distanced themselves from the violence, calling the killer a left-wing “eco-terrorist” and saying that linking the shooting to far-right speech was “utter insanity.” Neither Mr. Molyneux nor Ms. Southern replied to a request for comment. The day after my request, Mr. Molyneux uploaded a video titled “An Open Letter to Corporate Reporters,” in which he denied promoting hatred or violence and said labeling him an extremist was “just a way of slandering ideas without having to engage with the content of those ideas.”
  • Unlike most progressives Mr. Cain had seen take on the right, Mr. Bonnell and Ms. Wynn were funny and engaging. They spoke the native language of YouTube, and they didn’t get outraged by far-right ideas. Instead, they rolled their eyes at them, and made them seem shallow and unsophisticated.
  • “I noticed that right-wing people were taking these old-fashioned, knee-jerk, reactionary politics and packing them as edgy punk rock,” Ms. Wynn told me. “One of my goals was to take the excitement out of it.”
  • Ms. Wynn and Mr. Bonnell are part of a new group of YouTubers who are trying to build a counterweight to YouTube’s far-right flank. This group calls itself BreadTube, a reference to the left-wing anarchist Peter Kropotkin’s 1892 book, “The Conquest of Bread.” It also includes people like Oliver Thorn, a British philosopher who hosts the channel PhilosophyTube, where he posts videos about topics like transphobia, racism and Marxist economics.
  • The core of BreadTube’s strategy is a kind of algorithmic hijacking. By talking about many of the same topics that far-right creators do — and, in some cases, by responding directly to their videos — left-wing YouTubers are able to get their videos recommended to the same audience.
  • What is most surprising about Mr. Cain’s new life, on the surface, is how similar it feels to his old one. He still watches dozens of YouTube videos every day and hangs on the words of his favorite creators. It is still difficult, at times, to tell where the YouTube algorithm stops and his personality begins.
  • It’s possible that vulnerable young men like Mr. Cain will drift away from radical groups as they grow up and find stability elsewhere. It’s also possible that this kind of whiplash polarization is here to stay as political factions gain and lose traction online.
  • I’ve learned now that you can’t go to YouTube and think that you’re getting some kind of education, because you’re not.
Ed Webb

K-12 Media Literacy No Panacea for Fake News, Report Argues - Digital Education - Educa... - 0 views

  • "Media literacy has long focused on personal responsibility, which can not only imbue individuals with a false sense of confidence in their skills, but also put the onus of monitoring media effects on the audience, rather than media creators, social media platforms, or regulators,"
  • the need to better understand the modern media environment, which is heavily driven by algorithm-based personalization on social-media platforms, and the need to be more systematic about evaluating the impact of various media-literacy strategies and interventions
  • In response, bills to promote media literacy in schools have been introduced or passed in more than a dozen states. A range of nonprofit, corporate, and media organizations have stepped up efforts to promote related curricula and programs. Such efforts should be applauded—but not viewed as a "panacea," the Data & Society researchers argue.
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  • existing efforts "focus on the interpretive responsibilities of the individual,"
  • "if bad actors intentionally dump disinformation online with an aim to distract and overwhelm, is it possible to safeguard against media manipulation?"
  • A 2012 meta-analysis by academic researchers found that media literacy efforts could help boost students' critical awareness of messaging, bias, and representation in the media they consumed. There have been small studies suggesting that media-literacy efforts can change students' behaviors—for example, by making them less likely to seek out violent media for their own consumption. And more recently, a pair of researchers found that media-literacy training was more important than prior political knowledge when it comes to adopting a critical stance to partisan media content.
  • the roles of institutions, technology companies, and governments
Ed Webb

Saudi sitcom breaks taboos on homosexuality and Israel | Financial Times - 0 views

  • produced by Middle East Broadcasting Centre, or MBC, which was brought under government control after its founder was among hundreds of royals, businessmen and former officials detained in 2017 at the Ritz-Carlton hotel in Riyadh as part of an anti-corruption campaign
    • Ed Webb
       
