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Ed Webb

Escape from Mosul. An Iraqi journalist's story - 0 views

  • The Sunni Muslim extremist group that has taken over the city considers journalists among its worst enemies.
  • Unlucky applicants have no choice but to go back to Mosul or they must search for shelter in the nearest camp for displaced persons. In this shelter, out in the open, there is no protection against the high summer temperatures, or the dust or the noise of babies crying. The sick and elderly are sleeping on the dirt and local and international photographers eagerly take their pictures.
  • I show him my press credentials. But even then he won’t let me into the Iraqi Kurdish region. “We have a new policy,” he explains. “You won’t be able to get in unless you are accompanied by your family, no matter what your profession.” I saw dozens of families entering the region; none of them plan to return home again in the near future.
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  • “The petrol stations have been closed for ten days,” is how the taxi driver who eventually picks us up to take us to the city of Erbil, inside the semi-autonomous region of Iraqi Kurdistan, explains the high price he will charge us.
  • I call my family almost every day as well as friends in Mosul. The news coming from inside the city isn’t good. There are bombardments continuously and most of the victims seem to be civilians. Health services are apparently running out of supplies. Eventually I am deprived of the luxury of being able to call them – the telecommunications company in Mosul cuts its services for good on July 4 at 11am
  • I didn’t feel out of place in Erbil though. I met journalists every day, many of whom had left Mosul because they were afraid of being targeted by the IS group or because they needed to search for jobs. Some say that unemployment in Mosul must be as high as 90 percent by now.
Ed Webb

In Libya, traditional and social media are used to fuel war | Arab Tyrant Manual - 0 views

  • Every Libyan news outlet has obvious and sometimes unabashed biases – Libya24 for example, has given itself a reputation for taking a pro-Gaddafi stance, while others such as al-Nabaa are seen as overly sympathetic to the Muslim Brotherhood. The extent to which they allow debate and independent comment varies. As dozens of civilians have been killed since the start of Haftar’s offensive on Tripoli last week, a staunchly pro-Haftar news outlet, Libya Alhadath, broadcasts a steady stream of songs glorifying Haftar and his offensive, in a way reminiscent of Libya’s solitary state TV channel for most of the Gaddafi era.
  • most Libyan news outlets and TV channels have dramatically changed their stances over the past number of years as alliances have changed and new actors have emerged in the country
  • Libyans don’t trust local media.
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  • foreign media has been equally tarnished, through the partisanship of Arab outlets which are predominantly Gulf-based, such as Aljazeera, Alarabiya and Sky News Arabia
  • the lack of professionalism and dishonesty of TV channels has driven many to social media for news updates.
  • Well-intentioned citizen journalists enthusiastically spread rumours and misreported or exaggerated clashes, quickly creating a reputation for dishonesty that stuck to the sector as a whole.
  • Systematic posting of false information on social media accounts also became a favoured tactic of militias on all sides of the conflicts has become a trademark tactic
  • People living in the same area are often exposed to completely different realities depending on the media they consume.
  • A phenomenon new to Libya in this round of conflict is the large-scale attempts by gulf monarchies to fill social media with blatant propaganda in favour of their chosen sides
  • Haftar has long been backed by Saudi and the UAE, with the latter repeatedly breaching a United Nations arms embargo to provide his forces with attack aircrafts, armoured vehicles, helicopters and other ammunition
  • Khadeja Ramali, a Libyan data scientist, who has examined and mapped tweets mentioning Haftar since the offensive was launched. Her research has clearly shown a huge pro-Haftar push from accounts based in Saudi Arabia, Egypt and the UAE.
  • Qatar also joined with the Libya propaganda campaign, a few days late, to broadcast the UAE’s complicity in Haftar’s crimes
Ed Webb

Lessons from an ex-British MP who stood on a street corner in Beirut | Middle East Eye - 0 views

