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The older generation remains mainly supportive of the Palestinian cause and official government statements emphasise that support. But some young Saudis, who have adopted an ultranationalist agenda, view the conflict as a distraction and argue that citizens must focus on their own country and ignore pan-Arab issues.

Given increased government control of the entertainment industry over the past four years, some observers said that tackling controversial topics, such as Israel and homosexuality, was now easier for broadcasters than criticising official institutions or raising the real issues that affect people’s daily lives — something that past Ramadan shows, featuring the same actors, have done to strong effect.

“Even though it managed to stir controversy and generate much discussion, the topics [the programme] deals with so far remain distant from the daily concerns of Saudi citizens making it seem like an alien imposition even if performed by familiar faces.”

changing climate is forcing families to sell off their livestock and pack up for urban centers such as the region’s largest city, Basra, in search of jobs and better services

As hotter, more-crowded cities become the future of a warming world, a lack of preparedness will only exacerbate the discontent already fraying the social fabric

decades of U.S.-backed sanctions and war, combined with the weight of corruption and neglect, have left Basra’s infrastructure unable to adequately support the 2 million people the city already houses — let alone the rising tide of newcomers.

According to official figures, Basra province has a population of over 3 million — an increase of at least 20 percent in 10 years. And most of that growth has been in its urban areas

nearly 40 percent of farmers across the country reported an almost total loss of their wheat crop.

Social media has been awash with photos showing water buffaloes lying dead on the cracked mudflats of southern Iraq’s dried-out marshlands

As upstream dams in Turkey and Iran weaken the flows of the Tigris and Euphrates rivers, a salty tide is creeping north from the Persian Gulf, poisoning the land

water degradation in the province cost Iraq $400 million in lost animals, palm trees and crops in 2018 alone

As he saw it, migration was only making the situation worse, and he felt that the slow tide of arrivals was changing his city. “Their mind-set is different; we don’t know how to deal with them,” he said. “They don’t respect the laws here.”

Decades of government neglect in rural areas, particularly in the education sector, have left many of the migrants illiterate.

often struggle to access the city’s formal labor market and instead rely on temporary employment as construction workers or truck drivers, or hawking goods from carts in the street. And their habits and attitudes clash with those of their urban cousins.

political leaders in southern Iraq have started blaming the city’s crime rate — as well as other problems — on its migrants.

A few years ago, huge demonstrations decrying corruption and unemployment were crushed with deadly force. Since then, every summer has brought scattered daily protests over authorities’ failure to provide basic services.

“This is how you drive these people into criminality, by discriminating,” she said. “They move to irregular neighborhoods where there’s no proper public services and no employment. And then social issues will emerge.”

When a heat wave forced the shutdown of Basra’s power grid in August, the homes of newcomers and longtime residents alike were plunged into darkness as millions spent sleepless nights drenched in sweat

“My dreams in this country are being lived by a dog in Europe,”

free information flow is essential and vital for the press and scientific research. We often hear of difficulties facing journalists in accessing information and sensitive data because official entities refuse to disclose information. We also often hear about academic research stumbling and terminating because of lack of security permits or because the Central Agency for Public Mobilisation and Statistics (CAPMAS) objected to a research questionnaire, under the pretext that opinion polls could divulge information to the enemy about the domestic front and thus could be a national security risk. These security caveats caused the quality of the press and scientific research in the country to decline

Thus, if the intelligence rationale about freedom of information has merits, then the logic of rights also has merits because it argues that access and dissemination of information strengthens national security.

we can also say that the mindset of caution and opacity that caused a lack of transparency and negligible public oversight of state institutions was an even greater danger to national security

social media is a reliable way to gauge the effectiveness of local officials, who are often unaccountable to their constituencies. Since they usually operate through opaque and byzantine institutions, the central government often knows little about the competence and popularity of their local representatives, who have every reason to lie about their performance