      "anti-corruption" should definitely be in scare quotes
  • a Saudi-Israeli friendship blossoming on a TV show aired by a state-controlled broadcaster immediately raised speculation that the kingdom wanted to encourage Saudis to accept the normalisation of ties with Jerusalem
  • MBC has defended its decision to broach such subjects on the screen. “If the choice is between a stereotypical image of the Arab world and one where MBC shows tolerance, mutual living and meetings between religions and cultures, then so be it,” spokesman Mazen Hayek said earlier this week on the network’s Egyptian channel. “At least we would be helping to heal wounds and bring people together.”
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  • The older generation remains mainly supportive of the Palestinian cause and official government statements emphasise that support. But some young Saudis, who have adopted an ultranationalist agenda, view the conflict as a distraction and argue that citizens must focus on their own country and ignore pan-Arab issues.
  • Given increased government control of the entertainment industry over the past four years, some observers said that tackling controversial topics, such as Israel and homosexuality, was now easier for broadcasters than criticising official institutions or raising the real issues that affect people’s daily lives — something that past Ramadan shows, featuring the same actors, have done to strong effect.
  • “Even though it managed to stir controversy and generate much discussion, the topics [the programme] deals with so far remain distant from the daily concerns of Saudi citizens making it seem like an alien imposition even if performed by familiar faces.”
Ed Webb

Pushed out of Egypt for COVID-19 reporting - Columbia Journalism Review - 0 views

  • “They just want to see your visa,” a British embassy official told me on March 18, passing on a message from Egyptian security officials at the country’s visa and immigration office. I knew what that meant: Other journalists had been called to the same authority to have their visas revoked. Later that day, the British official called me again as I sheltered in a hotel room, after a lawyer advised me to flee my apartment in case it was raided by police. The security services had spoken to the Egyptian Ministry of Foreign Affairs, which had passed a second message to the British embassy. “They’re asking you to leave,”
  • I dodged the meeting at the visa authority by sending a lawyer in my place, after officials at the German embassy in Cairo—I’m a dual national—warned me I could be arrested or deported there. We think it’s best you get on a plane, they said. 
  • The number of infected people has become a metric for evaluating the Egyptian government’s control of the disease; the possibility that more people could be infected has become almost blasphemous in the eyes of the authorities. Even now, as confirmed COVID-19 cases in Egypt top 7,000, the size of the outbreak remains an inflammatory subject, with fear and nationalist pride working alongside a state that is practiced at concealing information
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  • I’d reported for the Guardian that Egypt likely had more coronavirus infections than the country’s official total
  • My story, and the University of Toronto study, sparked outrage. This was more than angry phone calls from government officials, or the smattering of threatening tweets I’d received in the past. It appeared to be a coordinated campaign, one where publicly condemning my journalism had a political purpose.  Egyptian media, dominated by pro-government talk-show hosts and columnists decried the reporting. An army of online trolls attacked the Guardian under the hashtag “lies of the Guardian.” Alaa Mubarak, the son of former president Hosni Mubarak, described what he termed the “Guardian virus” as “no less dangerous than the coronavirus.” 
  • Citizens are routinely detained on charges of “spreading rumors and fake news,” including about COVID-19; the country’s public prosecutor recently warned that those accused of spreading “false news” about the virus face steep fines and up to five years in prison
  • Atef Hasballah, the editor of news site AlkararPress, who was bundled into the back of a police van and arrested on suspicion of “joining a terrorist organisation” after questioning the health ministry’s official infection count on his Facebook page
  • ranked 166th out of 180 countries on the Reporters Without Borders World Press Freedom Index
  • “We’d be blind to ignore the overlap between public health, economics, and socio-political issues. We try to stay on the public health side as much as possible. But of course people standing more in the sociopolitical realm select data according to their beliefs.” 
  • I was summoned, along with Declan Walsh of the New York Times, to the headquarters of Egypt’s State Information Service, the main government organ that handles the media. During the course of a nearly four-hour meeting, Diaa Rashwan, the head of SIS, demanded repeatedly that the Guardian retract the story, and that I publish a personal apology. 
  • Rashwan accused us of “spreading panic” about COVID-19. The next day, SIS revoked my press card.
  • in undemocratic countries, amidst a desire to control information as much as the disease, scientists, doctors, and journalists are frequent targets. Authorities in Venezuela, Iran, and Belarus have detained journalists or prevented them from publishing due to their COVID-19 reporting. China expelled dozens of American reporters in an ongoing dispute with the Trump White House about journalism credentials, taking the opportunity to do so while the world is distracted with the virus. 
  • Accusations of “spreading panic,” or use of laws criminalising “fake news,” are also common, as in Egypt and Turkey, where citizens have been detained on these charges. A Chinese doctor was detained and reprimanded for “spreading false rumours” about the coronavirus; he was forced to sign a confession that he had “seriously disrupted social order,” shortly before he died of COVID-19. Turkmenistan went as far as to simply ban the word “coronavirus,” as though this alone could remove the spread of disease.
  • In Iraq, the government banned the Reuters news agency from operating in the country on April 3, after the outlet published reporting citing five sources including health ministry officials claiming that the country has a higher infection rate of COVID-19 than the official figure.  The government also issued a $21,000 fine while accusing the news agency of endangering public safety and hindering government efforts to prevent the spread of COVID-19. It demanded a public apology to the government and the people of Iraq. Reuters stood by the story, adding in a statement that the agency is “seeking to resolve the matter and…working to ensure we continue to deliver trusted news about Iraq.”
  • British officials attempted to negotiate with the Egyptian authorities. I understood that I had to leave, they explained, but with no more commercial flights I needed to wait until the airports reopened, allegedly in a few weeks’ time. Could they at least ensure I wasn’t arrested in the interim? The Egyptians offered no such reassurance, and continued to demand I show up at the visa office. They told my lawyer they were “offended” I hadn’t come in person. British officials offered for me to stay at the embassy in order to avoid detention.
Ed Webb