  • Matthew Parris - South African-British columnist and former Conservative member of the British Parliament - treats us to an account of “What you learn standing on a street corner in Beirut.” The corner in question is located on Rue Qobaiyat in the trendy Mar Mikhael neighbourhood, which Parris incorrectly identifies as Beirut’s “Armenian quarter”. So much for learning things.
  • the role of spontaneous sociocultural analyst
  • To be sure, the trope of the unpredictable and irrationally violent Arab is a mainstay of Orientalist discourse, and visitors to Lebanon from the oh-so-civilised West often can’t resist the temptation to detect in every trivial occurrence a potential throwback to the brutal civil war of 1975-90 - an affair which, it bears mentioning, took place with plenty of outside interference, including from the West itself.
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  • The Orientalist eye, it seems, is keen to imbue the landscape with greater enigmatic significance - and Parris concludes his street-corner musings with the melodramatic lines: “Everywhere the concrete was gashed with black mould. But that’s how concrete does stain, in the rain. Visitors to Beirut must learn to love the stains.”
  • Parris’ foray into the realm of Orientalist lecture would appear to be relatively benign compared to those of contemporaries such as, say, the British travel writer who penned “Boobs, Botox and the Babes of Beirut” - in which we learn that “in Lebanon the women look like Cleopatra” but that plastic surgery fiascos can result in a situation in which “some look as if a drunken Picasso has drawn a face on to a balloon”.
  • Thomas Friedman’s determinations that Israel’s bombing of Lebanese civilians is “logical”, that Palestinians are “gripped by a collective madness”, or that Iraqis need to “suck on this”.
  • the West’s ongoing addiction to Orientalism
  • Nowadays, there are increasing efforts among reductionist Orientalist circles to market Beirut as the resurgent “Paris of the Middle East”, a glamorous hub of hedonism boasting all manner of extravagant money-spending opportunities - yet one that still retains the requisite exotic elements, such as the ever-astounding coexistence of miniskirts and hijabs, Hezbollah and billboard lingerie ads. 
  • the glorification of elite excess and materialism directly serves the interests of a global neoliberal order predicated on obscene socioeconomic inequality
Ed Webb

Syria Liable in Killing of Journalist Marie Colvin, Court Rules - The New York Times - 0 views

  • A federal court has held Syria’s government liable for the targeting and killing of an American journalist as she reported on the shelling of a rebellious area of Homs in 2012. The decision could help ease the way for war-crimes prosecutions arising from the Syria conflict.
  • awarded $302.5 million to relatives of the journalist, Marie Colvin. Of that sum, $300 million is punitive damages for what Judge Amy Berman Jackson, in her ruling, called “Syria’s longstanding policy of violence” that aimed “to intimidate journalists” and “suppress dissent.”
  • The large size of the award sends a message, he said, that “the rule of law is still a force to be reckoned with,” even amid a global trend toward authoritarianism and the killing of journalists like Jamal Khashoggi, the Saudi Arabian slain in his country’s consulate in Istanbul.
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  • Syria did not respond in court to the lawsuit, and Mr. Assad has publicly blamed Ms. Colvin for her own death, saying she had been “working with terrorists.”
  • the first court decision drawing on a pool of smuggled Syrian government documents that are being used in criminal prosecutions of Syrian officials by courts in Germany, France and elsewhere.
  • While the standard of proof is higher in criminal cases, war crimes lawyers welcomed the success of the Colvin lawsuit as an indication that the archive contains convincing evidence.
  • The plaintiffs detailed, through government records and defectors’ and other witnesses’ accounts, how the Syrian government had made a policy of cracking down on journalists and their assistants; how security officials tracked Ms. Colvin through informants and intercepted communications; how Syrian forces killed Ms. Colvin, hours after her last broadcast from Homs, by shelling the makeshift media center where she was staying; and how officials celebrated her death.
  • Ms. Colvin, a Long Island native who was 56 when she was killed, was a star of the British press, known for dedication and pushing the limits of risk to tell the stories of civilians affected by war. She was less of a household name in the United States, but the court’s decision comes amid a wave of new attention to her life and death.She was played by Rosamund Pike in the recent feature film “A Private War,” and was the subject of a biography by a fellow journalist, Lindsey Hilsum, and a documentary by Paul Conroy, the photojournalist who was her longtime reporting partner. He was seriously wounded in the attack that killed Ms. Colvin and Remi Ochlik, a French photojournalist.
Ed Webb