Cracking down on local corruption in turn makes the central government appear more responsive, increasing its effectiveness and legitimacy

social media provides an effective way to reach out to the regime’s supporters. Just as opposition leaders use social media to mobilize protesters, regimes can use it to organize and rally their own domestic allies – military or business elites, but also regular citizens motivated by patriotism or ideology

social media offers a convenient way to shape the contours of public discourse among the public at large. Governments have always used mass media – newspapers, radio, and TV – to disseminate regime-friendly propaganda. Social media, however, has the added benefit of being inherently decentralized, interactive, and non-hierarchical, and can thus more easily avoid the appearance of artifice

The opposite of Internet freedom may not be brute-force censorship but a deceptive blend of control, co-option, and manipulation

By shaping dominant narratives and mobilizing supporters, social media can help incumbents to guard themselves not only from domestic unrest but also from external pressures for reform

Autocrats have proven to be remarkably adaptive and resilient in the face of new challenges, and their subversion of social media could mean long-term problems for the future of democracy

established shortly after the 2011 revolution and now is the most-watched channel in Tunisia

ongoing legal proceedings against the channel’s director, Sami Fehri, who has been held in jail for months on corruption charges

Riahi is the leader of the Free Patriotic Union party, which he founded in 2011. It has a secular, pro-business agenda and gained one seat in National Constituent Assembly (NCA)

symptomatic of the problems regarding regulation of Tunisian media. “The government has created a legislative vacuum,”

advertising revenue for Tunisian television stations is too meager to actually fund their operations. He questioned why a businessman such as Riahi would want to enter such an unprofitable sector, suggesting that the real motivation is to gain control over a powerful tool to disseminate one’s own messages to the public

The creation of the High Authority for Audiovisual Communication (HAICA) was called for in a November 2011 law. The statute calls for a nine-person body representing the Tunisian government, the journalists’ union, and the audiovisual communications industry. The HAICA would be tasked with regulating the Tunisian media sector, supervising the media during electoral campaigns, and nominating directors of public radio and television stations. The announcement of this body has been repeatedly delayed, however, leaving the sector largely free from regulatory restrictions.

a review should begin with the system of ownership that governs these newspapers, and how to separate between their ownership and the independence of their operations, which were tarnished by significant corruption during the past era

“new Arab public sphere”

two distinct political positions that characterized Arab politics in the period up to the Arab Spring uprisings in 2010-11: an approach on Al Jazeera sympathetic to Islamist groups across the region and more conservative pro-Western approach in Saudi controlled media

The Arab uprisings came at the moment of a third stage in the development of modern Arab media: that of social media

bitterly contested conflicts between youth-driven protest movements and governments who were caught absolutely unawares due to a variety of factors: close cooperation with Western governments, elaborate security apparatus and the arrogance that comes with being in power unchallenged for so long

Media in the post-Spring Arab world currently has been targeted by the forces of the state in their counter-revolutionary pushback

Since the military coup that removed the elected post-uprising government, the Egyptian government has used traditional preferred instruments of television and print media for propaganda and control

Gulf governments have focused on social media in particular

Another important feature of Arab media is how it has become an arena for the Sunni-Shia sectarian schism

media has been revamped and brought back into action as one element of a multi-faceted campaign involving the law, religion, surveillance and forces of coercion to face a range of internal and external enemies seen as challenging the very survival of governing elites. New media were momentarily a weapon against these entrenched systems of rule; for now, the rulers have mastered the new array of technologies and are back in command

None of the tactics adopted in the post-Gezi repression is new. The witch hunt of activists and journalists, assigning blame to ambiguous “foreign” enemies, unknown internal illegal organizations, Orwellian investigations, increasing paranoia and fear for personal and national security — these and other methods have been applied for decades. However, the intensity of the repression is now expected to increase because the AKP’s confidence in its intellectual base has decreased.