AI Causes Real Harm. Let's Focus on That over the End-of-Humanity Hype - Scientific Ame... - 0 views

  • Wrongful arrests, an expanding surveillance dragnet, defamation and deep-fake pornography are all actually existing dangers of so-called “artificial intelligence” tools currently on the market. That, and not the imagined potential to wipe out humanity, is the real threat from artificial intelligence.
  • Beneath the hype from many AI firms, their technology already enables routine discrimination in housing, criminal justice and health care, as well as the spread of hate speech and misinformation in non-English languages. Already, algorithmic management programs subject workers to run-of-the-mill wage theft, and these programs are becoming more prevalent.
  • Corporate AI labs justify this posturing with pseudoscientific research reports that misdirect regulatory attention to such imaginary scenarios using fear-mongering terminology, such as “existential risk.”
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  • Because the term “AI” is ambiguous, it makes having clear discussions more difficult. In one sense, it is the name of a subfield of computer science. In another, it can refer to the computing techniques developed in that subfield, most of which are now focused on pattern matching based on large data sets and the generation of new media based on those patterns. Finally, in marketing copy and start-up pitch decks, the term “AI” serves as magic fairy dust that will supercharge your business.
  • output can seem so plausible that without a clear indication of its synthetic origins, it becomes a noxious and insidious pollutant of our information ecosystem
  • the people selling this technology propose that text synthesis machines could fix various holes in our social fabric: the lack of teachers in K–12 education, the inaccessibility of health care for low-income people and the dearth of legal aid for people who cannot afford lawyers, just to name a few
  • Not only do we risk mistaking synthetic text for reliable information, but also that noninformation reflects and amplifies the biases encoded in its training data—in this case, every kind of bigotry exhibited on the Internet. Moreover the synthetic text sounds authoritative despite its lack of citations back to real sources. The longer this synthetic text spill continues, the worse off we are, because it gets harder to find trustworthy sources and harder to trust them when we do.
  • the systems rely on enormous amounts of training data that are stolen without compensation from the artists and authors who created it in the first place
  • the task of labeling data to create “guardrails” that are intended to prevent an AI system’s most toxic output from seeping out is repetitive and often traumatic labor carried out by gig workers and contractors, people locked in a global race to the bottom for pay and working conditions.
  • employers are looking to cut costs by leveraging automation, laying off people from previously stable jobs and then hiring them back as lower-paid workers to correct the output of the automated systems. This can be seen most clearly in the current actors’ and writers’ strikes in Hollywood, where grotesquely overpaid moguls scheme to buy eternal rights to use AI replacements of actors for the price of a day’s work and, on a gig basis, hire writers piecemeal to revise the incoherent scripts churned out by AI.
  • too many AI publications come from corporate labs or from academic groups that receive disproportionate industry funding. Much is junk science—it is nonreproducible, hides behind trade secrecy, is full of hype and uses evaluation methods that lack construct validity
  • We urge policymakers to instead draw on solid scholarship that investigates the harms and risks of AI—and the harms caused by delegating authority to automated systems, which include the unregulated accumulation of data and computing power, climate costs of model training and inference, damage to the welfare state and the disempowerment of the poor, as well as the intensification of policing against Black and Indigenous families. Solid research in this domain—including social science and theory building—and solid policy based on that research will keep the focus on the people hurt by this technology.
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