'Diamond Dust,' a poisonous pleasure for Egyptian moviegoers - 0 views

  • Tearing down pillars of modern Egyptian history can be lethal, as author and screenwriter Ahmed Mourad and director Marwan Hamed recently discovered with “Diamond Dust,” a political thriller dealing with the Free Officers Movement and the coup that dethroned King Farouk on July 23, 1952
  • “Diamond Dust” the book, published six months before the 2011 revolution, became a best-seller that year, but was not a source of controversy. Its adaptation for the stage in 2016 premiered without event. This August, however, when the film adaptation by Hamed, known for the daring drama “The Yacoubian Building” (2006), arrived in Egyptian cinemas, it created a stir.
  • “Diamond Dust” is the first Egyptian movie to describe the 1952 change in government as a coup, rather than a revolution, as the state officially recognizes the event. In fact, the film is unapologetically critical of the whole movement. Egyptian cinematic works have criticized the politics of President Gamal Abdel Nasser, one of the leaders of the Free Officers, and of his successors' regimes, but the Free Officers Movement itself had apparently been off-limits.
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  • “Many viewers saw this vision as biased, as it addressed only Abdel Nasser’s flaws and neglected his virtues, while glorifying Mohammad Naguib with no reliable proof,” Shennawi told Al-Monitor. “Egyptian cinema suffered a lot in the era of Abdel Nasser, who exploited cinema to promote the ideas of the July 23 revolution and gradually root out any opposing ideas. Egyptian cinema started breaking free from those restrictions with the film ‘Al-Karnak’ [1975], which criticized Abdel Nasser’s era, and ‘Ahl al-Qima’ [People on the Top, 1981], against [President Anwar] Sadat’s Egypt.”
  • many Nasserists and supporters of the 1952 revolution have harshly criticized the film. Last month, Magdy Eltayeb, film critic for the newspaper Al-Qahira, posted on his personal Facebook page, “Diamond dust is poisonous. … [The film] adopted a stance against the 1952 revolution. … It showed excessive sympathy with the Jews to the extent that this has undermined this work’s aesthetic value as a film noir.”
  • A hit, “Diamond Dust” has so far earned 27.6 million Egyptian pounds ($1.5 million) at the box office.
Ed Webb

Here's Why You Probably Won't Read This Article About Syria - 0 views

  • analysis by BuzzFeed News shows the number of shares on Facebook, Twitter, and other social media sites of the most-read stories about Syria in the past two months were a 10th of what they were just over a year ago
  • “I work so hard to try and post videos, but no one cares. I don’t know what to say. They just see the article or report, and just say: ‘Oh, that’s really sad.’ And after that they turn the internet off and go and live their lives.”
  • Once the footage is online people like Ethar El-Katatney, executive producer of AJ+, pick it up, and try to work out how they can tell the next story from Syria.“All of the footage I am looking at today looks the same as the footage I saw a year ago and it’s the same dust, and blood, and screaming, and hospital rooms and hospital floors,” El-Katatney told BuzzFeed News. “It has become normalized.”
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  • “People are feeling helpless, they are feeling [that] it is not that we don’t care — it’s that we just can’t do anything.”
  • “We have hit a ceiling in shocking people,” El-Katatney said. “From [a] pool of blood, or a dying child, and now people have come across severed limbs, decapitation. I don’t think there is anything that I can show that will shock anyone, no matter what it is.
  • In the final two months of 2016, as the four-year siege of the rebel-held city of Aleppo ended in brutal fashion, the four more-shared stories were all shared more than 300,000 times. The best performing story (about how people could help civilians trapped in Aleppo) was shared more than half a million times, almost entirely on Facebook.However, in January and February this year, as the Syrian regime and Russian forces bombarded the enclave of Eastern Ghouta, the most viral piece across all publishers (a BBC News article about children struggling to survive) was shared just 42,000 times.
  • human brains are incapable of coping with prolonged catastrophes, a phenomenon called “psychic numbing.”
  • the more death and destruction you see, on social media for example, the more your feelings of empathy actually decreases. “One plus one is less than two,” in this situation, he said.“We do numb to repeated photographs, just like we numb to increasing numbers of individuals,”
  • almost half a million people have been killed, 5 million more have fled the country, and 6 million have been displaced internally
  • Decisions made by US President Donald Trump’s administration have contributed to keeping the conflict from the international community’s attention. Despite bombing Syria, Trump’s only focus in the country has been ISIS, leaving a vacuum that has been occupied fully by Vladimir Putin’s Russian forces, who have worked together with the regime of Bashar al-Assad to bombard the remaining rebels, like those in besieged Eastern Ghouta.
  • "I think the world is frustrated by the actions of the major powers," said Salwa Aksoy, vice president of the National Coalition of Syrian Revolution and Opposition Forces. "The struggle has lasted so long, and the scale of the war crimes has reached a level where there is just too much pain for the international community to look at it,”
  • “All of our calls to protect children inside Syria have gone unheeded,” she said.“People are genuinely upset, if not angry or outraged, about what is happening now in Syria. For that I have no doubt about,’ she said. “There is, however, a certain element of fatigue among people about the suffering and the continuous horror stories. I think a lot of people feel helpless over what is happening and not being able to stop the bloodshed in Syria.”
  • “What kind of ways can we cover Syria that we haven’t done a thousand times before, whether it is with footage or with the scripting? And sometimes we fail. Sometimes there just really is nothing.”For Adam, messaging from a rooftop elsewhere in Ghouta, he could see the people not retweeting his stories, but he could also hear the shelling continue. “Today, like always bombing, airstrikes, and people killed. Like every day,” he said.“But no one cares.”
Ed Webb