Al Jazeera Arabic’s love affair with the Muslim Brotherhood has done damage to more than one country’s revolutionary cause. In Syria, Al Jazeera Arabic’s championing of the Muslim Brotherhood-dominated and highly ineffective opposition Syrian National Council has cost the channel much credibility. Al Jazeera Arabic refrains from criticising the group or highlighting its repeated failures. It also instructs its reporters to follow a certain narrative, prompting numerous resignations. 

in Palestine, Al Jazeera Arabic scores major coups in uncovering the rampant corruption of the Palestinian Authority but neglects to mention democratic setbacks in the Hamas Muslim Brotherhood-controlled Gaza strip

there is no other single channel to carry the mantle that Al Jazeera Arabic has so readily done away with. The best Arabic-language speakers can do now is to flip between two or more channels that carry a different narrative in order to arrive as close as possible to the truth

the same narrative does not plague Al Jazeera’s English-language version of the station

Compared with other risks to human life and well-being, contemporary international terrorism remains a minor problem

The Islamic State killed 31 people in Brussels on Tuesday, but more than half a billion people in Europe were just fine on that day. So when the British government raised the “threat level” and told its citizens to avoid “all but essential travel” to Belgium following Tuesday’s attacks, it is demonstrating a decidedly non-Churchillian panic. Needless to say, that is precisely what groups like the Islamic State want to provoke.

the same toxic blend of media and politics that brought us Donald Trump’s candidacy makes it nearly impossible to have a rational assessment of terrorism

Newspapers, radio, cable news channels, and assorted websites all live for events like this, and they know that hyping the danger will keep people reading, listening, and watching. The Islamic State and its partners really couldn’t ask for a better ally, because overheated media coverage makes weak groups seem more powerful than they really are and helps convince the public they are at greater risk than is in fact the case. As long as media coverage continues to provide the Islamic State et al. with such free and effective publicity, why should these groups ever abandon such tactics?

The Islamic State wouldn’t have to use terrorism if it were strong enough to advance its cause through normal means or if its message were attractive enough to command the loyalty of more than a miniscule fraction of the world’s population (or the world’s Muslims, for that matter). Because it lacks abundant resources and its message is toxic to most people, the Islamic State has to rely on suicide attacks, beheadings, and violent videos to try to scare us into doing something stupid. The Islamic State cannot conquer Europe and impose its weird version of Islam on the more than 500 million people who live there; the most it can hope for is to get European countries to do self-destructive things to themselves in response. Similarly, neither al Qaeda, the Islamic State, nor other extremists could destroy the U.S. economy, undermine the U.S. military, or weaken American resolve directly; but they did achieve some of their goals when they provoked us into invading Iraq and when they convinced two presidents to pour hundreds of billions of dollars into the bottomless pit in Afghanistan.

Terrorism is not really the problem; the problem is how we respond to it

At the moment, the challenge of contemporary terrorism seems to be bringing out not the best in the West — but the worst. Instead of resolution and grit, we get bluster and hyperbole. Instead of measured threat assessments, patient and careful strategizing, and a realistic sense of what can and cannot be achieved, we get symbolic gestures, the abandonment of our own principles, and political posturing.

how would a grown-up like Marshall or Dwight D. Eisenhower respond to this danger? No doubt they’d see it as a serious problem, but anyone who had witnessed the carnage of a world war would not be cowed by intermittent acts of extremist violence, no matter how shocking they are to our sensibilities. They’d use the bully pulpit to shame the fearmongers on Fox and CNN, and they’d never miss an opportunity to remind us that the danger is not, in fact, that great and that we should not, and cannot, live our lives in fear of every shadow and in thrall to monsters of our own imaginings. They would encourage us to live our daily lives as we always have, confident that our societies possess a strength and resilience that will easily outlast the weak and timorous groups that are trying to disrupt us. And then, this summer, they’d take a European vacation.