OTF | The Rise of Digital Authoritarianism in Egypt: Digital Expression Arrests from 20... - 0 views

  • Since 2013, Egypt has seen the worst human rights crackdown in the country’s history. The current regime has imprisoned thousands of political activists, criminalized demonstrations, and seized control over the media landscape in a successful effort to limit genuine political discourse. Today it is nearly impossible for any alternative narrative to penetrate conventional modalities of expression. As the state continues to close physical spaces and exert control over traditional media, alternative political voices have been forced to rely on digital platforms as a means to express themselves. In response, the state has turned its attention to these platforms.
  • Online censorship increased in 2017 when the websites of 21 independent media and political organizations were blocked inside the country in a single day. The number of blocked websites in Egypt has since surpassed 500. Large-scale phishing attacks are also frequently launched against Egyptian civil society, with attacks documented in 2017 and 2019. In 2018, several new laws were passed in Egyptian parliament limiting digital expression and inhibiting the right to privacy.
  • After compiling a dataset of 333 digital expression violations (including arrests, acquittals, prison sentences, investigations, fines, lawsuits, and pretrial detentions) in Egypt from 2011 until mid-2019, this report found the number of Egyptian citizens targeted by the state for digital expression has been steadily rising. Analysis of this data reveals a yearly increase in the number of digital expression violations, with a surge in the occurrence of these violations beginning in 2016 and continuing until mid-2019, when the data collection for this report ended.
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  • Egyptian security authorities routinely surveil and target social media posts—particularly Facebook content—as a basis for the arrest and detention of Egyptian citizens. The state relies on provisions such as “spreading false news,” “joining a banned group” and “misuse of social media” to detain citizens for digital expression. These charges are found in the Penal Code, the Counterterrorism Law, and the Telecommunications Law, rather than new and highly publicized laws such as the Cybercrime Law and the Media Regulation Law.
  • Detainees held for digital expression violations by the SSP spend long periods in pretrial detention due to the unique procedural rules governing this body; many of these cases are never even brought to court
  • a dramatic increase in the use of a special prosecutorial body, the State Security Prosecution, to investigate digital expression cases.
  • The SSP is a special prosecutorial body which investigates and prosecutes cases related to national security and terrorism; it is notoriously subject to extraordinary procedural rules.
  • Egypt’s Prosecutor General issued a decree in 2018 directing prosecutors to focus on cases concerning the spread of false news. A “rumour collection network” was established for citizens to send in reports of false news and rumours to a WhatsApp number—effectively crowdsourcing surveillance to the civilian population.
  • Egyptian security authorities surveil online expression through technically unsophisticated strategies such as device seizures, observation of social media platforms, and informant networks. Demonstration events on Facebook, particularly during periods of heightened political tension, are routinely targeted by security authorities. Videos are also frequently targeted, as they are easily shared and accessed. Analysis of the dataset found three main types of arrests: mass arrests during periods of increased political tension; high profile figures targeted for their cumulative body of work; and individual posts that cause a citizen to be targeted.
Ed Webb