The best rap and metal in the region succeeds because it manages to avoid both the kind of “extreme consciousness of doom” that leads to aesthetic nihilism, hyper-stylized violence and other forms of artistic “idle chatter,” while also avoiding the kind of surrender to the culture industry which leads even the most well-intentioned of mainstream artists to “collaborate with culture as its salaried and honoured nuisance” rather than challenge it directly from the margins.

the ultimate function of immanent criticism: to enable a positive synthesis, or irreducible hybridization of identities. Such identities can not be subsumed under any dominant ideology or political and economic narrative and therefore cannot serve to reinforce them

in the Middle East and North Africa region, in the years leading up to the current revolutionary moment, the growing popularity of metal and rap music represents a return of the aura to local music scenes. Both Benjamin and Adorno believed that a remnant, or perhaps better, specter of the original aura remained within works of art even in the mechanical/industrial age. This spector becomes visible in the kind of critical art represented by the groups discussed here, contributing to the continued “excessiveness”, “aesthetic deviance”, and “pointing elsewhere” towards cultural difference and a different future that characterize the best exemplars of the music

As Moe Hamzeh, leader of one of the most talented and successful Arab rock/metal groups, Beriut's The Kordz6, explains, while Arab rock or rap artists obviously want to be successful, the relative lack of interest in the two genres by Rotana and other Arab media conglomerates has been a blessing from an aesthetic perspective. It has saved them from the inevitable fate of all commercialized popular music, whether American hiphop and hair metal to Arab video-clip driven pop. At the same time, the lack of commercialization has made the public performance of the music, usually in small group settings or festivals geared specifically to fans of the genres, the crucial means of creating audiences and building solidarity among their communities of fans.

singers and rappers were actually smiling as they performed their music. And so were the crowds surrounding them. This is likely not the vibe Adorno imagined would surround the kind of immanently critical music he felt was necessary to wake people up to the false consciousness they had been mindlessly inhabiting. But it points to a crucial problem with Adorno’s musical aesthetic, at least form the standpoint of reception. The more abstract, atonal, and devoid of recognizable harmonies or rhythmic pulse a piece of music is, the harder it will be for it to inspire a large number of people. Once people are actually on the streets protesting rather than in their smaller subcultural gatherings, they need something catchier and more uplifting to sing along to than brutal vocals and rapid fire rhymes

Adorno did not think much of the aesthetic and political potential of folk music, which he tied both to nationalist and fascist sentiments. In its then present-day form (rather than traditional-historical form), he believed it to foster little more than a “pseudo-folk community,” particularly in its cultural and aesthetic historical trajectory in Germany. But in Egypt as in the United States, the music has played a more critical political role in struggles for political freedom and social justice.

the band’s popularity is inseparable from its dual role as a voice of protest and a regenerator of traditional styles of music that recently were in danger of disappearing completely because of a combination of market forces and government censorship

What the kind of joyful hybridity exemplified by the production style of Armada Bizerta and myriad other rap groups around the Arab and larger Muslim worlds (and across Africa) reveal is that even within one genre of music, such as hip hop, talented artists can create innumerable sonic tapestries to match, and help shape, the national mood—from dissonant anger to joyful creativity—as the political and cultural situation on the ground changes. Their flexibility is key to their function as the kind immanent critique Adorno and other critical theorists hoped would be able to “reliquify” the “congealed” ideologically bounded identities imposed by authoritarian regimes on their citizens

The joyful aesthetics of groups such as Amarda Bizerta, Emel Mathlouthi, Ramy Essam, and other artists at the heart of youth-inspired revolutions challenges Adorno’s belief that critical music in the age of mass reproduction and consumption has to be, essentially, hard to listen to in order to make the listener think and perhaps even motivated to take some form of action. It seems that while in the pre-Revolutionary period, when cultural expression was still heavily policed, this indeed was the case—thus the power and popularity of genres like metal and hardcore rap. But with the explosion of political, cultural, and artistic energy of the protests a new aesthetic dynamic was born that, at least as of the time of this writing, remains quite powerful. As important, by drawing people literally closer together, the music brings them closer to its critical and transformational aura, closing a circle that was broken, according to Benjamin, with the mechanical reproduction and commodification of musi a century ago

It remains to be seen whether Americans and Europeans, so used to providing the “original” music and culture which others have long sampled, will prove as adept as the “new generation” of Arab revolutionaries in adapting the tools and ideas of others to create their own cultural, political, and economic hybrids. But if the experience of the last year is any indication, without doing so there is little chance of the current wave of protests across the West producing the kind of large-scale transformation now underway, however problematically, in the Arab world.