A New History for a New Turkey: What a 12th-grade textbook has to say about T... - 1 views

  • Rather than simply serving as crude propaganda for Erdoğan’s regime, Contemporary Turkish and World History aspires to do something more ambitious: embed Turkey’s dominant ideology in a whole new nationalist narrative. Taken in its entirety, the book synthesizes diverse strands of Turkish anti-imperialism to offer an all-too-coherent, which is not to say accurate, account of the last hundred years. It celebrates Atatürk and Erdoğan, a century apart, for their struggles against Western hegemony. It praises Cemal Gürsel and Necmettin Erbakan, on abutting pages, for their efforts to promote Turkish industrial independence. And it explains what the works of both John Steinbeck [Con Şıtaynbek] and 50 Cent [Fifti Sent] have to say about the shortcomings of American society.
  • Turkey has long had competing strains of anti-Western, anti-Imperialist and anti-American thought. In the foreign policy realm, Erdogan’s embrace of the Mavi Vatan doctrine showed how his right-wing religious nationalism could make common cause with the left-wing Ulusalcı variety.[5] This book represents a similar alliance in the historiographic realm, demonstrating how the 20th century can be rewritten as a consistent quest for a fully independent Turkey.
  • Ankara is currently being praised for sending indigenously developed drones to Ukraine and simultaneously criticized for holding up Sweden and Finland’s NATO membership. Contemporary Turkish and World History sheds light on the intellectual origins of both these policies
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  • Among the 1930s cultural and intellectual figures given place of pride are Albert Einstein, Pablo Picasso and John Steinbeck. Guernica is reproduced in an inset about Picasso, illustrating the artist’s hatred of war. (47) A lengthy excerpt from the Grapes of Wrath concludes with Steinbeck’s denunciation of depression-era America: “And money that might have gone to wages went for gas, for guns, for agents and spies, for blacklists, for drilling. On the highways the people moved like ants and searched for work, for food. And the anger began to ferment.”
  • The book places added emphasis on the harsh terms imposed on Germany at Versailles. Prefiguring the later treatment of Al Qaeda terrorism, the intention appears not so much to justify Nazism, but rather to present injustice as the causal force behind violence and cruelty in world politics.
  • the Holocaust instead appears here as one among several examples of Western barbarity
  • The foundation of the UN is immediately followed by a discussion of Israel under the heading “Imperial Powers in the Remaking of the Middle East.” (80-81) The Palestine problem, students learn, is the principal cause of conflict in the region. It began when the Ottoman Empire, “the biggest obstacle to the foundation of a Jewish state,” grew weak, leading to the creation of Israel.
  • Next comes a discussion of the post-war financial order and the International Monetary Fund. Students learn that “the IMF’s standard formula, which recommends austerity policies for countries in economic crises, generally results in failure, chaos and social unrest.” (81-83) An excerpt, which students are then asked to discuss, explains how the IMF prescribes different policies for developed and developing countries.
  • only in the context of the Cold War origins of the EU does the book engage in any explicitly religious clash-of-civilizations style rhetoric. The idea of European unity is traced back to the Crusades, while a quote about the centrality of Christianity to European identity appears under a dramatic picture of Pope Francis standing with European leaders. (112) The next page states that the EU’s treatment of Turkey’s candidacy, coupled with the fact that “all the countries within it were Christian” had “raised questions” about the EU’s identity.
  • Early Cold War era decolonization also provides an opportunity to celebrate Atatürk’s role as an anti-imperialist hero for Muslims and the entire Third World. (122-123) “Turkey’s national struggle against imperialism in Anatolia struck the first great blow against imperialism in the 20th century,” the authors write. “Mustafa Kemal, with his role in the War of Independence and his political, economic, social and cultural revolutions after it, served as an example for underdeveloped and colonized nations.” Atatürk himself is quoted as saying, in 1922, that “what we are defending is the cause of all Eastern nations, of all oppressed nations.” Thus, the book explains that “the success of the national struggle brought joy to the entire colonized Islamic world, and served as a source of inspiration to members of other faiths.” The section ends with quotes from leaders such as Jawaharlal Nehru, Muhammad Ali Jinnah, and Habib Bourguiba about how Atatürk inspired them in their own anti-imperial struggles or was simply, in Nehru’s words, “my hero.” An accompanying graphic shows Atatürk’s image superimposed over a map with arrows pointing to all the countries, from Algeria to Indonesia, whose revolutions were supposedly influenced by Turkey’s War of Independence.