According to a statement issued by the Rebel campaign, of which three of its members attended Tuesday's meeting, Mansour has slammed the media attack against revolutionaries as "political stupidity," saying a media code of ethics will soon be issued in collaboration with media figures and the National Council for Human Rights

The meeting also tackled the role of the police, with many of the attendees accusing it of enforcing what they saw as "systematic measures" similar to the notorious ones practiced by the apparatus prior to the revolution. Mansour, however, ruled out that any violence practiced by the police is systematic. He also requested a list of those claimed to have been randomly arrested without charges.

Mansour went on to urge those present to engage with society through political activities to ensure that no force solely dominate the political scene. "You [the youth] should work on preserving the gains of the revolution that no one from the corrupt regimes should be allowed to obtain," said Mansour, who added that the differences between political groups, lack of organisation and failure to interact with the population could give a chance to "the unworthy to win the coming parliamentary elections."

what was published this morning in El-Esboa

My sources were people who work for Al Ahram, not Al Osboa, but I can imagine how these rumors could easily fly around.

What struck me about Shukrallah's column last week was his explicit and critical reference to Gamal Mubarak and the succession issue, contrasted with the referendum coverage which was wishy-washy, with critiques preceded with "the opposition claims."

The referendum coverage was bad simply because of the people who were reporting it. The reporting on attacking the women was done by the weekly's interior ministry correspondant who is pro-government by default, this is part of the Weekly's diversity

I agree that the Weekly has one of the best political parties and parliamentary coverage in town, largely because of Gamal Essam Eddin who is awesome. (At the Cairo Times we lamented over how better their coverage of parliament was than ours, as we relied on a stringer fromAl Gomhouriya since we couldn't get parliamentary press passes.)

I find it particularly annoying that when Egypt is going through one of the biggest upheavals in decades, it almost systematically leads with a Graham Usher story about Palestine. The other thing I find a shame is that the layout doesn't make its longer articles attractive -- those New York Review of Books length essays and articles would look much better in a magazine format (which the Hebdo does in a somewhat better way, although its pictures are horrible. Actually I find the Hebdo generally better on Egypt than the Weekly, which is a quasi-regional paper.

I apologize for being so naive.Hani Shukrallah was fired this morning.The new editor of Ahram, Osama Saraya has a new policy regarding the Weekly which is "full of communists" and is the "source of corruption" in Ahram. The Weekly's editorial policy it seems, does not fit the new Ahram.

Whereas entertainment channels that do not offer news content can attract a multisectarian and multiethnic viewing base, news channels generally draw upon a particular ethnic or sectarian segment of the population whose coverage it favors, further reinforcing the political divisions that already afflict the media environment. 

 “The Ninth Studio” does not rely for its success on an enormous budget or sophisticated technical capabilities. Rather, it tends to deal frankly and directly with issues that concern the ordinary audience, and to do so with a high degree of independence. “The Ninth Studio” tends to focus on issues pertaining to the corruption and inefficiency of governmental institutions, and generally offers scathing criticism of Iraqi officials, without indulging in the discourse of sectarian prejudice.

Despite the absence of sectarian language on “The Ninth Studio,” and the difficulty of discerning any sectarian bias in its rhetoric, Iraq's Media and Communications Commission temporarily shut down its office in September on the pretext of it being a threat to public peace. Most likely, this decision came in response to governmental pressures, and as a consequence of the show's earlier criticism of the commission.

The problem is that neutral media organizations usually lack sufficient financial support, and are exposed to pressures by officials who are unhappy with their content, without being able to rely on independent institutions capable of defending them.