  • Amidst the polarization of the Erdoğan era, what is striking in this book is the authors’ efforts to weave together the conflicting strands of Turkish political history into a coherent narrative. Illustrating Ernst Renan’s argument about the role of forgetting in nation-building, this account glosses over the depth of the divisions and hostility between rival historical actors, presenting them as all working side by side toward a common national goal
  • The authors also offer a balanced treatment of the fraught domestic politics during the period from 1945 to 1960 when Turkey held its first democratic election and experienced its first coup. (138-142, 144-146) They focus their criticism on the negative impact of U.S. aid, arguing that Washington intentionally sought to make Turkey economically and politically dependent, then sponsored a coup when these efforts were threatened.
  • The narrative of national independence also helps smooth over Turkey’s Cold War domestic divides. Students are introduced to the ‘68 Generation and left-wing leaders likes Deniz Gezmiş as anti-imperialists protesting against the U.S. Sixth Fleet in support of a fully independent Turkey. (185-186)[9] In this context, Baskin Oran’s work is again cited, this time quoting Uğur Mumcu on the role of “dark forces,” presumably the CIA, in laying the groundwork for Turkey’s 1971 coup.
  • The book also offers a relatively neutral treatment of political activism during the ensuing decade, suggesting that rival ideological movements were all good faith responses to the country’s challenges. On this, the authors quote Kemal Karpat: “Both right and left wing ideologies sought to develop an explanation for social phenomena and a perspective on the future. A person’s choice of one of these ideologies was generally the result of chance or circumstance.” (202) Thus the authors imply that while foreign powers provoked or exploited these movements, the individual citizens who participated in them can be given the benefit of the doubt. Interestingly, the book takes a similar approach in discussing the 2013 Gezi protests: “If various financial interests and foreign intelligence agencies had a role in the Gezi Park events, a majority of the activists were unaware of it and joined these protests of their own will.”
  • Turkey’s real struggle in the 21st century, as in the 20th, is against dependence on foreign technology
  • a book which begins with a portrait of Atatürk ends with a photo of the Bayraktar TB2.
  • the book’s biases are less in the realm of wild distortion and more reminiscent of those that plague ideologically infused nationalistic history education in all too many countries
  • its exaggerated critique of European imperialism may be no more misleading than the whitewashing still found in some European textbooks
  • At moments, Contemporary Turkish and World History is better aligned with recent left-leaning scholarship than the patriotic accounts many Americans grew up reading as well
  • Selçuk Bayraktar, the architect of Turkey’s drone program, said that as a student “I was obsessed with Noam Chomsky.” [16] During the 1980s and 90s, America sold Ankara F-16 jets and Sikorsky helicopters that were used to wage a brutal counterinsurgency campaign in southeast Anatolia. No one was more critical of this than left-wing scholars like Chomsky.[17] Now, Ankara is selling Bayraktar drones to Ethiopia, where they are being used to kill civilians and destroy schools in another violent civil war.
  • Turkey’s marriage of power projection and anti-colonial critique have been particularly visible – and effective – in Africa. Ankara has presented itself as an “emancipatory actor,” while providing humanitarian aid, establishing military bases, selling weapons across the continent.[13] In doing so, Turkish leaders have faced some of the same contradictions as previous emancipatory actors. In August 2020, for example, members of Mali’s military overthrew a president with whom Erdoğan enjoyed good relations. Ankara expressed its “sorrow” and “deep concern.”[14] Then, a month later, Mevlüt Çavuşoğlu became the first foreign official to meet with the country’s new military leaders. “Like a brother,” he “sincerely shared” his hopes for a smooth “transition process” back to democracy
  • Throughout the 20th century, America defined itself as the world’s premier anti-imperialist power, all while gradually reproducing many of the elements that had defined previous empires.[11] Today, it often seems that Turkey’s aspirations for great power status reflect the facets of 20th century American power it has condemned most vigorously
  • certain themes dominate Contemporary Turkish and World History. At the center of its narrative is the struggle for global hegemony, in military, economic, technological and artistic terms
Ed Webb

Security forces detain TV crews and shut down broadcaster's office in Iraqi Kurdistan -... - 1 views

  • the closure by Kurdish security forces of the Iraqi independent broadcaster NRT's office in Dohuk, Iraqi Kurdistan
  • security forces known as Asayish, which are aligned with the ruling Kurdistan Democratic Party, detained NRT television journalists, cameramen, and drivers and confiscated their broadcasting equipment, and on the following day barred entry to NRT's offices
  • "Shutting down a broadcaster and detaining TV crews for delivering the news clearly contradicts the authorities' claim that Iraqi Kurdistan is a regional hub for democracy and press freedom," said CPJ Middle East and North Africa Program Coordinator Sherif Mansour from Washington, D.C.
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  • The detentions and office raid came as a response to NRT's January 26 coverage of a protest at a Turkish military facility in Silazdeh and of the arrival of injured protesters at the Dohuk Emergency Hospital, according to the broadcaster.
  • At least two civilians were killed by a Turkish airstrike in Duhok governorate on January 24, according to news reports. The casualties sparked a protest at the facility in Silazdeh on January 26, which resulted in one protester being killed and several being injured, news reports said.
Ed Webb

With the world on fire, a cowardly, timid news media is a threat to U.S. democracy - 0 views

  • In one of the most perilous moments of crisis the world has seen in 75 years, and with the basic notions of free speech under assault, most newsrooms aren’t fighting back. They are, instead, pulling their punches in a defensive, “rope-a-dope” crouch, and thus failing to truly inform — when democracy itself is at risk.
  • the push not to offend with Middle East news coverage is emblematic of a bigger trend of newsroom timidity and even rank cowardice that also permeates domestic news coverage, at a moment when right-wing extremists are controlling the U.S. House and are on track to regain the White House and full governmental control in a chaotic election year
  • deference to authority is already bleeding into serious policy coverage. Far too many news outlets uncritically repeated Johnson’s first major pronouncement — that $14 billion for Israel could be paid for by cutting the number of IRS agents (who audit the GOP’s millionaire donors) when even a third-grade math student would know that reducing revenue agents would cost the government money. Getting it right isn’t only important because Johnson is now the most powerful Republican in Washington, but also because he’s a kind of a John the Baptist prophecy of an even more dangerous Trump 47 in 14-plus months
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  • Growing threats to press freedom in America have metastasized in the weeks since Oct. 7, with pressure not to make any controversial comments about Israel or Palestine causing some editors and reporters to get fired or resign, which has a chilling effect on others. And my bigger fear is that this growing climate of fear is bleeding into coverage of the 2024 election and the threat to democracy.
  • The world is staring into an abyss, much as it did in the 1930s. Now, as then, the global rise of right-wing authoritarians like Vladimir Putin in Russia and Benjamin Netanyahu in Israel is linked to aggressive militarism that targets civilians and risks a world war. Here at home, the growing sense of chaos abroad and a broken government on Capitol Hill, with Republican Johnson poised to make matters worse, has imperiled the flawed small-d democratic government of President Joe Biden and has primed too many voters to fall into the waiting arms of a wannabe dictator.
  • the institutional caution that frames their work has been getting a lot worse. Some of it is probably business-driven — to avoid offending readers who might cancel a subscription. A lot of it seems to be a desire in newsrooms, after Trump’s whirlwind, lie-filled first term, to return to normalcy and the kind of balance that treats the two parties equally, which means ignoring that one has become an authoritarian cult.
  • things will get worse in less than two years if journalists — as individuals, as newsrooms, and as a profession — can’t stop cowering and won’t adopt a much more aggressive posture in defending democracy, the only political system that makes a functioning news media possible. Some of it is basic stuff — more boldness in calling out a blatant lie, like Johnson’s IRS claim, or making it clear when someone is to blame, like Israel’s killing of journalists.
  • I’m terrified that many angry, apathetic, or ill-informed voters will wake up on Jan. 21, 2025, in a country they no longer recognize ... and didn’t see coming.
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